Final Test Flashcards

1
Q

genre

A

kind or type of film - tacit agreement between audience and spectators

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2
Q

first appearance of
the genre; conventions not in place

A

primitive or nascent phase

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3
Q

genre conventions established & codified

A

classical phase

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4
Q

response to feeling of stagnancy in the genre

A

parodic baroque phase

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5
Q

films use genre to critique or
question conventions & their implications

A

revisionist phase

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6
Q

return to genre as nostalgia

A

homage phase

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7
Q

what term was coined by grieson / what does he say about it?

A

documentary, ‘the creative treatment of actuality’

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8
Q

voice conventions of documentary

A

who is talking to whom about what

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9
Q

herzog conventions

A

ecstatic truth, romantic, uncomfortably long takes, exploitative

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10
Q

3 key concerns in documentaries

A
  • form: structure and presentation
  • representation: how reality and subjects are portrayed
  • ethics: moral responsibilities of filmmakers
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11
Q

documentary conventions

A

vo / narration
explanatory titles
interviews
real events / ppl
naturalistic style
archival footage
expert testimonials

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12
Q

herzog born and where

A

munich, 1942

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13
Q

4 approaches to genre

A

as cultural myths
as cultural memories
as rituals
reflectionist
hybrids

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14
Q

genre conventions

A

plot
thematic
setting
character
technical
star
iconography

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15
Q

4 axes of critical orientation

A

mimetic, expressive, formal, affective/ didactic (artwork at the middle)

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16
Q

what does sarris say (CIRCLES) / (2ND PHASE)

A

technical competence, distinguishable personality, interior meaning

17
Q

interior meaning!!

A

meaning arising from the tension between the director’s personality & his material

18
Q

hitchcock’s things

A

cameos, macguffin (red herring), catholic guilt, voyeurism, women’s hairstyles, innocents, master of suspense

19
Q

(about hitchcock) Truffaut says…

A

belongs among artists of anxiety, (like kafka and poe) in helping us to understand ourselves

20
Q

problems of sarris auteur theory (KAEL)

A

ignores films as collaborative art
too much retroactive psychoanalysis
intentional fallacy
exclusivity / elitism (WHO DECIDES THE CRITERIA)

21
Q

oscar micheaux

A

born 1884 in s dakota,

sold his novels door to door, auteur, 30 films over 10 years

22
Q

Truffuat’s notion of auteur

A

director is author of film
visual style is evident
evolves
consistent concern with key thematic issues

(only men)

23
Q

even though documentary, Grizzly Man example of ____, while AM / SC examples of ______

A

narrative of conflict / narratives of integration

24
Q

dorothy arzner

A

american, 25 films

25
ida lupino
british, 7 films
26
alice guy blanche
too many films to count
27
what was founded in Paris, 1936 by Georges Franju & Henri Langlois
(1ST PHASE) Cinematheque francaise
28
hictchcock born
london, 1899-1980
29
films tech (major studies) are shaped by combination
social, cultural, and economic factors
30
narrative of conflict
driving force propels narrative by creating conflict
31
narrative of integration
focus on interpersonal relationships / emotional qualities
32
critique of canon
Who gets excluded from the canon, & why? Who gets to decide?