Finals Flashcards
(162 cards)
1
Q
Does the road wind up-hill all the way?
A
Christina Rossetti’s “Up-Hill”
2
Q
Yes, to the very end.
A
Christina Rossetti’s “Up-Hill”
3
Q
Will the day’s journey take the whole long day?
A
Christina Rossetti’s “Up-Hill”
4
Q
From morn to night, my friend.
A
Christina Rossetti’s “Up-Hill”
5
Q
But is there for the night a resting-place?
A
Christina Rossetti’s “Up-Hill”
6
Q
A roof for when the slow dark hours begin
A
Christina Rossetti’s “Up-Hill”
7
Q
May not the darkness hide it from my face?
A
Christina Rossetti’s “Up-Hill”
8
Q
You cannot miss that inn.
A
Christina Rossetti’s “Up-Hill”
9
Q
Shall I meet other wayfarers at night?
A
Christina Rossetti’s “Up-Hill”
10
Q
Those who have gone before.
A
Christina Rossetti’s “Up-Hill”
11
Q
Then must I knock, or call when just in sight?
A
Christina Rossetti’s “Up-Hill”
12
Q
They will not keep you standing at that door.
A
Christina Rossetti’s “Up-Hill”
13
Q
Shall I find comfort, travel-sore and weak?
A
Christina Rossetti’s “Up-Hill”
14
Q
Of labour you shall find the sum.
A
Christina Rossetti’s “Up-Hill”
15
Q
Will there be beds for me and all who seek?
A
Christina Rossetti’s “Up-Hill”
16
Q
Yea, beds for all who come.
A
Christina Rossetti’s “Up-Hill”
17
Q
Christina Rossetti’s “Up-Hill” theme
A
인간이 살아있는 동안 그 길에 끝을 볼 수는 없고 지속적인 영적 술래가 이어진다./ 안탱에서 죽음까지 계속해서 고난을 반복해서 겪는다.
18
Q
Rhyme uphill
A
abab cdcd efef gege
19
Q
Meter uphill
A
question in iambic pentameter, answer in mix of iambic trimeter/tetra/pentameter.
20
Q
structure of up-hill
A
4Stanza and 4 lines
21
Q
“Hope” is the thing with feathers -
A
Emily Dickinson’s “Hope,”
22
Q
That perches in the soul -
A
Emily Dickinson’s “Hope,”
23
Q
And sings the tune without the words -
A
Emily Dickinson’s “Hope,”
23
Q
And sings the tune without the words -
A
Emily Dickinson’s “Hope,”
24
And never stops - at all -
Emily Dickinson's “Hope,”
25
And sweetest - in the Gale - is heard -
Emily Dickinson's “Hope,”
26
And sore must be the storm -
Emily Dickinson's “Hope,”
27
That could abash the little Bird
Emily Dickinson's “Hope,”
28
That kept so many warm -
Emily Dickinson's “Hope,”
29
I’ve heard it in the chillest land -
Emily Dickinson's “Hope,”
30
And on the strangest Sea -
Emily Dickinson's “Hope,”
31
Yet - never - in Extremity,
Emily Dickinson's “Hope,”
32
It asked a crumb - of me.
Emily Dickinson's “Hope,”
33
Emily Dickinson's “Hope,” theme
1) Helps to overcome harsh moments
2) Hope is inside of us
3) Doesn’t require payment
34
Emily Dickinson's “Hope,” rhyme
abcb
35
Emily Dickinson's “Hope,” meter
ballad meter
36
A Bird, came down the Walk -
Emily Dickinson's “A Bird Came Down the Walk,”
37
He did not know I saw -
Emily Dickinson's “A Bird Came Down the Walk,”
38
He bit an Angle Worm in halves
Emily Dickinson's “A Bird Came Down the Walk,”
39
And ate the fellow, raw,
Emily Dickinson's “A Bird Came Down the Walk,”
40
And then, he drank a Dew
Emily Dickinson's “A Bird Came Down the Walk,”
41
From a convenient Grass -
Emily Dickinson's “A Bird Came Down the Walk,”
42
And then hopped sidewise to the Wall
Emily Dickinson's “A Bird Came Down the Walk,”
43
To let a Beetle pass -
Emily Dickinson's “A Bird Came Down the Walk,”
44
He glanced with rapid eyes,
Emily Dickinson's “A Bird Came Down the Walk,”
45
That hurried all abroad -
Emily Dickinson's “A Bird Came Down the Walk,”
46
They looked like frightened Beads, I thought,
Emily Dickinson's “A Bird Came Down the Walk,”
47
He stirred his Velvet Head. -
Emily Dickinson's “A Bird Came Down the Walk,”
48
Like one in danger, Cautious,
Emily Dickinson's “A Bird Came Down the Walk,”
49
I offered him a Crumb,
Emily Dickinson's “A Bird Came Down the Walk,”
50
And he unrolled his feathers,
Emily Dickinson's “A Bird Came Down the Walk,”
51
And rowed him softer Home -
Emily Dickinson's “A Bird Came Down the Walk,”
52
Than Oars divide the Ocean,
Emily Dickinson's “A Bird Came Down the Walk,”
53
Too silver for a seam,
Emily Dickinson's “A Bird Came Down the Walk,”
54
Or Butterflies, off Banks of Noon,
Emily Dickinson's “A Bird Came Down the Walk,”
55
Leap, plashless as they swim.
