Finals Flashcards

(112 cards)

1
Q

The history of this period art covered almost ten centuries between “THE SACK OF ROME” and “THE EARLY ITALIAN RENAISSANCE”

A

MEDIEVAL PERIOD

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2
Q

The only institution to survived
Was centered in Rome and Constantinople

A

THE CHRISTIAN CHURCH

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3
Q

All works of art were commissioned by religious authorities (for churches/monasteries) or secular leaders (for public edification, and most were made by monks)

A

Medieval Period

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4
Q

3 Types of Architecture

A

Romanesque
Gothic
Byzantine structure

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5
Q

One of the most famous architecture

A

NOTRE DAME DE PARIS

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6
Q

This refers to the architectural styles in medieval Europe during the middle ages wherein, religious architectures such as cathedrals, were expressions of faith

A

MEDIEVAL ARCHITECTURE

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7
Q

Churches used large amounts of money for the beautifications and creation of these buildings

The church granted indulgences and pardons for those who desired to help the churches and the cathedrals

A

MEDIEVAL ARCHITECTURE

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8
Q

There were non-religious structures in this period which were:
Castles
Walls

A

MEDIEVAL PERIOD

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9
Q

Responsible for constructing and creating these structures

A

MASONS

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9
Q

Responsible for constructing and creating these structures

A

MASONS

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10
Q

One of the largest and best preserved ruins of the Cistercian monasteries in England

A

FOUNTAINS ABBEY MONASTERY

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11
Q

This architecture has two classifications:
CAROLINGIAN ARCHITECTURE & OTTONIAN CULTURE

A

ROMANESQUE ARCHITECTURE

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12
Q

used in very early middle ages wherein much developments were pioneered by the NORMANS (North men or vikings) who settled in NORMANDY, FRANCE

A

ROMANESQUE ARCHITECTURE

ROMAN ARCHITECTURE

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13
Q

These characteristics are from what architecture?
Massive quality
Thick walls
Round arches
Sturdy Pillars
Barrel vaults
Large towers
Decorative barricading

A

Characteristics of Romanesque Architecture

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14
Q

MARIA LAACH ABBEY, GERMANY

LESSAY ABBEY
are examples of what architecture?

A

ROMANESQUE ARCHITECTURE

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15
Q

This architecture started in the 12th century in France and referred as FRENCH STYLE

A

GOTHIC ARCHITECTURE

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16
Q

What architecture was light, graceful, and mostly spacious in nature?

A

GOTHIC ARCHITECTURE

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17
Q

T or F
Several inspirations in architectural techniques come from ARABS, copied during the time of the crusades that led to changes in Gothic styles

A

TRUE

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18
Q

What are the characteristic of Gothic Architecture?

A

Changes include the use of:
Pointed arc
Ribbed vaults
Buttresses

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19
Q

NOTRE DAME DE PARIS, FRANCE

REIMS CATHEDRAL, FRANCE
are examples of what architecture?

A

GOTHIC ARCHITECTURE

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20
Q

Also called as EASTERN ROMAN

A

BYZANTINE ARCHITECTURE

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21
Q

the architecture was characterized by:
Massive domes
Square bases
Rounded arches
Spire
Much use of glass mosaics

A

BYZANTINE ARCHITECTURE

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22
Q

This style began in the reign of EMPEROR JUSTINIAN and continued long after the FALL OF CONSTANTINOPLE (Formerly known as BYZANTIUM), when the GREEK ORTHODOX CHURCH

A

BYZANTINE ARCHITECTURE

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23
Q

HAGIA SOPHIA IN ISTANBUL, TURKEY

ST. MARK BASILICA IN VENICE, ITALY
are examples of what architecture?

