Final Passage ID's Flashcards
(69 cards)
Whoso list to hunt, I know where is an hind,
But as for me, alas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I, by no means, my wearied mind
Draw from the deer, but as she fleeth afore,
Fainting I follow. I leave off, therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I, may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about,
“Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.”
Author: Wyatt
Title: Whoso List to Hunt
Significance:
She won’t be caught by anyone because she is off-limits for every man but Caesar, the emperor (could be code for the King of England)
Describes love as a hunt
This love is obsessive and all-consuming, but admits its useless to try and catch her
Octave was about the poet giving advice in hunting a woman, the sestet was about hunting this certain woman
They flee from me, that sometime did me seek
With naked foot stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild and do not remember
That sometime they put themself in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.
Thanked be fortune it hath been otherwise
Twenty times better; but once in special,
In thin array after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small,
Therewithal sweetly did me kiss
And softly said, “Dear heart, how like you this?”
It was no dream, I lay broad waking.
But all is turned thorough my gentleness,
Into a strange fashion of forsaking;
And I have leave to go, of her goodness,
And she also, to use newfangleness.
But since that I so kindly am served,
I fain would know what she hath deserved.
Author: Wyatt
Title: They Flee From Me
Significance:
o Stanza 1
He used to be really good with women but now they’re looking for something new
o Stanza 2 (No label on the slide)
Remembering when women were pursuing him
Remembers one special time
In this case, it’s the man who is in danger
o Stanza 3
This woman has forsaken him
• Bitter at one woman
Should have played harder to get or a role of a “bad boy”
Since he was served his punishment, he would like to know what her punishment should be
• He was gentle and faithful and gets punished
• Misogynistic
One day I wrote her name upon the strand,
But came the waves and washèd it away:
Agayne I wrote it with a second hand,
But came the tyde, and made my paynes his pray.
“Vayne man,” said she, “that doest in vaine assay,
A mortall thing so to immortalize,
For I my selve shall lyke to this decay,
And eek my name bee wypèd out lykewize.”
“Not so,” quod I, “let baser things devize
To dy in dust, but you shall live by fame:
My verse your vertues rare shall eternize,
And in the heavens wryte your glorious name.
Where whenas death shall all the world subdew,
Our love shall live, and later life renew.”
Author: Spenser
Title: Amoretti
Significance:
Writes in a clear iambic pentameter
Deliberately using archaic English
Lover is the one being hunted (writer is being hunted)
• Water washing his words away
She is teasing him for trying to write her name in the sand
• Once she dies, her name will truly be wiped away
• Compares writing to her own body
• How can human poets immortalize something that is mortal?
Writer responds saying his poetry is different
• His words will immortalize her and their love
• Poetry is stronger than just writing words in the sand
Loving in truth, and fain in verse my love to show,
That the dear She might take some pleasure of my pain,
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain,
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain,
Oft turning others’ leaves, to see if thence would flow
Some fresh and fruitful showers upon my sunburned brain.
But words came halting forth, wanting Invention’s stay;
Invention, Nature’s child, fled step-dame Study’s blows,
And others’ feet still seemed but strangers in my way.
Thus great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite,
“Fool,” said my Muse to me, “look in thy heart and write.”
Author: Spenser
Title: Astrophil and Stella
Significance:
6 stresses / line (not pentameter)
Wants to persuade this woman to love him back (This poem is true)
Uses poetry, finds the right words, he can persuade her
Has writer’s block, looking to others’ work to see if he could get inspired
• Rejects others work, saying they didn’t help
• Others’ work were just getting in his way, rejecting their conventions (cliché, act of rejection in itself is conventional)
• Be inspired by yourself, not others
Not at first sight, nor with a dribbèd* shot,
Love gave the wound, which while I breathe will bleed,
But known worth did in mine of time proceed,
Till by degrees it had full conquest got.
I saw, and liked; I liked, but lovèd not;
I loved, but straight did not what Love decreed;
At length to Love’s decrees I, forced, agreed,
Yet with repining at so partial* lot.
Now even that footstep of lost liberty
Is gone, and now like slave-born Muscovite
I call it praise to suffer tyranny;
And now employ the remnant of my wit
To make myself believe that all is well,
While with a feeling skill I paint my hell.
Author: Spenser
Title: Astrophil and Stella
Significance
Rejects love at first sight, saying he needed to be convinced
Wasn’t shot by cupid’s arrow, but over time, love burrowed into his heart
Compares love to suffering under a tyrant conventional (poetic conceit)
• You have to subdue your own will and knowledge and convince your emotions to pursue love anyway
O joy, too high for my low style to show,
O bliss, fit for a nobler state then me!
Envy, put out thine eyes, least thou do see
What oceans of delight in me do flow.
