Final Flashcards

1
Q

What was San Lorenzo in the Olmec period?

A

Began as a small village, with early occupations around 1500 BCE.

900 BC, San Lorenzo established as first city in Mesoamerica.

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2
Q

What was San Lorenzo described as?

A

San Lorenzo described as a Regal-Ritual City:
 An urban centre that had highly developed ritual functions, but modest populations, relatively weak & decentralized rulership; limited economic function.

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3
Q

What were the sculptures in the San Lorenzo area?

A

Excavations revealed a series of large sculptures, visible from the river,
probably to demonstrate the power of the local rulers.

 The sculpture consisted of two identical kneeling human twins & two jaguars, recalling the “Hero Twins” of mythology

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4
Q

Describe the colossal heads

A

It appears that at least 10 colossal heads and several thrones were present in the main plateau area of the site, forming lines, and dating to the height of occupation.

The heads appear to be wearing helmets, thought to relate to the ritual ball game played in the area.

 The colossal heads are currently believed to have depicted living or recently deceased kings – and thus actual people rather than gods or other mythical figures.
 It is argued that the lines of heads and thrones would have formed a “royal procession” for visitors

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5
Q

What was the cause of the San Lorenzo collapse?

A

 The eventual collapse of this site appears to have been linked to a freshwater spring in the area either drying up, or being insufficient to cope with such a large population.
 Other factors that may have contributed include warfare, invasion, economic decline & the emergence of other centres.

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6
Q

What was La Venta?

A

One of the most important art production centers in early Mesoamerica.

 Some ninety monumental works known from La Venta, including Colossal Heads, sculptures-in-the-round, altars, & stelae, all integrated into a vast ceremonial center.

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7
Q

Explain the monumental architecture at La Venta

A

 Great Pyramid is city centre point.
 Ceremonial core of the city featured nine distinct groups of monumental earthen pyramids.
 These mound groups were originally platforms for temples, administrative buildings, & elite residences.

Arrangement suggests that Mesoamericans had already devised a system of urban planning that paired mass & space early on.

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8
Q

Explain the Great Pyramid of La Venta

A

Center of ancient La Venta is the massive earthen mound known as the Great Pyramid.

it is the largest architectural construction at the site, & one of the earliest known Mesoamerican pyramids.

Original shape of the Great Pyramid unclear.

 Today the pyramid appears as a flat-topped conical mass with undulating sides.
 Recent work suggests the pyramid was originally built a rectangle (slightly longer north to south) with
broadly rounded corners.
 Pyramid situated on a rectangular platform

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9
Q

Why is the Altar 4 and the San Lorenzo monument similar?

A

 La Venta Altar 4 (above) & San Lorenzo Monument 14 (below), are remarkably alike in scale, style, technique, & iconography.
 It could be argued that these are the work of the same master artist & his atelier [studio or workshop].
 Olmec master artists were likely itinerant to some degree, traveling among the various Olmec centers for commissions.
 The approach used in carving these thrones follows that of the Colossal Heads.

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10
Q

Explain the Altars

A

Both altars feature a front side occupied by seated figures leaning forward with their heads extending out from niche-like openings as they reach forward to grasp a rope-like form along the base of the altar.

As they occupy niches, presumably these figures depict rulers, or important lineage ancestors.

On Altar 4, a female figure is preserved on the proper right side.

 The extended left arm is overlapped by the twisted “rope” held by the niche figure.
 The right arm is folded across her chest, covering her breasts, & the right hand is shown palm-out with all but the index finger closed over the palm.
 Suchapointinggesturedirectstheviewer back to the niche figure, in whose direction the lady faces

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11
Q

Explain Complex A of La Venta

A

Complex A produced numerous caches & offerings, including Massive Offerings, Small Offerings, & Pavements or Mosaic Masks.

 Offering 4 consists of 16 human figures & 6 celts.
 It is thought to depict a ritual or court activity of unknown nature.
 The celts appear to have images etched into them.
 Figurines appear to have ear-flares, & have undergone intentional cranial deformation (head binding) as infants.

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12
Q

Why is the mosaic floors of La Venta controversial?

A

 It is argued by some to represent a highly stylized were-jaguar (half human-half jaguar).
 Others argue that it is simply abstract.
 Part of the problem: we have no idea which side is the top.

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13
Q

What do Monument 1 and Stela 1 of La Venta demonstrate?

A

Stela 1 & Monument 1 provide good examples of Olmec stone working techniques.

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14
Q

What was “Olmec were jaguar”? What is it actually thought to be?