A

BYZANTINE ARCHITECTURE

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24
TYPES OF MEDIEVAL ART
ILLUMINATED MANUSCRIPTS PAINTINGS EMBROIDERY CERAMICS MOSAICS SCULPTURES HERALDRY
25
Most famous artists include: DONATELLO GIOTTO LEON BAUTISTA ALBERTI CIMABUE FILIPPO BRUNELLESCHI FRA ANGELICO LORENZO GHIBERTI
idk
26
Produced in Paris in the early 15th century
ILLUMINATED MANUSCRIPTS
27
T or F ILLUMINATED MANUSCRIPTS - Religious texts decorated with rich colors, which often featured the use of gold and silver
true
28
T or F The word “illuminated” comes from the Latin word “illuminare,” meaning adorn or illuminate
TRUE
29
Artists who produced the artwork are called as ?
Artists who produced the artwork are called as “ILLUMINATORS”
30
Most popular book Made by the lay people in the late middle ages and renaissance The book contains sets of prayers to be performed throughout the hours of the day and the night
French Book of hours
31
T or F Rubber with great luster were used as mediums in the creation of religious artifacts
FALSE Metals with great luster were used as mediums in the creation of religious artifacts
32
The artists who used precious metals and produced new forms of jewelry were called as
“SILVERSMITHS” and “GOLDSMITHS”
33
Tradition required that only precious metals are used as vessels for divine service to God
METALWORK
34
Made of wood pleated with sheets of gold
STATUE OF SAINT FAITH
35
Refers to a type of painting commonly done on walls or ceilings applied with plaster
PAINTINGS: FRESCO
36
T or F FRESCO were a common display of Italian churches
TRUE
37
Refers to a type of painting done on a single or several pieces of wood board known as a panel
PANEL PAINTING
38
Icons of Byzantine art were usually featured and done as panel paintings
PANEL PAINTING
39
One of the most celebrated historical events of the Medieval era Shows the history of WILLIAM THE CONQUEROR, THE NORMAN INVASION OF ENGLAND, and THE BATTLE OF HASTINGS
BAYEUX TAPESTRY
40
Handmade and not wheel-turned during the early medieval period Produced common cooking ware, such as pots, jars, pitchers, and crucibles
CERAMIC ART
41
It is the artful creation of pictures with the use of broken pieces of colored glass, rock, or any other material Christian churches and cathedrals have used mosaics as wall and ceiling display
MOSAICS
42
Gothic sculptures emerged from the early rigid, inflexible, and elongated style of statues used in Romanesque art into a more naturalistic style in the late 12th and early 13th century
SCULPTURES
43
It makes use of fragmented pieces of glass set to look like an image or a picture. The pictures are joined together by strips of lead supported by a hard durable frame
STAINED GLASS
44
It was the art and custom of creating coats of arms and badges of the nobles
HERALDRY
45
The usual materials for making coat of arms were parchment, paper, painted wood, embroidery, enamel, stonework, and stained glass
HERALDRY
46
The period in European history, starting from the 14th to the 17th century
Renaissance Period
47
Considered to be the link between the Middle Ages and modern history
Renaissance Period
48
T or F Renaissance is from the same french word meaning “rebirth” Also means in Italian as Rinascimento, “Re: means “again” “Nascere” means “be born”
TRUE
49
T or F During the period math and music were very much mingled and interrelated wherein, HUMANISM was not a philosophy but rather a method in study and search for realism and human emotion in art
FALSE During the period science and art were very much mingled and interrelated wherein, HUMANISM was not a philosophy but rather a method in study and search for realism and human emotion in art
50
Began in Tuscany in the 14th century in the city of Florence Revived ancient forms and content from spiritual content to subjects and from Roman history and mythology were borrowed
EARLY RENAISSANCE
51
It represented the accepted peak or summit of Renaissance art. Classic ideals of humanism were fully implemented in both paintings and sculpture
HIGH RENAISSANCE
52
Painterly techniques such as the following were mastered: (in renaissance)
Painterly techniques such as the following were mastered: Linear perspective Vanishing points Foreshortening Illusionistic devices Chiaroscuro Sfumato Shading
52
Was a European art style that appeared in the later years of Italian High Renaissance
MANNERISM
53
Mannerist paintings attributed characteristics like:
Mannerist paintings attributed characteristics like: Unnatural display of emotions Inappropriate human figures Unnatural poses Bright loud colors And many more
54
Also known as "ARTMAKING" It is an alternative venue for knowing ourselves and looking into the depths and real meaning of what we are doing for our everyday life (Narciso, 2021)
SOULMAKING
55
You can identify the innate skill in making an art, jt helps you to know yourself more
SOULMAKING
56
