Final Flashcards

(72 cards)

1
Q

Term for free rhythm in Raga

A

Anibaddha

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2
Q

Term for rhythmic pulse in raga

A

Nibaddha

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3
Q

Beginning of the jor in raga features

A

Nibaddha without drum accompaniment

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4
Q

3rd part of the solo exposition of a raga

A

Jhala

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5
Q

Features of the Jhala

A

Fast, ends w/ a climax

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6
Q

This part of a raga is a solo, has no rhythm, and has spiritually the highest importance in Indian music

A

Alap

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7
Q

9 Ragas / Emotional Categories

A
  1. Sadness, pathos
  2. Love, joy
  3. Heroism
  4. Laughter, humour
  5. Anger
  6. Fear
  7. Disgust
  8. Surprise
  9. Peace
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8
Q

Part of the raga where the tabla player starts

A

Gat

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9
Q

Part of a raga with fixed instrumental composition of drum accompaniment with an alternation of:

Vistar & Gat

A

Gat

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10
Q

Final, concluding part of a raga, climatic

A

Jhala

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11
Q

Solo improvisation by melodic instrument

A

Vistar

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12
Q

composed melody used as a refrain to accompany solo improvisation by tabla

A

Gat

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13
Q

South Indian Instrumentation

A

• Mridangam (main drum used)
• ghatam (clay pot)
• Vina
• Harmonium
- Violin

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14
Q

a South Indian genre of devotional sings using Hindu poetry

A

South Indian Carnatic Classical Singing (Kristi)

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15
Q

South Indian Carnatic Singing is predominantly ____ (improvised or composed)

A

Composed

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16
Q

Hindu devotional worship songs from India (North & South)

A

Bhajan

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17
Q

The Hindi language film industry based in Mumbai (Bombay)

A

Bollywood

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18
Q

Music from the Bollywood movies and other film types in Indian

A

Filmi

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19
Q

Musical components/instruments of Qawwali:

A

vocals
- harmonium
- tabla and dholak

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20
Q

Music structure of Qawwali

A
  • vocals
    • harmonium
    • tabla and dholak
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21
Q

A Sufi Devotional Song

A

Qawwali

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22
Q

Nhac Tai Tu Instrumentation:

A

1) Dan Co

2) Dan Tranh

3) Dan Kim

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23
Q

A Vietnamese bowed lute, cousin of the erhu

A

1) Dan Co

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24
Q

a plucked lute North Indian instrument with:

• a large main body resonating chamber
• a Second resonating chamber up top of instrument
• Sympathetic strings underneath frets (6-7 main strings for melodies, movable frets are raised up quite high, allowing room for additional strings underneath which also resonate
• a very complex instrument