Emily Dickinson's “A Bird Came Down the Walk,”
56
Emily Dickinson's “A Bird Came Down the Walk,” Theme
인간은 자연을 갈망하지만 자연은 이를 주지 않음. 자연을 그 자연대로 둬라.
57
Emily Dickinson's “A Bird Came Down the Walk,” Rhyme
abcb
58
Emily Dickinson's “A Bird Came Down the Walk,” structure
5 stanza and 4 lines
59
Emily Dickinson's “I Heard a Fly Buzz When I Died” theme
어떠한 것도 죽음을 맞지 못한다. 죽음 이후의 일은 인간이 알 수 없다.
59
I heard a Fly buzz - when I died -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
60
Was like the Stillness in the Air -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
60
Emily Dickinson's “I Heard a Fly Buzz When I Died” rhyme
abcb
61
Between the Heaves of Storm -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
62
The Eyes around - had wrung them dry -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
63
And Breaths were gathering firm
Emily Dickinson's “I Heard a Fly Buzz When I Died”
63
And Breaths were gathering firm
Emily Dickinson's “I Heard a Fly Buzz When I Died”
64
For that last Onset - when the King
Emily Dickinson's “I Heard a Fly Buzz When I Died”
65
Be witnessed - in the Room -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
66
Assignable - and then it was
Emily Dickinson's “I Heard a Fly Buzz When I Died”
66
I willed my Keepsakes - Signed away
Emily Dickinson's “I Heard a Fly Buzz When I Died”
67
Emily Dickinson's “I Heard a Fly Buzz When I Died”
68
There interposed a Fly -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
69
With Blue - uncertain - stumbling Buzz
Emily Dickinson's “I Heard a Fly Buzz When I Died”
70
Between the light - and me -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
71
I could not see to see -
Emily Dickinson's “I Heard a Fly Buzz When I Died”
71
And then the Windows failed - and then
Emily Dickinson's “I Heard a Fly Buzz When I Died”
72
Emily Dickinson's “I Heard a Fly Buzz When I Died” meter
iambic tetramemter and iambic trimeter
73
I CELEBRATE myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
Walt Whitman's "Song of Myself" section 1
74
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
Walt Whitman's "Song of Myself" section 1
75
My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
Walt Whitman's "Song of Myself" section 1
76
Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.
Walt Whitman's "Song of Myself" section 1
77
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more than he.
Walt Whitman's "Song of Myself" section 6
78
I guess it must be the flag of my disposition, out of hopeful green stuff woven.
Walt Whitman's "Song of Myself" section 6
79
About Walt Whitman:
“자유시의 아버지”, “미국에서 가장 위대한 시인”
- 초월주의에서 사실주의로의 과도기를 대표하는 인물
- 미국의 시인, 수필가이자 기자
- 미국적인 특성을 가장 잘 구현한 시인이라고 평가받음.
- 민주주의, 물질주의적 경향 비판
- 모든 사람, 종교 등이 대등하다고 생각(노예제도 비판)
- 시집: Leaves of grass (처음에는 12개의 시로 이루어졌다가 마지막에는 400개의 시를 포함함)
- 정기적은 교육 없이 자수성가한 사람. 스스로 배우고 터득한 것을 예술이라는 관습적 틀을 고려하지 않고 자신의 사상을 드러내는 툴로 사용함.