My friend, that oft saw through all masks my woe,
Come, come, and let me pour myself on thee:
Gone is the winter of my misery;
My spring appears, O see what here doth grow.
For Stella hath, with words where faith doth shine,
Of her high heart given me the monarchy:
I, I, O I may say, that she is mine.
And though she give but thus conditionly
This realm of bliss, while virtuous course I take,
No kings be crowned but they some covenants make.
Author: Spenser
Title: Astrophil and Stella
Significance:
So happy he is getting some crumbs of love and she is not rejecting him
Doesn’t have the poetry to describe what he is feeling
Describing love was men conquering a battle (given me the monarchy)
Attention on to him with repetitive I’s
Won’t give him sex, but yet he still calls himself King
When Sorrow (using mine own fire’s might)
Melts down his lead into my boiling breast,
Through that dark furnace to my heart oppressed,
There shines a joy from thee my only light;
But soon as thought of thee breeds my delight,
And my young soul flutters to thee, his nest,
Most rude Despair, my daily unbidden guest,
Clips straight my wings, straight wraps me in his night,
And makes me then bow down my head, and say,
“Ah what does Phoebus’ gold that wretch avail,
Whom iron doors do keep from use of day?
”So strangely (alas) thy works in me prevail,
That in my woes for thee thou art my joy,
And in my joys for thee my only annoy.
Author: Spenser
Title: Astrophil and Stella
Significance:
Back to sorrow (heart is burning inside)
Every time he thinks of her, despair takes over and clips his wings
Isn’t entirely clear where the sonnet sequence should end (doesn’t have a clear plot, so it doesn’t have a clear point of closure)
• Eternal paradox
• Poet needs the lady to keep rejecting the man in order to keep writing even though the man desperately wants acceptance and love.
From fairest creatures wedesire increase,
That thereby beauty’s rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory;
But thou, contracted* to thine own bright eyes,
Feed’st thy light’s flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Thou that art now the world’s fresh ornament,
And only* herald to the gaudy spring,
Within thine own bud buriest thy content
And, tender churl,* mak’st waste in niggarding.
Pity the world, or else this glutton be,
To eat the world’s due, by the grave and thee.
Author: Shakespeare
Title: Sonnet
Significance:
Borrowing from Petrarchan sonnets somewhat
• How to preserve beauty if we are all mortal?
• You should have sex and produce heirs
o Unlike Petrarchan, which praises chastity
• Lots of oxymorons (pairings of words that don’t go together)
• Beauty will live on through their children
o Heir will remember his personality and will bear resemblance of his looks
• Word “increase” could be reference to God to increase and multiply
o Then “decease” reference of death, rhyming these to focus on these themes
• First line avoids the first person singular
o Goes against most of sonnets we’ve read so far
o Something everyone wants, “we”, “Pity the world”
A woman’s face with Nature’s own hand painted
Hast thou, the master mistress of my passion;
A woman’s gentle heart but not acquainted
With shifting change as is false women’s fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue all hues in his controlling,
Which steals men’s eyesand women’s souls amazeth.
And for a woman wert thou first created,
Till Nature as she wrought thee fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
But since she pricked thee out for women’s pleasure,
Mine be thy love, and thy love’s use* their treasure.
Author: Shakespeare
Title: Sonnet
Significance
Describing a man
• Saying Nature gave him the face of a woman
• Has a woman’s gentle heart, but is more faithful than a woman
• Eyes brighter, but less false in looking around (roving)
• Face draws attention of men’s eyes and amazes women’s souls
• Nature was going to make you a woman but fell in love with you and made you a man
o Nature personified as a woman
o Ending is clearly sexual, as the man will love him, and woman will use him for sexual pleasure.
• Misogynistic
o First line reference to the subject not needing make-up
o Woman can use make-up and falsify their beauty
o Continues in the next couple lines with reference to unfaithfulness and roaming eyes
o Eyes vs souls
Men don’t need souls to be affected because theirs are already better
o Pricked thee out
Subject has one thing that doesn’t affect him, it’s a waste to him
Rejects that he wants part in a sexual relationship
Sexual identity changes over time
• Always getting different labels
• Doesn’t mean Shakespeare could be labeled as queer or gay or any label used today
o Being interested in men maybe didn’t mean what it did back then what it meant today
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
Music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground. And yet, by heaven, I think my love as rare
As any she belied with false compare.