A

The were-jaguar motif “consists of a round baby-like face, often with a cleft forehead, characterized by an open mouth with f leshy lips turned down at the corners and canine teeth sometimes shown as fangs” (Murdy 1981:861-862).

the were-jaguar motif may actually represent a real congenital condition.

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15
Q

Explain the “mother culture” of Olmecs and the “sister culture”

A

1940s: Olmec seen as the “mother culture”.
 First civilization of Mesoamerica.
 Dominated Formative period culture & interregional relations.
 Established religious and political principles that define Mesoamerican tradition through Time.

1960s: Olmec considered “sister culture.”
 Many symbols and artifacts considered Olmec actually develop first in outside regions, such as the Valley of Oaxaca and then enter the Olmec region.

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16
Q

What did LiDAR show?

A

 LiDAR survey suggests a large number of previously unknown cities utilized the same
basic layout as La Venta & other Olmec centres.
 May indicate cultural connections far more widespread than ever previously suggested.

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17
Q

What was the Calendar system of Monté Alban?

A

Center provides clear evidence for both a system of writing & a calendar; script has not been translated at this time.
 Calendar appears similar to all others used in Mesoamerica, with 2 interlocked cycles:

 One: a 260-day cycle, thought to correspond to the agricultural cycle.
 Second:a365-daylunarcycle.
 Together these form a 52-year cycle, typical of all Mesoamerican cultures

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18
Q

Explain Teotihuacan

A

First metropolis of the Americas.

Grew into the largest city in the Americas & the sixth-largest in the world in its time.

Teotihuacán means “place where the gods were born;” named by the Aztecs, who arrived in the Valley of Mexico some five hundred years after Teotihuacán was abandoned.

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19
Q

What was the Avenue of the dead?

A

Avenue of the Dead derived from the Aztec “Miccaotli,” or “Way of the Dead.”
 Based on Aztec belief that ancient Teotihuacanos had enshrined the mummy bundles of their ancestors in the temples that once lined the plazas along the route.
 No evidence for this behaviour.

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20
Q

What was the Pyramid of the Sun?

A

First major construction in Teotihuacán.

Pyramid raised in stages, beginning in the Late Preclassic period.

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21
Q

The pyramid of the sun and the moon named after?

A

The Pyramids of the Sun & the Moon are explicitly named in Aztec legends.

Structures may actually have been dedicated to these cosmic entities.

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22
Q

What is the significance of constructing a tunnel below the Pyramid of the sun in Teotihuacán?

A

It is suggested that the significance of constructing a tunnel below the Pyramid of the sun was utilized for the placement of special deposits. Moreover, potentially a location where high-status individuals were buried.

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23
Q

Explain the Pyramid of the moon

A

Not as large as the Pyramid of the Sun, but still massive.

The peak of the Pyramid of the Moon is identical to the Pyramid of the Sun because it was built on higher ground.

Four-level, stepped platform

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24
Q

What is the talud-tablero architecture? Where does this distinct form appear to originate?

A

The talud is the sloping wall and the tablero is a rectangular panel. This distinct form originates in the Pyramids of the Sun & Moon.

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25
Q

Why do archeologists believe that the massive building 4 construction of the Pyramid of the Moon – along with the presence of human and animal sacrifices – indicates a change in state power and social control?

A

a. This is believed because the orientation of Building 4 closely approximates visible Teotihuacán city-grid system. Additionally, it suggests that the grid is complete by Building 4’s construction. Therefore, this suggests state power sufficiently established & centralized to control construction projects at city scale. The social control component comes as a result of Burial 2, suggesting that symbolic proclamation of institutionalized rule in close association with state military apparatus.
b. The substantial enlargement reflects the political power of the state and the people running it. They have enough social power to adhere to this construction.

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26
Q

How were Teotihuacán murals and frescos created?

A

Murals and frescos were created by using stencils into red painted walls.

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27
Q

From the perspective of construction. How does the Temple of Quetzalcoatl differ from the Pyramid of the Sun and Pyramid of the Moon?

A

The temple of Quetzalcoatl had substantially more architectural components such as the taluds and tableros being decorated with high & low relief friezes that continued all around the four sides. There were smaller scales taluds in the temple of Quetzalcoatl were decorated with profile images of Quetzalcoatl. There were variations in colour & texture of the stone. The pyramid of the sun and moon did not have these architectural components involved and were simply pyramids.

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28
Q

What is another name for the Temple of Quetzalcoatl?

A

Pyramid of Quetzalcoatl or Feathered Serpent.

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29
Q

What is the significance of finding 260 human sacrificial victims (in groups of 18 individuals) in the Temple of Quetzalcoatl?