It is a form of crafting stories or transforming brief moments into images or symbols It is connecting with people, understanding culture, and embodying tolerance and peace. Can be used to raise awareness
Soul making
57
T or F Traveling is an exploration and application of the imagination in an active way.
FALSE Soulmaking is an exploration and application of the imagination in an active way.
58
It refers to imaging or representing in any form, which may be through painting, sculpting, drawing, story telling, poetry, dancing, composing, or taking notes
CRAFTING IMAGES
59
The moment we write, engrave, and inscribe our own thought, ideas, commentaries, criticisms, and positive and negative emotions, we are crafting stories
CRAFTING STORIES
60
t OR f Novelists, composers,etc. they usually use a pen and book to record their idea when they spontaneously thought of an idea
TRUE
61
An instrument maker is a bridge toward the unknown because the instrument produces sounds that transcend our feelings, emotions, and sensation in another realm
CRAFTING INSTRUMENTS
62
It is filled with various beats. Life is full of flowing images accompanied by flowing narratives Life is a performance, we perform life. Every movement can tell a story
CRAFTING MOVEMENTS
63
T or F Our life is full of movements
TRUE
64
Anything can be crafted by using different evocative descriptions of experience and explorations, like photograph studies, puppets and masks, constructions, and notepad studies
CRAFTING TECHNIQUES
65
T or F BEING INSPIRED -means getting a stimulus that makes you start something COPYING- means you are just imitating the original artwork
TRUE
66
It refers to borrowing image that are recognizable from different sources and using these borrowed images to make a new art form It refers to borrowing image that are recognizable from different sources and using these borrowed images to make a new art form
APPROPRIATION
67
T or F To appropriate means stealing or plagiarizing It is not owning a particular work but just using the artwork in the artist's new context
FALSE To appropriate does not mean stealing or plagiarizing It is not owning a particular work but just using the artwork in the artist's new context
68
Appropriation that occurs across the boundaries of culture (Young, 2008)
CULTURAL APPROPRIATION
69
3 TYPES OF CULTURAL APPROPRIATION
OBJECT APPROPRIATION CONTENT APPROPRIATION SUBJECT APPROPRIATION
70
Occurs when a subject manner from another culture is appropriated There are some objects that have a deep meaning, if it is unintentionally offensive, it may cause misunderstandings. Be careful.
SUBJECT APPROPRIATION
71
Refers to adoption of works of art that are intangible This refers to ideas, storylines, lyrics, etc.
CONTENT APPROPRIATION
72
Refers to the appropriation of concrete and noticeable works of art Tangible work of arts that was borrowed
OBJECT APPROPRIATION
73
Pertains to the general right of a person or an individual to control an object purchased pr in his possession
OWNERSHIP
74
T or F The owner is not allowed to modify the object however they like, however if the ownership is jointed they must both be in agreement
FALSE The owner is allowed to modify the object however they like, however if the ownership is jointed they must both be in agreement
75
T or F If an artwork is commissioned, the copyright of that artwork would fall to the commissioner and not the artist
TRUE
76
give the owner of the copyright - that is the person who created the artwork - exclusive rights to reproduce, to display publicly, to make and distribute copies, and to prepare derivative works based on the original artwork, as well as to authorize those mentioned above.
COPYRIGHT LAW
77
T or F Onewship is the intellectual property
FALse Copyright is the intellectual property
78
T or F If there is a buyer and they want the artist to do something but the copyright and ownership differs when it is bought. Ownership goes to the buyer, but copyright goes to the artist
TRUE
79
Is the art and act of improvising or of composing, uttering, executing, or arranging anything without previous preparation or producing something from whatever is existing or available.
IMPROVISATION
80
Unrehearsed, unplanned, and unpracticed
IMPROVISATION
81
T or F To “EXTEMPORIZE” or “AD LIB” is an example of improvising
TRUE
82
It is the creative activity of immediate musical composition, which combines performance with communication of emotions and while simultaneously playing instrumental, as well as spontaneous response to other musicians.
MUSIC IMPROVISATION
83
Often called improv or improv, it is the form of theater, often comedy, in which most or all of what is performed is unplanned or unscripted; created spontaneously by the performers
IMPROVISATIONAL THEATER
84
It is the process of spontaneously creating movement. It is also defined as freeing the body from habitual movement patterns.
DANCE IMPROVISATION
85
Is a form of improvised dancing developed in 1972 Originated from the movement studies of STEVE PAXTON
CONTACT IMPROVISATION
86
