Final Flashcards

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1
Q

1929

A

the Stock Market, artificially inflated by speculation, crashes on “Black Tuesday” October 25 and loses 69 billion dollars in value by 1933. REASONS: wages fell because Fordist production resulted in jammed warehouses overstocked with unsold products; Construction and Auto industries falter as consumer demand decreased; Spending for consumer goods in 1928-29 slowed to 1.5% Workers borrowed regularly; the middle and lower classes did not earn enough to keep the economy going—by 1929 1% of population owned 36 percent of all the personal wealth.

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2
Q

1930

A

A decade long drought begins in the Dust Bowl. The drought turned fertile farm regions into virtual deserts from Texas to the Dakotas. Hundreds of thousands of families migrated to California where employment opportunities were poor. Many worked as agricultural migrants, picking crops for very low wages. –Sinclair Lewis first American to win Nobel Prize for literature\ Hart Crane publishes The Bridge.

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3
Q

1933-1938

A

New Deal legislation began in the first 100 days of Roosevelt’s Presidency. Repealed prohibition (18th amendment). Increased the power of the federal gov’t allowing it to challenge powerful corporations and stabilize troubled areas of the economy like banking and stock market. Created support systems for most vulnerable part of population (social security and other relief programs) Good neighbor policy with Latin America, renounces Pratt Amendment of 1902, increases import export to Latin American 100%. Federal pension for the elderly freeing jobs for younger unemployed (Dr. Francis E. Townsend). ———————————————————————————————- 1934—Securities and Exchange commission established to oversee Stock market 1935–First Neutrality Act impartial embargo of arms to both sides in a military conflict. 1936—United Auto Workers (UAW) Union begin a sit-down strike. To prevent to company for using strikebreakers employees in several GM plants in Detroit sat down and refused to leave or work. GM relented and workers won concessions when Michigan’s governor refused to call in the national guard and federal government refused to intervene. Eugene O’Neill wins Nobel Prize for Literature. 1938—The Fair Labor standards Act sets minimum wages and maximum hours. The Munich pact appeases Hitler’s threats of invading Czechoslovakia by granting him the Sudetenland in Czechoslovakia if he promised not to invade. Six months later he invaded.

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4
Q

1939

A

1939—Nazi-Soviet non-aggression pact shocks the world. The agreement freed Hitler to invade Poland without Soviet opposition and allowed Soviets to bring in eastern Poland and Baltic states into Soviet control. WWII begins. France and England declared war on Germany when Hitler invaded Poland. John Steinbeck publishes Grapes of Wrath.

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5
Q

1915

A

Sinking of the RMS Lusitania : 1,198 killed in this torpedo attack on a civilian british passenger liner The controversial film, The Birth of a Nation, directed by D. W. Griffith, premieres in Los Angeles. It will be the highest-grossing film for around 25 years. Eliot’s “The Love Song of J. Alfred Prufrock”

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6
Q

Truth is forced to fly like a scared white doe in the woodlands; and only by cunning glimpses will she reveal herself, as in Shakespeare and other masters of the great Art of Telling the Truth…

A

Herman Melville “Hawthorne and His Mosses”

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7
Q

Twenty-eight young men bathe by the shore, Twenty-eight young men and all so friendly: Twenty-eight years of womanly life and all so lonesome.

A

Walt Whitman from “Song of Myself”

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8
Q

I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.

A

Walt Whitman from “Song of Myself”

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9
Q

Others will enter the gates of the ferry and cross from shore to shore, Others will watch the run of the flood-tide, Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east, Others will see the islands large and small; Fifty years hence, others will see them as they cross, the sun half an hour high, A hundred years hence, or ever so many hundred years hence, others will see them, Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide.

A

Walt Whitman “Crossing the Brooklyn Ferry”

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10
Q

1 When lilacs last in the dooryard bloom’d, And the great star early droop’d in the western sky in the night, I mourn’d, and yet shall mourn with ever-returning spring. Ever-returning spring, trinity sure to me you bring, Lilac blooming perennial and drooping star in the west, And thought of him I love. 2 O powerful western fallen star! O shades of night—O moody, tearful night! O great star disappear’d—O the black murk that hides the star! O cruel hands that hold me powerless—O helpless soul of me! O harsh surrounding cloud that will not free my soul.

A

Walt Whitman “When Lilacs in the Morning Bloom’d”

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11
Q

Because I could not stop for Death– He kindly stopped for me– The Carriage held but just ourselves– And Immortality

A

Emily Dickinson “Because i could not stop…”

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12
Q

The eyes glaze once–and that is Death– Impossible to feign The Beads open the Forehead By homely Anguish strung.

A

Emily Dickinson “I like the look of agony…”

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13
Q

It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,–an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.

A

W.E.B. DuBois “Of Our Spiritual Strivings”

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14
Q

And he was no soft-tongued apologist; He spoke straightforward, fearlessly uncowed; The sunlight of his truth dispelled the mist, And set in bold relief each dark hued cloud; To sin and crime he gave their proper hue, And hurled at evil what was evil’s due.

