FL Manual 5 Envelope Cont/Granulizer Flashcards Preview

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Flashcards in FL Manual 5 Envelope Cont/Granulizer Deck (112)
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1
Q

FL STUDIO
Fruit Kick is what?

A
  • A simple kick drum synthesizer.
  • -A kick drum sound is synthesized by taking a simple waveform, sine wave, with a fast opening volume envelope and a quickly falling initial pitch.
2
Q

FL STUDIO Fruit Kick
MAX Knob

A

-Start sweep frequency (MAX) - Defines the start frequency of the kick sound

3
Q

FL STUDIO Fruit Kick
MIN Knob

A

End frequency (MIN) - Defines the “sweep to” (end) frequency.

4
Q

FL STUDIO Fruit Kick
DECAY Knob

A

Sweep time (DEC) - Defines the pitch sweep time (i.e. pitch decay).

5
Q

FL STUDIO Fruit Kick
AMP DECAY Knob

A

Amplitude decay (A. DEC) - The amplitude (volume) decay length.

6
Q

FL STUDIO Fruit Kick
CLICK Knob

A

Click (CLICK) - Adds phase offset to the kick sound to produce a click. Turn right for louder click.

7
Q

FL STUDIO Fruit Kick
DIST Knob

A

Distort (DIST) - Applies hard clipping to the sine wave oscillator for “punchier” kick sounds.

8
Q

FL STUDIO
What is Fruity Dance?

A
  • Fruity Dance is an animation plugin.
  • -The default animation is ‘FL Chan’, the FL Studio mascot.
  • –You can control her dance movements from the Piano roll by selecting a range of programmed dance moves.
9
Q

FL STUDIO
What is Fruity Envelope Controller?

A
  • Generates automation data (to control modulation targets) from the Piano roll or live keyboard/MIDI input.
  • -NOTE: When the Envelope Controller is loaded in the Channel Rack it will appear as 8 x Articulator options on the Link to controller’ Right-click dialog on automatable controls ‘Link assignment’ menu.
10
Q

FL STUDIO
Fruity Envelope Controller
How can you modify input:output mappings on any controler modulation?

A

-You can adjust type *2 or /2 to make the modulation twice or half as strong, etc.

11
Q

FL STUDIO
Fruity Envelope Controller
Can use multiple envelope controller articulators with MIDI input notes to turn on and off ___________

A

-Mixer FX over time.

12
Q

FL STUDIO
Fruity Envelope Controller
Each of the 8 articulators has what modulation sources?

A
  • Envelope - Keys trigger an envelope.
  • -LFO - Keys trigger a Low Frequency Oscillator.
  • –Keyboard Mapping - Keyboard key number (position) exercises an envelope.
  • —Velocity Mapping - Keyboard velocity exercises an envelope.
  • —-Modulation X & Y Mappings - Controllers linked to the X and Y knobs exercise an envelope.
  • —–Random - Keys trigger a random values, under envelope control.
13
Q

FL STUDIO
Fruity Envelope Controller
What does MODE Change?

A
  • Bipolar - Modulation values range between -1 and +1. Modulation source envelopes are added.
  • -Unipolar - Modulation values range between 0 and +1. Modulation source envelopes are multiplied.
14
Q

FL STUDIO
Fruity Envelope Controller
What does BASE Knob do?

A

-Base - Add or subtract an offset value to the Articulator.

15
Q

FL STUDIO
Fruity Envelope Controller
What does ENV Knob do?

A

-Envelope - Multiply the output of the Envelope by -1 to +1.

16
Q

FL STUDIO
Fruity Envelope Controller
What does LFO Knob Do?

A

-LFO - Multiply the output of the Low Frequency Oscillator by -1 to +1.
NOTE: Setting a negative multiplier inverts the phase of the modulator output.

17
Q

FL STUDIO
Fruity Envelope Controller
Enable/Disable Switch

A

-To use an envelope/mapping, you need to enable it by clicking the switch at the bottom left side of the editor.

18
Q

FL STUDIO
What is Fruity Granulizer?