> 자유시, 정형화된 pentameter x, rhyme x
> 단순한 언어, 일상 언어에 대한 찬양과 함께 은어 토속어 등을 함게 씀.
“시란 생명체처럼 자연스럽게 발생하여 스스로 제 모습으로 성장해 나가는 것”
79
Theme of song of myself
자연과 인간의 동일함 (grass처럼 사람은 끈질기고, 밀집되어 있고, 죽음이 죽음에서 는 것이 아니라 새로운 명으로 연결된다)
79
초월주의:
인간을 양도할 수 없는 가치를 지니고 있는 존엄한 존재로 봄. 자아의 초월적 본성을 강조함.
80
사실주의:
경험적인 현실 외의 이상적, 초월적 세계의 존재 증거가 없다고 보는 일원론적 세계관에서 진리나 진실, 미학적 가치, 예술창작의 방법 등을 뭉뚱그려 통칭.
81
And a small cabin build there, of clay and wattles made;
W. B. Yeats's "The Lake Isle of Innisfree"
82
Nine bean-rows will I have there, a hive for the honey-bee,
W. B. Yeats's "The Lake Isle of Innisfree"
83
And live alone in the bee-loud glade.
W. B. Yeats's "The Lake Isle of Innisfree"
84
And I shall have some peace there, for peace comes dropping slow,
W. B. Yeats's "The Lake Isle of Innisfree"
85
Dropping from the veils of the morning to where the cricket sings;
W. B. Yeats's "The Lake Isle of Innisfree"
86
There midnight’s all a glimmer, and noon a purple glow
W. B. Yeats's "The Lake Isle of Innisfree"
87
There midnight’s all a glimmer, and noon a purple glow
W. B. Yeats's "The Lake Isle of Innisfree"
88
And evening full of the linnet’s wings.
W. B. Yeats's "The Lake Isle of Innisfree"
89
I will arise and go now, for always night and day
W. B. Yeats's "The Lake Isle of Innisfree"
90
I hear lake water lapping with low sounds by the shore;
W. B. Yeats's "The Lake Isle of Innisfree"
91
I hear lake water lapping with low sounds by the shore;
W. B. Yeats's "The Lake Isle of Innisfree"
92
While I stand on the roadway, or on the pavements grey,
W. B. Yeats's "The Lake Isle of Innisfree"
93
I hear it in the deep heart’s core.
W. B. Yeats's "The Lake Isle of Innisfree"
94
W. B. Yeats's "The Lake Isle of Innisfree" theme
이니스프리에 가고 싶어하는 화자의 마음과 동경
- 이니스프리 섬은 자연 그대로의 상태, 자연이 사람에게 제공하는 내면의 평화, 평온함, 아일랜드에 대한 향수 등을 나타냄.
95
W. B. Yeats's "The Lake Isle of Innisfree" meter
IAMbichexameter
96
W. B. Yeats's "The Lake Isle of Innisfree" rhyme
abab, cdcd, efef
97
W. B. Yeats's
- Poet and playwright
- 민족주의 정신이 높았음.
- 아일랜드의 정치적 독립뿐 아니라 문학적 부활을 위해 노력했음.
- 초월주의에 대한 갈망 (아일랜드가 오랜시간 영국에 억압되어 있었기 때문에 영웅에 대한 갈망이 있었음)
- 아일랜드 전설과 심령론에 관심이 많이 초기 작품들은 이와 관련
98
W. B. Yeats's "The Lake Isle of Innisfree" techniques
- 상징시, 반복기법, 끊어짐없는 운율
- 다른 모더니즘 작가들과 달리 자유시를 시도하지 않고 기존 문학의 양식을 지킴.
- 이 시에서는 공강감적 심상이 풍부함.
99
Let us go then, you and I,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
100
When the evening is spread out against the sky
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
101
Like a patient etherized upon a table;
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
102
Let us go, through certain half-deserted streets,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
103
The muttering retreats
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
104
Of restless nights in one-night cheap hotels
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
105
And sawdust restaurants with oyster-shells:
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
106
Streets that follow like a tedious argument
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
107
Of insidious intent
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
108
To lead you to an overwhelming question ...
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
109
Oh, do not ask, “What is it?”
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
110
Let us go and make our visit.
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
111
In the room the women come and go
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
112
Talking of Michelangelo.