A

The significance of finding 260 human sacrificial victims in groups of 18 individuals is that the number 18 corresponds to the number of 20-day months in the calendar year.

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30
Q

Why do some archaeologists argue that the burning events in Teotihuacán were the result of an internal uprising, rather than a foreign invasion?

A

Some archeologists argue the burning events are an internal uprising as there is no burning evidence anywhere else along with no traces of foreign invasion that are visible at the site. Some argue that this was a revolt against the ruling elite, perhaps a response to a late intervention on the part of the state to control the entrepreneurial movements of the intermediate elite.

31
Q

Maya religion is primarily based on what?

A

Primarily on the document called the Popol Vuh.

32
Q

On a general level, how are ancient Maya myths reflected in the cosmos? Provide an example.

A

The ancient Maya myths are reflected in the cosmos by a tree. The cosmic tree bears a physical resemblance to the Christian cross. It is sometimes depicted as a crocodile. The crocodile is also seen in the sky (Milky way: known as the Wakah-Chan (Great white road) to the Maya. Can also be depicted as a canoe. The Maya created trees of their own: Stelae.

There were 3 levels involved: the upper world (sky world), middle world, and underworld (jawbone)

33
Q

What does room 1 show of the Bonampak Murals?

A

Room 1 shows the preparation & celebration of the designation of Chan Muwaan’s son as successor to the throne of Bonampak.

34
Q

What does room 2 show of the Bonampak Murals?

A

Room 2 show a fierce battle: Chan Muwaan & his nobles capture enemy warriors, who are then tortured & sacrificed as part of the rituals surrounding the designation of Chan Muwaan’s heir.

35
Q

Maya writing uses a combination of phonographs and logographs; what does this mean?

A

A. Phonographs are glyphs that represent an entire word. Additionally, logographs are one of multiple spelling conventions used along with phonographs. These are used together in Maya writing.
B. Anything that could be expressed orally could be expressed in writing as a result of glyphs that represent syllables in words.

36
Q

Although opinions have changed considerably, what is the traditional distinction between the Preclassic and Classic periods?

A

The traditional distinction between preclassical and classical periods is that preclassical occurs before writing and classical period is when there was writing.

37
Q

What was El Mirador?

A

Largest Preclassic Centre

El Miradór had more than a dozen temple pyramids and complexes.

 City appears to have been planned from its origins, as the majority of the structures align with each other and with astronomical phenomena.
 Also appears to have been reoccupied during the Late Classic, although only small structures were built.
 The Late Classic occupation may have been by priests or scribes, based on the Codex-style ceramics found there

38
Q

What was Tikal?

A

Largest and most powerful centre of the Early Classic period.

39
Q

What is the Entrada of AD 378? Why does the Entrada event have such an enormous impact on the Maya world?

A

The Entrada of AD 378 is when the new lord came to Tikal. It was a political takeover or military conquest. This event has such an enormous impact on the Maya world as it causes a dynastic change in which the ruler was killed, and his lineage ended and was replaced.

40
Q

Why is it significant that the rulers of Calakmúl were able to install rulers in other cities? How would this influence politics?

A

It is significant as Sky witness was sufficiently powerful to be able to pick rulers in other smaller centres, implying great social power. This influences politics as this demonstrates the influence of social power during this time.

41
Q

Explain Caracól and Tikal

A

 The event of AD 562 results in a dynastic change at Tikal, and the
beginning of a prolonged Hiatus period.
 For the next ~130 years or so, few monuments were erected at Tikal.
 Tikal burials & offerings become much less elaborate during this time.
 Animal Skull, the Tikal ruler, points to the pre-Teotihuacán event dynasty for his lineage.

42
Q

What is the Tikal hiatus? How does it manifest in terms of inscriptions and offerings?

A

The Tikal hiatus is marked by the halt in the erection of monuments with inscriptions. It manifests in terms of inscriptions and offerings as they became much less elaborate during this time. Offerings which were typically situated outdoors during the Early Classic, are now located in small rooms, suggesting small audiences observing or participating in rituals.

43
Q

What is the Copán: Hieroglyphic Stairway?

A

Step risers sculptured with some 2,200 individual glyphs.
 Longest known inscription in Maya hieroglyphic writing.
 Unfortunately, the steps were largely jumbled by the collapse of the stairway in prehistory, and only the lowest portion is in its original position.

44
Q

Describe the Rosalila Temple of Copán and explain how this provides rare insights into the decoration of Maya structures.

A

Rosalila is an entire structure, complete with roofcomb. It was preserved with its stucco coating intact, including vibrant colours of red, white, green and yellow. This provides rare insight into the decoration of Maya structures as this demonstrates how the buildings appeared during this time.

