Final Exam Flashcards

(33 cards)

1
Q

Fallacy of Composition

A

Assuming that what was true for the part is automatically true for the whole

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2
Q

Common cause fallacy

A

Assuming that one thing causes another when in fact a third factor is really the cause of both

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3
Q

Post how fallacy

A

Assuming that because on event occurred before another, the first is necessarily the cause of the second

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4
Q

Non sequitur fallacy

A

A claim that in its face, is unrelated to the supporting material

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5
Q

Circular argument fallacy

A

Only restating the claim in slightly different words, rather than supporting the claim

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6
Q

Ignoring the question fallacy

A

Making an inference that diverts attention from the issue at hand (red herring)

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7
Q

Equivocal language fallacy

A

The potential for language to have multiple meanings. The clarity of language may affect the quality of an inference

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8
Q

Confusing probability with certainty fallacy

A

Speakers may regard as certain what is really only probable

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9
Q

Inappropriate emotional response fallacy

A

An appropriate emotional response is sometimes more important than the details of the inference

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10
Q

I in cannons

A

Invention: discovering what can be said about a topic and finding arguments that makes the topic understandable (ways to persuade the audience)

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11
Q

A in cannons

A

Arrangement: structure of argument (intro, body, conclusion)

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12
Q

S in cannons

A

Style: how the speaker chooses words they use (use of language)

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13
Q

D in cannons

A

Delivery: effective use of voice, gesture, etc

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14
Q

M in cannons

A

Memory: how familiar the speaker is with the topic

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15
Q

Syllogism

A

Plato and Socrates:

Consists of major premise, minor premise, and conclusion

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16
Q

Enthymeme/ broken syllogism

A

Aristotle:

Rhetorical syllogism. Leaves out one component of syllogism and audience fills in the hole.

17
Q

Mazlow’s hierarchy of needs

A
  1. Self-actualization, creativity, etc
  2. Self esteem, confidence, respect for others
  3. Love/ relationships
  4. Safety
  5. Physical needs
18
Q

Trope:

A

Turn in language, figure of speech, or ornament

19
Q

Four Master Tropes:

A

Metaphor

Metonymy

Synecdoche

Irony

20
Q

Metaphor:

A

A figure of speech in which a name o descriptive word or phrase is transferred to an object or action different from, but analogous to that to which it is literally applicable

21
Q

Metonymy:

A

Word or concept that is not called by its own name, but by an intimately related concept

Ex: teacher= Jason Meyers

22
Q

Synecdoche:

A

Part for the whole or whole for the part

Ex: head count/ hires hands

23
Q

Irony:

A

A figure of speech in which the intended meaning is the opposite of that expressed by the words used; usually taking the form of sarcasm or ridicule in which laudatory expressions are used to imply condemnation or contempt

24
Q

Toulmin Model Big 3

A

In-between syllogism and enthymeme.

Claim: thesis and/or conclusion

Data: supporting material (minor)

Warrant: reasoning (major)

25
Toulmin Model other 3
Backing: why is data good Qualifier: says what causes your claim Rebuttal: getting ahead of opposition
26
Bitzer 3 parts of rhetorical situation
Exigence: Imperfection marked by urgency Audience: those capable of being influenced by a discourse (member of audience who is persuadable) Constraints: made up of persons, events, objects, and relations which are part of the situation and have the power to constrain decision and action
27
Narrative world paradigm
1. Narrative probability | 2. Narrative Fidelity
29
Narrative probability:
Formal features of a story hat determine whether a story coheres or hangs together (free of contradictions) Walter Fisher
31
Epideictic/ demonstrative
Speech of praise/ blame Or Ceremonial speech
32
Deliberative speech
Political speech
33
Forensic/ Judicial
Courtroom speech
34
Monroes Motivated sequence:
``` Attention Step (intro) Need Step (body) Satisfaction Step (body) Visualization Step (body) Action Step (could conclusion) ```
35
Narrative Fidelity
Truth qualities of the story, soundness of reasoning, whether the story rings true for the audience Walter Fisher