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
113
The yellow fog that rubs its back upon the window-panes,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
114
The yellow smoke that rubs its muzzle on the window-panes,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
115
Licked its tongue into the corners of the evening,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
116
Lingered upon the pools that stand in drains,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
117
Let fall upon its back the soot that falls from chimneys,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
118
Slipped by the terrace, made a sudden leap,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
119
And seeing that it was a soft October night,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
119
Curled once about the house, and fell asleep.
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
120
And indeed there will be time
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
121
For the yellow smoke that slides along the street,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
122
Rubbing its back upon the window-panes;
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
122
Rubbing its back upon the window-panes;
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
123
There will be time, there will be time
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
124
To prepare a face to meet the faces that you meet;
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
125
There will be time to murder and create,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
126
And time for all the works and days of hands
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
127
That lift and drop a question on your plate;
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
128
Time for you and time for me,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
129
And time yet for a hundred indecisions,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
130
And for a hundred visions and revisions,
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
131
Before the taking of a toast and tea.
. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
131
Before the taking of a toast and tea.
. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)
132
모더니즘:
- 유래없는 대 재난이었던 제 1차 세계대전을 겪으면서 생겨남.산산조각이 난 유럽사회는 사회를 지탱하던 가치와 윤리, 종교를 다시 생각하게 되고, 그 폐허가 된 상태에서 그들이 앞으로 지탱해 나가야하는 가치가 무엇인지 찾아감.
- Individualism, loss of humanity
133
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄) 작품의 특징:
and bible. Create context without the need of explanation. 과거와 현재의 연결성을 만들어줌.
- Dramatic monologue
- 중년 남성의 내면의 풍경으로 작품을 봄. 이 중년 남성은 교육을 잘 받았고, neurotic, self-conscious, indecisive, obsessive of his aging 하는 특징이 있음.
- Prufrock이 시의 화자임.
- Epigraph:제명: 본문 이전에 짧게 쓴 글. 유명한 작품의 연상을 통해 비교하고, 특정 문맥을 작품속에 형성시켜 줌. 현 시에서는 단테의 divine comedy 지옥편에서 인용함.
- Fragmentation: 파편의 짜집기가 되면서 그 안에서 의미가 나타나는 방식으로 구성되어 있음.
134
T. S. Eliot's "The Love Song of J. Alfred Prufrock"(33줄)Theme:
- Tortured psyche of the modern man,
135
T. S. Eliot's
- 모더니즘 시인, 낭만주의에 반대 (Classicism- imitation)
- 보수주의적
- 주로 다루는 주제: frustrated masculinity, decadence of modern civilization, religion, etc.
- Objective correlative: the only way of expressing emotion in the form of art is by finding an objective correlative => depersonalization of emotion.
- Theory of impersonality: “poetry is not a turning loose of emoitions but an escape from emotion, it is not an expression of personality but an escape from personality.” (William Wordsworth와 반대의 견해)
135
Whose woods these are I think I know.
Robert Frost's "Stopping by Woods on a Snowy Evening,"
136
His house is in the village though;
Robert Frost's "Stopping by Woods on a Snowy Evening,"
137
His house is in the village though;
Robert Frost's "Stopping by Woods on a Snowy Evening,"
138
He will not see me stopping here
Robert Frost's "Stopping by Woods on a Snowy Evening,"
139
To watch his woods fill up with snow.
Robert Frost's "Stopping by Woods on a Snowy Evening,"
140
My little horse must think it queer
Robert Frost's "Stopping by Woods on a Snowy Evening,"
141
To stop without a farmhouse near
Robert Frost's "Stopping by Woods on a Snowy Evening,"
142
Between the woods and frozen lake
Robert Frost's "Stopping by Woods on a Snowy Evening,"
143
The darkest evening of the year.
Robert Frost's "Stopping by Woods on a Snowy Evening,"
144
He gives his harness bells a shake
Robert Frost's "Stopping by Woods on a Snowy Evening,"
145
To ask if there is some mistake.
Robert Frost's "Stopping by Woods on a Snowy Evening,"
146
The only other sound’s the sweep
Robert Frost's "Stopping by Woods on a Snowy Evening,"
147
Of easy wind and downy flake.
Robert Frost's "Stopping by Woods on a Snowy Evening,"
148
The woods are lovely, dark and deep,
Robert Frost's "Stopping by Woods on a Snowy Evening,"
149
But I have promises to keep,
Robert Frost's "Stopping by Woods on a Snowy Evening,"
150
And miles to go before I sleep,
Robert Frost's "Stopping by Woods on a Snowy Evening,"
