FINAL

Question 1

Acting

Answer 1

an artistic craft that depicts humanity and characters in the context of its time, and environment. people pretending to do or be something to tell watchers a story.

Question 2

Projection

Answer 2

abe throw their voice into the audience so it reaches everywhere but is still believable

Question 3

Credibility

Answer 3

The quality of being trusted or believed in, the quality of being convincing

Question 4

objective

Answer 4

a thing aimed at: what the character wants. Stanislavski believed that each scene, the actor need to know the motive in order to carry the action

Question 5

Actions

Answer 5

outwards signals, as a result of a psychological objective

Question 6

Super objective

Answer 6

The throughline of action; the culmination of individual objective

Question 7

Magic IF

Answer 7

the ability to imagine oneself in a set of imaginary circumstances, and envision the circumstances of facing that situation in terms of action. creates a more complex phycological world for a character when an actor knows little about the role

Question 8

Imagination

Answer 8

the faculty of forming new ideas, images, or concepts of external objects not present to the scene.

Question 9

Suspension of Disbelief

Answer 9

Willingness to suspend one’s critical faculties to believe something surreal. Samuel C. “poetic faith”. The sacrifice of realism for the enjoyable.

Question 10

Henik Ibsen R

Answer 10

Founder of Modern Realistic Drama; tacked everyday taboo subjects that questioned standards of society.

Question 11

Anton Chekov R

Answer 11

Russian writer who moved away from melodramatic elements like suicide…blended tragedy and comedy. 12 characters who were fickle. Thought in pauses.

Question 12

August Strindberg R

Answer 12

personalized and intensified Ibsen’s social drama. neuroses and anxieties in 20th century…naturalism: two people who hate each other, not long character backgrounds

Question 13

Bertolt Brech

Answer 13

Epic Threatre. spectator identify emotionally with characters, and moved to self reflection. Episodic structure.

Question 14

Antonin Artaud

Answer 14

theatre return to magical and ritual; totem and gesture. “Theatre of cruelty”. SENSORY

Question 15

Samuel Beckett

Answer 15

tragicomic outlook on human existences, with humour. minimalist. Theatre of the Absrud.his works deal with despair and the will to survive
in spite of that despair, in the face of an uncomprehending and incomprehensible world.