45
Q

Describe Pakal’s burial mask

A

 Pakal was buried wearing a full- sized mask made of jade.
 Archaeologists believe the face is that of Pakal himself.
 Jade was one of the most important ritual materials, due to its prestige value and its colour.
 Green is the colour of the centre, the colour of life.
 Depicting the deceased ruler in this colour may have been a means of keeping him “alive”.

46
Q

How does the sarcophagus lid of Lord Pakal provide insight into the Maya view of death and the cosmos?

A

The sarcophagus lid of Lord Pakal provides insight into the Maya view of death and the cosmos through multiple depictions on the lid. The world tree – Maya Axis Mundi – connects the celestial, terrestrial, and underworld relating to the cosmos. The trunk is marked with signs for wood, brightness, sacredness, blood, and bloodletting representing what is coming out of him at death. The Celestial Bird at the top of the tree and the quadripartite Monster (sun) both carry Pakal on his journey through the 9 levels of the underworld to his resurrection into the celestial realm when the sun rises again into the heavens.

47
Q

How was the Classic Maya Collapse first recognized by archaeologists?

A

The classic Maya collapse was first recognised by archeologists by the last dated monument. The collapse is characterized by a cessation of the recording of historic events using the long count.

48
Q

Why do some archaeologists now argue that there was no Classic Maya Collapse, as it has long been understood?

A

Some archeologists now argue that there was no Classic Maya Collapse as there is no causing factor that caused the collapse implying that the collapse did not occur. Rather they change their material cultures and move into different areas and is a transformation of society.

49
Q

Explain the term Aztec

A

The term “Aztec” is a misnomer, and refers to all peoples who speak languages of the Nahua family (much of northern Mexico and the desert Southwest of the USA spoke such languages).

50
Q

Why did the Aztecs practice human sacrifice?

A

The Aztecs practice human sacrifice because of the scale involved, and partially because of Europeans witnessing the event. They practiced this they captured their enemies during war which occurred often and sacrificed them in front of their god.

51
Q

What were Skull racks?

A

The heads of sacrificial victims were often placed on display, using Tzompantli, or skull racks.

52
Q

Why did the Aztec approach to state expansion result in such weak alliances with conquered territories?

A

The Aztec approach to state expansion resulted in such a week alliance with conquered territories because the Aztec’s had armies that marched into territories and asked the local leader to join their empire, if they refused they were killed and they then asked the new ruler the same question. Therefore, they reluctantly joined resulting in such weak alliances.

53
Q

What is the Lanzón? Why is it significant that this sculpture cannot be removed from the Old Temple of Chavín de Huantár? What does this tell us about the construction of this structure?

A

The Lanzón is a monolithic sculpture and is a roughly triangular shaft made of white granite that depicts Primary Deity of the Old Temple. It is significant that this sculpture cannot be removed because it makes it one of few examples of Andean sculpture that is still in its original location. This tells us that there was restricted access to this sculpture as it was surrounded by stone walls all the way around it.

54
Q

What might have been the function of the sunken courtyards associated with the temples at Chavín de Huantár?

A

The function of the sunken courtyards associated with the temples at Chavin de Huantár was a water feature as well as a courtyard.

55
Q

What is the difference between Nasca and Nazca?

A

● Nasca = culture.
● Nazca = Valley.

56
Q

What evidence is there for the use of psychotropic plants in rituals at Chavín de Huantár?

A

The evidence for the use of psychotropic plants in rituals comes from anthropomorphic carvings depicting deity impersonators carrying the psychotropic plant of San Pedro cacti, in addition it is mentioned that priests and initiates ingested psychotropic plants before entering structures.

57
Q

What is a geoglyph? What technology was required to create the Nasca geoglyphs?

A

A geoglyph is a type of land art, and sometimes rock art which are located on hill sides. The technology that was required was a straight line marked off with rope and to pill up dirt or flip over rocks. This was done through a subtractive method.

58
Q

What was the condor Geoglyph?

A

thin beak, that this represents a hummingbird or some variety of coastal waterfowl.

59
Q

How were the fine-line and Molded Portrait ceramics of the Nasca produced?

A

They were made by coiling the body and stirrup-spout separately, then joining the pieces together. The moche was developed by fired clay, two-part molds. Once the body was leather hard, artists would sketch a design on by scratching it into the clay with a sharp tool. The vessel was then coated with white; using the sketch lines as a guide, red slip would then be added. Most were painted red on white, although a few examples of white on red and as a polychrome painted ceramic are known.

60
Q

Why does the burial of the Lord of Sipán suggest the presence of multiple kingdoms within the Moche area?