A

Sitar

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25
A North Indian classical music instrument similar to a sitar but with a metal board that brightens the sound
Sarod
26
This North Indian classical instrument is a triangle shaped, struck zither and SHARES A SILK ROAD RELATIONSHIP WITH YANG QUIN CHINESE INSTRUMENT
Santoor
27
List of Indian Classical instruments:
1) Sitar 2) Sarod 3) Santoor 4) Bansuri 5) Tabla 6) Tambura
28
3 main sections of Hindustani raga:
1) Alap (includes Alap, jor, jhala) 2) Gat (includes vistar and gat alternations) 3) Jhala (final climatic conclusion)
29
Bollywood is popular music from
Mumbai, India
30
Music from Bollywood movies is called
Filmi
31
This genre of music originates from the Sufi (Islamic) people of Pakistan
Qawwali
32
This spiritual, south Asian genre emphasizes the importance of poetry and draws on music that developed from patronage, but also has pop and religious devotion (Seems like love songs, but are love songs to God)
Qawwali
33
_____ ___ is characterized by: • Numerous kingdoms, each which had music/musicians employed in their royal courts - Thai monarchy sponsored music • diverse area w/ hundreds of ethnic groups • Indonesia has 17,000 islands alone
Southeast Asia
34
2 materials Southeastern Asian instruments are made of:
1) Bronze (esp. idiophone) 2) Bamboo (winds)
35
__ ___Selected Musical Traditions include: - Vietnam - Laos/ NE Thailand - Thailand - Java (densely populated parts of the world) - Bali (Hindu enclave, uses arts as form of devotion)
Southeast Asian
36
Bronze Gong Ensembles are ___ music from ____
Folk, Vietnam
37
Nhac Tai Tu is amateur music made for the enjoyment of performers from
Vietnam
38
Piphat is music from the royal courts in
Thailand
39
Lam Klawn is folk music from
Laos/NE Thailand
40
Gamelan music is from
Java
41
Gamelan Gong Kebyar music is Hindu enclave which uses arts as form of devotion and is from
Bali
42
ensemble of gongs, cymbals, and drums of the upland (highlands) people of Vietnam
Bronze Gong Ensmeble
43
Features of Vietnamese Bronze Gong Ensembles:
1) gongs of different pitchs 2) used for dance accompaniment (festivals, religious rituals) 3) interlocking composite melody - everybody hits a gong at a different time/pitch in melody 4) music is composed and passed down orally 5) music reflects the rural lifestyle, not hierarichal
44
• Bronze metallurgy came to Southeast Asia from
China
45
• Instruments made of___ were developed in Southeast Asia • ___instruments tend to have a lot of Chinese influence
- bronze - bamboo
46
Southern Vietnam recreational folk music w/ Chinese influence & Indian influnce
Nhac Thai Tu
47
Nhac Tai Tu Instrumentation:
1) Dan Co - Bowed Lute. __|__ 2) Dan Tranh [_____] 3) Dan Kim O——+-
48
The ___ is a Silk Road cousin of the erhu
Dan Co
49
The __ is a Silk Road cousin of the Gu Zheng (China) and Koto (Japan)
Dan Tranh
50
The ___ is a silk road cousin of the Yue Qin
Dan Kim
51
Although Nac Thai Tu instrumentation has Chinese influence, the Indian influence comes from:
the model system and rhythmic cycles where the last beat is emphasized
52
Instruments of the Thailand Piphat genre:
1) ranat ek C____)
53
Instruments of the Thailand Piphat genre:
1) ranat ek (_____) ^ 2) ranat thum - |_______| same but larger resonating body 3) kong wok lek and yai - U shaped circle of idiophones and player in centre 4) pi - double reed instrument
54
4 layers of polyphonic stratification in Piphat:
Layers: 1) ranet ek 2) khong wong lek 3) ranat thum 4) khong wong yai
55
A genre of music from northeastern (Laos) Thailand vocal repartee (conversation w/ quick, witty replies) with khaen accompaniment
Lam Klawn
56
A bamboo mouth organ with a free read from Laos
Khaen
57
58
These ensembles (orchestras) dominate music of Java and Bali
Gamelon
59
Indonesian metallophone orchestras include:
- metal keyed instruments - spiked fiddle, bamboo flutes - barrel-shaped drums - male chorus & female soloists
60
Gamelan Instrument Categories
1. Knobbed Gongs (hanging & kettle) 2. Keyboards (look like xylophones, metal keys) 3. Other melodic instruments (strings, wind) 4. Membranophones
61
In Gamelon, how are instruments arranged?
In right angles to eachother
62
What does the order of instrumentation in Gamelon represent?
Cardinal directions
63
64
Gamelon Composition Form:
1) Head (introduction) - super short solo intro 2) Body - colotomic cycle structure, (aka gong cycle), strongest beat at the end, interlocking assigned gong pitches create melody - polyphonic stratification - layers of instruments playing at different rhythms 3) Foot - conclusion
65
In Gamelon, which instrument plays the colotomic cycle (main beat)?
The hanging gongs
66
In Gamelon, which instrument plays the end accented beat?
Gong agneg
67
In gamleo, which instrument plays the main melody?
The kettle gongs
68
In Gamelon, after the colotomic (hanging gongs) and basic melody (kettle gongs), what plays the elaborating melody?
Metal keyed instruments
69
70
Differences between Java & Bali Music:
1) Javanese is performed by amateurs - smooth, gradual changes, moderate tempo 2) Balinese is played by professionals - complex, abrupt, fast
71
72