A

Paul Dunbar “Fredrick Douglass”

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15
Q

We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. Why should the world be over-wise, In counting all our tears and sighs? Nay, let them only see us, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!

A

Paul Dunbar “We wear the Mask”

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16
Q

Look for local dialact

A

Charles Chesnutt “The Goophered Grapevine”

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17
Q

This wallpaper has a kind of subpattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then.

A

Charlotte Gilman “the Yellow Wallpaper”

18
Q

Besides, They’ll see how beautiful I am And be ashamed— I, too, am America.

A

Langston Hughes “I, Too”

19
Q

Kitchenettes With no heat And garbage In the halls. Who’re you, outsider? Ask me who am I.

A

Langston Hughes “Visitors to the Black Belt”

20
Q

I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I’m dead. I cannot live on tomorrow’s bread.

A

Langston Hughes “Democracy”

21
Q

I saw the whole of Baltimore From May until December; Of all the things that happened there That’s all that I remember. (Look for either baltimore or nigger)

A

Countee Cullen “Incident”

22
Q

I doubt not God is good, well-meaning, kind And did He stoop to quibble could tell why The little buried mole continues blind, Why flesh that mirrors Him must some day die, … Yet do I marvel at this curious thing: To make a poet black, and bid him sing!

A

Countee Cullen “Yet, I do Marvel”

23
Q

A feast of moon and men and barking hounds, An orgy for some genius of the South With blood-hot eyes and cane-lipped scented mouth, Surprised in making folk-songs from soul sounds.

A

Jean Toomer “Georgia Dusk”

24
Q

Hair–braided chestnut, coiled like a lyncher’s rope, Eyes–fagots, Lips–old scars, or the first red blisters, Breath–the last sweet scent of cane, And her slim body, white as the ash of black flesh after flame.Portrait in Georgia

A

Jean Toomer “Portrait in Georgia”

25
Q

imaginary gardens with real toads in them

A

Marianne Moore “Poetry”

26
Q

It has memory’s ear     that can hear without having to hear.         Like the gyroscope’s fall,         truly unequivocal because trued by regnant certainty, –look for strong use of breaks

A

Marianne Moore “The Mind is an Enchanting thing”

27
Q

Your thighs are appletrees whose blossoms touch the sky. Which sky? The sky where Watteau hung a lady’s slipper. Your knees are a southern breeze – or a gust of snow. Agh! what sort of man was Fragonard? –look for question responses

A

W.C. Williams “Portrait of a Lady”

28
Q

Lifeless in appearance, sluggish dazed spring approaches- They enter the new world naked, cold, uncertain of all save that they enter. All about them the cold, familiar wind-

A

W.C. Williams “Spring and All”

29
Q

so much depends upon a red wheel barrow glazed with rain water beside the white chickens.

A

W.C. Williams “The Red Wheel Barrow”

30
Q

plums…saving for breakfast…forgive me

A

W.C. Williams “This is just to Say”

31
Q

She says, “I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?” ——- DESCRIPTIONS OF SUNDAY OBJECTS, QUESTIONS ON FAITH, “ORGY”

A

Wallace Stevens “Sunday Morning”

32
Q

I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill.

A

Wallace Stevens “Anecdote of the jar”

33
Q

Then the theatre was changed To something else. Its past was a souvenir. It has to be living, to learn the speech of the place. It has to face the men of the time and to meet The women of the time. It has to think about war And it has to find what will suffice. It has To construct a new stage. It has to be on that stage,

A

Wallace Stevens “Of Modern Poetry”

34
Q

I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The BLACKBIRD whistling Or just after.

A

Wallace Stevens “Thirteen Ways of looking at a Black bird”

35
Q

Michaelangelo, Peaches, Yellow Fog, bald spot, part of hair, hamlet,

A

T.S. Eliot “The Love Song of J. Alfred Prufrock”

36
Q

Poetry is not a turning loose of emotion, but an escape from emotion, it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. Shakespeare acquired more essential history from Plutarch than most men could from the whole British Museum.

A

T.S. Eliot “Tradition and the Individual Talent”

37
Q

You had your searches, your uncertainties, And this is good to know—for us, I mean, Who bear the brunt of our America And try to wrench her impulse into art. Lincoln

A

Ezra Pound “To Whistler, American”

38
Q

I make a pact with you, Walt Whitman - I have detested you long enough.

A

Ezra Pound “A Pact”

39
Q

The apparition of these faces in the crowd; Petals on a wet, black bough.

A

Ezra Pound “In a Station of a Metro”

40
Q

He says again, ‘Good fences make good neighbors.’

A

Robert Frost “Mending Wall”

41
Q

What but design of darkness to appall?– If design govern in a thing so small.

A

Robert Frost “Design”

42
Q

“In the morning there is meaning, in the evening there is feeling.”

A

Gertrude Stein “Tender buttons”