final Flashcards

1
Q

simple meter

A

subdivide beats can be divided into 2 for (division beats, not the number of beats in a measure)

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2
Q

Compound Meter

A

beats can be divided into 3’s

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3
Q

Duple,Triple,Quuadruple

A

describes the number of beats in a bar

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4
Q

duple

A

2

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5
Q

tripel

A

3 beats per measure

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6
Q

quadruple meter

A

4 beats per measure

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7
Q

4/8

A

quadruple meter

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8
Q

4/2

A

quadruple meter

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9
Q

4/4

A

quadruple meter

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10
Q

4/16

A

quadruple meter

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11
Q

6/8

A

can be duple or triple

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12
Q

compound meter

A

when notes are grouped/sub divide in groups of 3

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13
Q

2/4

A

simple duple

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14
Q

3/4

A

simple quadruple

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15
Q

4/4

A

simple quadruple

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16
Q

6/8

A

compound duple

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17
Q

9/8

A

compund triple

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18
Q

12/8

A

compound quadruple

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19
Q

6/4

A

compound duple

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20
Q

9/2

A

compound triple

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21
Q

12/16

A

compound quadruple

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22
Q

C/do

A

1st degree/tonic/i

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23
Q

D/Re

A

2, supertonic,ii, Re

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24
Q

E/mi

A

3,Mediant,iii

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25
F/Fa
4, subdominant,IV
26
G/Sol
5, Dominant, V
27
A/La
6, Submediant, vi
28
B/Ti
7, leading tone, vii
29
2nd quality
Major
30
3rd quality
major
31
6th quality
major
32
7th quality
major
33
4th quality
perfect
34
5th quality
perfect
35
octave quality
perfect
36
unison quality
perfect
37
compound interval perfect
perfect
38
compound interval minor
major
39
compound interval diminished
Augmented
40
descending
higher to lower pitches
41
ascending
lower to higher pitches
42
add for compound interval
7(qualities dont change)
43
Triads major
1-3-5
44
Triad minor
1-3b-5
45
triad diminishes
1-b3-b5
46
triad augmented
1-3-#5
47
minor triad
maj3+min3=perfect 5th
48
min3+maj3
min+maj3=perfect fifth
49
diminished triad
min3+min3rd=dim 5th
50
augmented triad
maj3+maj3=augmented 5th
51
(seventh chord) dominant 7
1-3-5-b7
51
(seventh chord) major 7
1-3-5-7
52
(seventh chord) Dominant 7
1-3-5-b7
53
(seventh chord) minor 7th
1-b3-5-b7
54
(seventh chord) half diminished 7
1-b3-b5-b7
55
(seventh chord) fully diminished 7
1-b3-b5-bb7
56
(seventh chord) minor-major 7
1-b3-5-7
57
root postion figuered bass
5/3
58
1st inversion figured bass
6/3
59
2nd inversion
6/4