Author: Shakespeare
Title: Sonnet
Significance: Dark Lady Poem Shakespeare drifting from tradition • Woman is described as beautiful even though she has dark hair and dark eyes Anti-Blazon Speaker admits woman’s flaws • Nothing like the sun • Nothing light about her • Breath is not as beautiful as perfume
Busy old fool, unruly sun,
Why dost thou thus,
Through windows, and through curtains call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late school boys and sour prentices,
Go tell court huntsmen that the king will ride,
Call country ants to harvest offices,
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Author: Donne
Title: The Sun Rising
Significance:
o Speaker chastising the sun for rising
o Lovers had spent the night together, and now have to leave the bed and the speaker isn’t happy about it
o Play on the morning song
Instead of wishing it to go away, the speaker attacks it
Calls it unruly, then contradicts by calling it pedantic (extreme rule following)
Be in charge of schoolboys, not the speaker
Who is subject to rules of time?
• Do lovers have to obey the rules of time and the sun?
• Speaker says love doesn’t know seasons or time
o Rejects that lovers have to follow earthly time
o Missing the lady, focusing on the sun, the only time she is referred to is when the speaker references “us”
She’s all states, and all princes I,
Nothing else is.
Princes do but play us; compared to this,
All honor’s mimic, all wealth alchemy.
Thou, sun, art half as happy as we,
In that the world’s contracted thus.
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls, thy sphere.
Author: Donne
Title: The Sun Rising
Significance:
o She is all states, and he is all princes
He rules her
England is colonizing and expanding
Focuses on them, shutting out the rest of the world
Differs from Petrarchan lovers, who don’t get physical contact at all
Donne and other use concrete metaphors, nothing abstract
Uses the Ptolemaic model to call themselves the center of attention/universe
For God’s sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five gray hairs, or ruined fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place, Observe his honor, or his grace,
Or the king’s real, or his stampèd face
Contemplate; what you will, approve,
So you will let me love.
Author: Donne
Title: The Canonization
Significance:
o Tells some to shut up, and leave him alone, or if you mock, mock his physical ailments
o Or go better yourself instead of mocking others
o Again, defending leaving lovers out of the rest of the world
Call us what you will, we are made such by love;
Call her one, me another fly,
We’re taperstoo, and at our own cost die,
And we in us find the eagle and the dove.
The phœnix riddle hath more wit
By us: we two being one, are it.
So, to one neutral thing both sexes fit.
We die and rise the same, and prove Mysterious by this love.
Author: Donne
Title: The Canonization
Signifcance:
o Set aside gender, sex, and such. Call us flies or candles
o Lose their individuality and mend together
o Passing the tests to become saints, when they die they rise
Lord, who createdst man in wealth and store, Though foolishly he lost the same,
Decaying more and more
Till he became 5
Most poor:
With thee
O let me rise
As larks, harmoniously,
And sing this day thy victories:
Then shall the fall further the flight in me.
My tender age in sorrow did begin:
And still with sicknesses and shame
Thou didst so punish sin
That I became 15
Most thin.
With thee
Let me combine,
And feel this day thy victory:
For, if I imp my wing on thine,
Affliction shall advance the flight in me.
Author: Herbert
Title: Bird Wings Poem
Significance:
Store and more rhyme scheme on the way down
Harmoniously and me, rise and victories on the build back up.
Word choice turns from negative to positive
God gave man everything, but man wasted it
Superlatives: most poor
Shall the fall advance the flight in me (reference to Christ’s sacrifice)
• Image supports predictability
• Can trust that man will rise again
Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?
Is it no verse, except enchanted groves
And sudden arbors shadow coarse-spun lines?
Must purling* streams refresh a lovers loves?
Must all be veiled, while he that reads, divines,
Catching the sense at two removes?
Shepherds are honest people: let them sing;
Riddle who list, for me, and pull for prime:
I envy no man’s nightingale or spring;
Nor let them punish me with loss of rhyme,
Who plainly say, My God, My King.
Author: Herbert
Title: Jordan
Significance:
Asking/critiquing the poetic tradition
Does beauty need to be truth
Laments in opening lines that other poet celebrate fictions and make-up
Argues poetry can be written about new subjects and in new forms
No lines go past a thrown without bowing, do we have to pay homage to the representation of the king? Do you have to write the right lines of poetry to pass censorship laws.
• We shouldn’t worship the earthly king, but only God.
Does poetry have to be in a set location?
Why do we have to have a vail over proclamation of love and not directly say it to them?
Calling for true and simple poetry with complicated and somewhat obscure poetry
• Could be telling us the truth but saying its dangerous
• Only way to speak truth to power is to not speak plainly
How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crowned from some single herb or tree, Whose short and narrow-vergèd shade Does prudently their toils upbraid; While all flowers and all trees do close To weave the garlands of repose!
Author: Marvell
Title: The Garden
Significance:
o Humans foolishly seek to win awards, but nature itself is what people should be seeking.
People do this vainly and in vain
Doing it just for one of those things, they represent a short and narrow shade, which wouldn’t be comfortable.