A
  • Fruity Granulizer is a sample based plugin that utilizes the granular synthesis.
  • -The source material for the Granulizer is a wave sample loaded by the user.
  • –Granular synthesis splits a wave sample into many small pieces (grains) that are looped/played-back according to the settings of the generator.
19
Q

FL STUDIO
Fruity Granulizer, Grains Section
ATTACK

A
  • Sets the attack and decay length of each grain (i.e. fade in/fade out time).
  • -The time is added (twice - fade in and fade out) to the length of the grain.
20
Q

FL STUDIO
Fruity Granulizer, Grains Section
HOLD

A

-Length each grain is held before moving onto the next.

21
Q

FL STUDIO
Fruity Granulizer, Grains Section
GR. SPACING

A
  • Grain spacing in playback.
  • -Turn to right for greater spacing between played grains (slower playback).
  • –Turn left for smaller spacing (faster playback).
22
Q

FL STUDIO
Fruity Granulizer, Grains Section
WAVE SPACING

A
  • This basically controls the number of grains generated from the wave sample.
  • -This value ranges from -300% to 300%.
  • –For normal playback, set both Grain Spacing and Wave Spacing to 100%.
  • —Small values mean more grains are used for the wave (smaller wave spacing).
  • —-Using negative values results in reversed playback of the grains.
  • —–NOTES: Grain playback order is reversed, not the sound contained in each grain.
23
Q

FL STUDIO
Fruity Granulizer, Effects Section
PAN

A
  • Odd vs even grains are panned left and right respectively.
  • Higher values (turn right), to increase panning. To disable the effect, turn the knob maximum to left.
24
Q

FL STUDIO
Fruity Granulizer, Effects Section
DEPTH

A
  • Amplitude of the LFO applied to the wave spacing value.
  • Turn to right to increase the amplitude. To turn the LFO off, turn the knob maximum to left.
25
Q

FL STUDIO
Fruity Granulizer, Effects Section
SPEED

A

-Speed of the LFO applied to the wave spacing value. Turning to right makes the LFO faster, turning left, slower.

26
Q

FL STUDIO
Fruity Granulizer, Effects Section
RAND

A

-Randomizes grain (order) playback. Turn the knob to right to increase the effect. To disable the effect, turn it maximum to left.

27
Q

FL STUDIO
Fruity Granulizer, Transients Section

A
  • The Granulizer plugin is aware of transients
  • -When a grain crosses a transient, it’s aligned to it & is set a new user-defined length.
  • –This gives better quality when stretching certain material, like drum-loops.
28
Q

FL STUDIO
Fruity Granulizer, Transients Section
HOLD

A

-Sets the length or transient grains.

29
Q

FL STUDIO
Fruity Granulizer, Transients Section
OFF

A

-Transients are disabled

30
Q

FL STUDIO
Fruity Granulizer, Transients Section
USE REGIONS

A

-Uses the slices loaded from the sample, if any.

31
Q

FL STUDIO
Fruity Granulizer, Transients Section
DETECT

A

-Autodetects transients, even if slice/region info is available in the sample.

32
Q

FL STUDIO
Fruity Granulizer, Time Section
LOOP

A

-When turned on, the wave loops.

33
Q

FL STUDIO
Fruity Granulizer, Time Section
HOLD

A

-While pressed, the playing position won’t change. It has the same effect as if the wave spacing setting is set to 0% for a moment.

34
Q

FL STUDIO
Fruity Granulizer, Time Section
KEY TO

A

-Maps keys to several different properties: Key to pitch: maps keys to pitch (default); Key to percent: keys from C5 to C7 correspond to 0%-100% start position for the sample. For example, to start the sample from the middle, trigger C6 key; Key to step: keys C5 & above offset the sample start with a step (C6 offsets 12 steps, C7 - 24, etc.); Key to transient: keys C5 & above trigger the sample starting from a specific slice.

35
Q

FL STUDIO
Fruity Granulizer, Time Section
START

A
  • Sample start position.
  • -When turned maximum to left, the sample starts from the beginning. Turn the knob to right to start playing later in the sample.
36
Q

FL STUDIO
What is Fruity Keyboard Controller?

