FINAL Fall 18 Flashcards
(14 cards)
Scarlatti
1685-1757
Scarlatti; Sonata in E Major K.380
Form: balanced binary
Kuhlau; Sonatina No. 1 in C Major; Op. 20
1786-1832
Haydn
1732-1809
Haydn String Quartet in C Major No. 76 Movement 1
Form: Sonata
Monothematic: a single theme permeates the entire movement
E flat: 31-36
E Major: measure 65
Haydn String Quartet No. 76 Movement II
Form: Sectional Theme and Variations
Melody was O.G. a 4 part chorus for Francis II, emperor of the Holy Roman Empire
Unusual aspect was never altered
Haydn String Quartet No. 76 Movement II 4 Variations
Variation 1: 2nd violin (only violins)
Variation 2: Cello
Variation 3: Viola (cello absent at first but then has it’s individual part out
Variation 4: 1st violin (everything else is mostly accompaniment)
Haydn String Quartet NO. 76 Movement III Minuet Trio (lady falling prelude)
Form: Composite ternary
Haydn Symphony in D Major No. 86; Movement IV
Hob. I:86
One of 6 symphonies wrote for Persian music director
Form: Sonata form (Rondo)
-trumpets and timpani play together in classical style
Development: at beginning only string with second theme and they have recap at start after
Mozart
1756-1791
Dad Leopold brought him on a lot of tours with his sister
Strongly influenced by Bach’s son, Johann Christian BACH, especially fugues
composed over 600 pieces
Mozart’s Piano Sonata in F Major K332 MVT. I
Form: Sonata
Thematic abundance; new themes everywhere
New theme in the development
(measures before blue notes is the second theme) (constant sluring eighth notes is retransition)
Mozart’s Piano Concerto in C Major K.467
MVMT. I
Form: Concerto-Sonata; with integration of Italian concerto ritornello-solo alterations w/ classical sonata
- double exposition
- cadenza m. 396
- thematic abundance but still has a principal theme
Mozart’s Piano Concerto in C Major K.467
MVMT. II (turkey and some miseltoe) (constant triplets)
Form: Irregular
- Became famous from a movie 1967 film Eliva Madigan
- Thematic abundance
Mozart’s Magic Flute K.620 Overture
Form: Sonata
Principal theme is in a fugato form (fugue in the context of a larger work)