What wondrous life is this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumblingon melons as I pass, Ensnared with flowers, I fall on grass.
Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas, Annihilating all that’s made To a green thought in a green shade.
Author: Marvell
Title: The Garden
Significance:
Garden represents the true place for the arts and is superior to all the outside desires of the world
Edenic garden means a fault
First stanza on the slide is stating it is an Edenic garden everything is wonderful and full of bounty, but on the last two lines you see a hint of the fall.
• Trapped by flowers and falling on grass might fall from grace or commit sin in some way
• In efforts to make the garden perfect is a fault in its own
• This garden can draw the mind away from reality
Such was that happy garden-state, While man there walked without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone.
Author: Marvell
Title: The Garden
Significance:
Criticism of love
Love is not superior to the world of the garden
Eden would have been so much better if it was just man
It would have better to be alone but Adam couldn’t handle it so he asked God to create Eve
The speaker in this Garden is alone, not authority to judge him, no vain to fall into, no woman to tempt an apple with, just his own fruitful imagination.
Of man’s first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing Heav’nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen seed,
In the beginning how the heav’ns and earth
Rose out of Chaos: Or if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God; I thence
Invoke thy aidto my advent’rous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
Author: Milton
Title: Paradise Lost
Significance:
o Way of showing off, first 16 lines is one sentence
o First main verb isn’t until line six (sing)
o First line declares what the story is about
Line six requests that it is sung about
Speakers poem will not take the middle flight, it will soar
• Not going to follow the rules like Icarus (who ended up dying)
• But his poem is different, it can refuse tradition, it won’t fail
• Contradicts the first disobedience
• Humans have free will to obey or disobey
o This allows for redemption
• How do you talk about the authority of God without supporting Kings (supporting one mortal person that restores human kind)
o Milton was against Kings
o Milton supporting restoration by Christ not Kings.
And chiefly thou O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and with mighty wings outspread
Dove-like sat’st brooding on the vast Abyss
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That to the height of this great argument
I may assert Eternal Providence,
And justify the ways of God to men.
Author: Milton
Title: Paradise Lost
Significance:
o Educate and knowledge
o Obviously wasn’t there, but muse was, so educate the speaker on the event
o I don’t have the knowledge/skill to tell this store so he’s asking for help from the muse, but there is some ego involved
o Echo of God creating the world, but Milton asks for some light too on his poem
o Last two lines ask for the ability to justify what God did to man.
I’m going to defend God’s plan
Eternal Providence knows what will happen
• Why does God allow the fall and acts of evil to happen?
Justify def: To show or maintain the justice or reasonableness of (an action, claim, etc.); to adduce adequate grounds for; to defend as right or proper
Him God beholding from his prospect high,
Wherein past, present, future he beholds,
Thus to his only Son foreseeing spake. (3.77-79)
…so will fall
He and his faithless progeny: whose fault?
Whose but his own? Ingrate, he had of me
All he could have; I made him just and right,
Sufficient to have stood, though free to fall.
Such I created all th’ ethereal Powers
And Spirits, both them who stood and them who failed;
Freely they stood who stood, and fell who fell. (3.95-102)
Author: Milton
Title: Paradise Lost
Significance:
God sees everything, so he sees all time, including the future
God blames man for the fall
If you know its going to happen, why not stop it or intervene in some way?
God is saying his foreknowledge did not cause this to happen
They therefore as to right belonged,
So were created, nor can justly accuse
Their Maker, or their making, or their fate,
As if predestination overruled
Their will, disposed by absolute decree
Or high foreknowledge; they themselves decreed
Their own revolt, not I: if I foreknew,
Foreknowledge had no influence on their fault,
Which had no less proved certain unforeknown.
So without least impulse or shadow of fate,
Or aught by me immutably foreseen,
They trespass, authors to themselves in all
Both what they judge and what they choose; for so
I formed them free, and free they must remain,
Till they enthrall themselves: I else must change
Their nature, and revoke the high decree
Unchangeable, eternal, which ordained
Their freedom, they themselves ordained their fall.
Author: Milton
Title: Paradise Lost
Significance:
God sees everything, so he sees all time, including the future
God blames man for the fall
If you know its going to happen, why not stop it or intervene in some way?
God is saying his foreknowledge did not cause this to happen
Beyond compare the Son of God was seen
Most glorious, in him all his Father shone
Substantially expressed, and in his face
Divine compassion visibly appeared,
Love without end, and without measure grace,
Which uttering thus he to his Father spake.
“O Father, gracious was that word which closed
Thy sov’reign sentence, that man should find grace;(3.138-45)
Author: Milton
Title: Paradise Lost
Significance: Christ's Mercy God being reflected in his son Looks very good Figure for love, mercy, and compassion