Film study Flashcards

(37 cards)

1
Q

Genre

A
This is the type of film
determines much of the film itself
techniques
characters
stereotypes
themes
lighting
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

title

A

identifying feature for film

consider whether the title is literal or symbolic and which feature it focuses on

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

camera shot

A

refers to how much of a subject can be seen because of how far away the camera is

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Extreme long shot / Established shot

A
  • the camera is far away
  • the setting can be seen, but little detail
  • it is often used to establish setting and atmosphere
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

long shot

A
  • the whole of the subject can be seen

- more detail is visible

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

medium shot

A

-roughly half subject can be seen
-gives more detail on attitude, emotion
-consider what chaaracter traits are suggested
context and environment are still seen, which contributes to the effect

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Medium two shot

A
  • shows detail of relationship (consider posture, tension, distance, body language)
  • consider line composition
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Medium close up shot

A

Much more detail can be seen (subtleties of facial expression, emotion, etc. can be seen)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Close up shot

A
  • head face is seen (allows focus on emotion/reaction)

- consider effect of choosing close up

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Extreme close up shot

A
  • allows for fine detail to be seen
  • focus on important item/symbol
  • consider what is suggested/revealed through this
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Camera angles

A

Refers to tilting o the camera

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Birds’ eye view/aerial shot

A

1: 00 angle
- Extreme high angle
- creates map like or target affect
- can be used to show setting
- Consider context, Intention effect

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

High view/angel

A

2: 00
- camera positioned above subject and tilted down towards subject
- subject appears smaller
- can suggest inferiority, insignificance, vulnerability, isolation etc.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Neutral view/ Eye level

A

3: 00
- camera not tilted, held straight on, looking straight at subject
- neutral, unbiased and natural or shows the character’s view

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Low view/angle

A

4: 00
- camera below subject and tilted up
- subject appears bigger
- can show intimidation, power, authority, fear, superiority etc.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Worms eye view

A

5: 00
- extreme low angle
- exaggerates insignificance and view seen
- consider context, intention and effect

17
Q

Movement

A

Refers to movement of whole camera

18
Q

Tilting

A
  • Camera moves vertically on axis

- Can emphasis size, tension etc.

19
Q

Panning

A
  • camera moves horizontally on its axis

- often used to show setting, space

20
Q

Tracking/craning/dolly

A
  • camera mounted so it can follow the action
  • can assist with point of view perspective
  • often gives sense of action and immediacy
21
Q

Zooming

A
  • changes shot and we can see this happening
  • consider reason for change
  • actual zooming process can have specific intention
22
Q

Synchronous sound

A

These are natural; sounds matching the action

Birds

23
Q

Non-synchronous sound

A

Added in editing to create specific emotional and atmospheric effects
(Music)

24
Q

Natural lighting

A
  • Neutral, objective
  • Doesn’t suggest anything specific about subject
  • Can link to atmosphere
25
Lighting from above
- creates glow at top of subject | - radiance suggests goodness
26
Lighting from below
Creates strange shadows
27
Back lighting (lighting from behind)
- allows only silhouette to be seen | - ominous, uncertain, sinister etc.
28
Lighting from the side
- allowing half subject to be visible and half in shadow - suggests hypocrisy, deceit, untrustworthiness or uncertainty, conflict, mystery - consider symbolism of light and darkness
29
Color
- used for symbolic effect - consider in context for mood, character traits, atmosphere. - consider reason for recurring color
30
Composition
``` Each frame placed carefully. Consider: -positioning of characters -setting visible -background -important details or symbols -angles -lines -color -proxemics range/distance (how far characters are from one another) ```
31
Framing
Each frame can be seen as a photograph and discussed
32
Mis en scene
Overall visual effect of all elements of a frame
33
Line
-images positioned to suggest certain linear effect or direction (affects movement and atmosphere) horizontal lines - give sense of broadness to the frame, allowing space, peace, rest-fullness, or expanse Vertical lines - these can suggest strength, or importance. Consider setting and atmosphere Diagonal lines - create movement, suggest dynamic activity
34
Cut (editing)
- two different frames literally cut and put together. | - create sense of time passing, or sudden change, contrast or simply a different view
35
Fade (editing)
Fade out - the frames fades to black | Fade in - from a dark screen, the image slowly became visible
36
Dissolve (editing)
One frame fades as another appears simultaneously
37
Superimposition (editing)
Two different frames are visible simultaneously, one being on top of the other. The