It involves the exploration of one’s body in relationship to others by using the fundamentals of sharing weight, touch, and movement awareness
CONTACT IMPROVISATION
87
Gabrielle Roth introduces 5 Rhythms 5 RHYTHMS:
FLOWING STACCATO CHAOS LYRICAL STILLNESS
88
THIRD WORLD IMPROV
It is the first school in the Philippines dedicated to teaching the art and craft of improvisational theater.
89
T of F GABE MERCADO - Founder of Second world improv FERNANDO AMORSOLO - Third national artist for visual arts
FALSE GABE MERCADO -Founder of Third world improv FERNANDO AMORSOLO - First national artist for visual arts
90
Arts produced in a certain specific location that express tradition and/or culture.
LOCAL ARTS
91
The traditional arts in the Philippines include folk architecture, maritime transport, famous sculpture in the Philippines, weaving, carving, folk performing arts, folk (oral) literature, folk graphic and plastic arts, ornament, pottery, and other artistic expressions of traditional culture.
LOCAL ARTS
92
called as the Fashion Center of the Philippines because of its affordable and unique textile
Kamuning Textile Market
93
It is the term for geometric and flowing designs (often based on an elaborate leaf-and-vine pattern)
OKIR OR UKKIL
94
The ---- (motif) is an exclusive artistic cultural heritage of the Maranaos of Lanao, Philippines.
The Okir (motif) is an exclusive artistic cultural heritage of the Maranaos of Lanao, Philippines.
95
It is an artistic design of the Maranao native inhabitants of southern Philippines beginning from the early 6th Century C.E. before the Islamization of the area.
OKIR OR UKKIL
96
T or F Okir is a design or pattern often rendered or straight in hardwood, brass, silver and wall painting in curvilinear lines and Arabic geometric figures.
FALSE Okir is a design or pattern often rendered or curved in hardwood, brass, silver and wall painting in curvilinear lines and Arabic geometric figures.
97
The ___ are proud to preserve their cultural heritage by way of keeping their artifacts permanently located in their households.
The Maranaos are proud to preserve their cultural heritage by way of keeping their artifacts permanently located in their households.
98
OKIR OR UKKIL LEAF AND-VINE PATTERN
Dahun Putsul or Potiok Dahun Kambangtuli Dahun Andalan Dahun Suwa Dahun Angilan Dahun Paku-paku
99
It could mean a continuous area or expanse that is free, available or unoccupied, which is either a piece of land or structures, like building.
SPACE
100
It may refer to area that are set and planned for community planning as commercial, business, or residential.
SPACE
101
Made of the ever-reliable bamboo or kawayan and joined together by organic strings with dried coconut leaves or cogon grass
KUBO (KAMALIG OR NIPA HUT)
102
The houses are harmoniously located with the contour of the rice terraces The ground-level posts have wooden discs, which are called oliang, to prevent rats from entering the house. The second level or the living area is accessible through a removable ladder.
IFUGAO HOUSE (Bale’)
103
Its compact structure is divided into four areas: the main house, the cooking house, toilet, and bathhouse. The houses of Ivatan are constructed and repaired through a cooperative system called kayvayvanaan or kamanyiduan. Most of the Ivatan houses are built with limestone walls, reed and cogon roofs
BATANES HOUSE
104
A torogan, literally means "a place for sleep," is the stately house of the elite members of the Maranao tribe in the province of Lânao del Sur.
MARANAO HOUSE
105
As the house of the datu or sultan, it is a symbol of status and leadership o The only remaining habitable torogan, it was declared a National Cultural Treasure by the National Museum of the Philippines in 2008
MARANAO HOUSE
106
A torogan is placed above the ground by columns cut from trees with huge widths. It has walls covered with plywood sticks and roof thatched with dried coconut leaves. It has no division and appears like a huge hall.
MARANAO HOUSE
107
or pile dwellings are raised on piles over the surface of the soil or a body of water. Stilt houses are built primarily as a protection against flooding, but they also serve to keep out vermin or pest (nuisance animal). The shady space under the house can be used for work or storage.
HOUSES ON STILTS
108
Portable house built by the early Aetas or Negritos The lean-to reflects the Agta hunting and gathering ways of life
LEAN-TO
109
Sea gypsies of the Philippines, cruise along the islands in the Sulu archipelago These range from 12-60 feet long but not more than 6 feet wide.
BADJAO HOUSEBOAT
110
In the hinterlands of Agusan and Misamis Oriental, the Higaonon build their tree houses of lashed sapling nipa or cogon grass, split bamboo, rattan, and bark of trees. The low roof, at times also serve as walls. Wobbling catwalks connect the smaller houses of about 6 feet by 8 feet wide to a central communal room where a square box of earth serves as fireplace and a kitchen. Such
HIGANON TREE HOUSE