A

It suggests the presence of multiple kingdoms within the Moche area as we believe that the Lord of Sipán was a king although it is wondered why he was not buried in the capital of Cerro Blanco, suggesting that there were multiple kingdoms within the Moche area.

61
Q

Explain Huaca De la Luna? Describe the murals

A

Huaca de la Luna or Shrine of the Moon

The sides of Platform I were stepped & each level was ornamented with a band of painted, low-relief mud sculptures.

 Nude captives, bound together by ropes around their necks, trail behind the victorious warriors; they were brought into the city to be sacrificed.
 The second level shows a line of Moche wearing longer tunics & elaborate headdresses.
 They dance together with joined hands, presumably as part of a victory celebration

62
Q

Why do the skeletal remains of the Moche Huaca de la Luna suggest possible sacrificial victims or victims of some other kind of violence?

A

The skeletal remains suggest possible sacrificial victims or victims of some other kind of violence as the evidence indicates sacrificial victims showed multiple signs of trauma and were victims to other kinds of violence as their throats were slashed and their bodies were dismembered and left unburied leading to fly eggs casing suggesting some other kind of violence.

63
Q

Why would the architectural style of the Huari (Wari) culture be described as being designed “to keep people out”?

A

It would be described as being designed to “keep people out” as the architecture is designed to be highly defensive, with large formidable walls that are up to 3 stories and have no windows. In addition, there are few entrances. All together this architecture implies to “keep people out”.

64
Q

Describe the Huari site

A

one of largest sites in the Andes.

Architecture emphasizes “labyrinthine enclosures” rather than large-volume pyramids or mounds.

Circular or D-shaped buildings used as religious buildings.

65
Q

Explain Yayamama Stela

A

Center of the Semi-Subterranean Temple: a monumental stone stela carved with a figure dressed in a short kilt decorated with pumas.

This & two smaller nearby stelae were carved in the Yayamama style, suggesting the Semi-Subterranean Temple may have been the first structure built at the site & the stela its original cult image

66
Q

What is the “Gateway of the Sun” and what is unusual about the construction methods employed on this monument? Why are the “niches” carved into the back of this monument significant?

A

The Gateway of the sun is a monumental portal and was carved out of a single piece of stone rather than being built out of 3, suggesting the ritual importance of portals. The niches carved into the back are important because they may have been used for making offerings as well as used for attaching bits of building materials indicating it may be part of a major construction process.

67
Q

Why might the Muisca culture be the origin of the myth of El Dorado?

A

The Muisca culture might be the origin of the myth of El Dorado because once every year the chief performed a ceremony covered in golden powder and he would canoe to the center or a lake where he threw golden artifacts into the lake. Many of the artifacts have been found in Lake Parime.

68
Q

Explain the origin myth of Inca

A

 Myth: Incas attacked by rival Chankas.
 Attack so vigorous, the ruler of Cusco (and son) fled the area, leaving defence to a young prince.
 Prince reported a miracle: stones of Cusco were transforming into warriors to defend city.
 Incas routed Chankas.
 Cowardly king exiled, new young
prince pronounced king:
 Pachacuti (Cataclysm) Inca Yupanqui.

 Archaeological evidence suggests a longer process than a single battle to forge empire.
 New lands developed.
 Local groups subjugated.
 Marriage alliances between elites often used to form bonds.
 Long-term regional political processes were at play more than a single charismatic leader.

69
Q

What is Panaqa? How did Panaqa function in Inca society?

A

Panaqa is property amassed by emperor during their lifetime. Panaqa played an important role in the Inca society in regard to the expansion of the Inca Empire. Each new ruler was forced to go out and get new property which led to the expansion over time.

70
Q

Why would the Inca build an enormous system of roads when they lacked wheeled vehicles or horses?

A

The Inca built an enormous system of roads for the rapid movement of information which was done along these roads despite the lack of wheeled vehicles or horses.

71
Q

What was the purpose of Machu Picchu?

A

Machu Picchu was built as an estate for Emperor Pachacuti. When conditions at the capital were cold and unpleasant the ruler & his retinue would travel here.

72
Q

How does Pompeii offer insights into ancient lifeways that are difficult to see in other archaeological sites?

A

Pompeii offers insights into ancient lifeways that are difficult to see in other archeological sites as it created a record of organic materials that do not normally preserve, therefore were able to reconstruct things that were not able to see archeologically or at other archeological sites.

73
Q

What sorts of “modern” conveniences in housing can also be seen 2000 years earlier in Pompeii?

A

The sorts of modern conveniences in housing that are seen 2000 years earlier in Pompeii are having retail stores on the bottom of a building with people living above in the same building.