A
  • Fruity Keyboard Controller generates automation data to control modulation targets (knobs, sliders etc.) from Piano roll or a live MIDI input.
  • -MIDI Note or velocity can be used as the modulation source.
37
Q

FL STUDIO
How to use Fruity Keyboard Controller?

A
  • Load Fruity Keyboard Controller in the Channel Rack.
  • -Adjust the plugin as needed
  • –Link a target Synth, Effect or interface control to the Note or Velocity from the Link Dialog > ‘Link assignment’ menu.
  • —Add trigger notes to a Piano roll and edit their key/note number or velocity to control the target as needed.
38
Q

FL STUDIO
When Fruity Keyboard Controller is loaded in the project, two options will be available for linking, which are?

A
  • Note - Automation data depends on values assigned to each note via the Note Mapping Controls
  • -Velocity - Automation data depends on the note velocity.
39
Q

FL STUDIO
Fruity Keyboard Controller
How does Smoothing work?

A
  • Sets the Attack (time to reach the note ON level) and Release (time to reach the note OFF level) time when a note is played.
  • -Increase the values to create smoother transitions between notes.
40
Q

FL STUDIO Automation
How to control gross beats slot selection?

A
  • Right click the slots and create automation clip for it. Use Hold and copy paste values.
  • -Keyboard Controller, link, and link the notes to gross beat.
41
Q

FL STUDIO Automation
How to create rhythmic sidechain with gross beat?

A
  • Draw it in?
  • -To side chain rhythmically to a ghost drum loop or drum loop use peak controller inverted or non inverted?
  • -BUT YOU CAN DRAG A DRUM LOOP ONTO THE EDITOR IN GROSS BEAT TO MAKE ONE TOO WOW.
42
Q

FL STUDIO
Valve Distortion distorts input soft clipping, it rolls off and rounds the top of the waveform. Warming plugins
Transistor clipping
Digital Clipping
Crossover Distortion -

A
43
Q

FL STUDIO
Creating Blur Pads from a vocal sample with Edison

A
  • Bring a vocal into Edison
  • -To play chords, need to remove pitch variation, so need to flatten it by putting all the pitches on the same note. Open in Newtone and drag it around.
  • –In Edison remove the gaps, to create relatively straight harmonic frequency lines in the viewer.
  • —Apply the Blur Tool, 4000ms
  • —-Drag the sound into a sampler channel and tweak envelopes.
44
Q

FL STUDIO
Creating Blur Pads from a vocal sample with Edison
In real-time:

A
  • Capture the convolution response ?
  • -Open Fruity Convolver and Edison in a mixer track.
  • –Arm Edison and click the electric bolt ““Trigger impulse to record response”
  • —It’s a single sample at 100%
  • —-Use blur tool to blur the click itself, and normalize it.
  • —–Select the region with data, and drag and drop onto convolver
  • ——Then play the raw audio file with Convolver on the mixer track and turn off the dry
45
Q

FL STUDIO
What is Layer?

A
  • The Layer Channel does not make sound, it passes note data from it’s Piano roll and controller input to any linked Channels (child channels).
  • -Layers can be used to create complex instruments with different samples or to mix the sound of several instruments in one Channel, controlled by a single Layer Channel.
  • –NOTE: Patcher is a more flexible alternative to Fruity Layer.
46
Q

FL STUDIO
Layer
What does Layering>Split Children do?

A
  • Splits the children of the Layer Channel across the keyboard (starting with the root key of the Layer Channel), assigning each layer to a single key.
  • -The root keys of the children are automatically adjusted, so that the correct pitch is played through the Layer Channel.
  • –This feature is useful for creating drum kits or instruments where each note has different sample.
47
Q

FL STUDIO
What is Fruity Slicer?

A
  • Fruity Slicer uses beat detection to slice a wave file into pieces and make them independently playable from the Piano roll or from a controller.
  • -If the wave file contains slice/region data this will be automatically used instead of beat-detection.
  • –Fruity Slicer offers playback, reordering of slices and time-stretching capabilities optimized for drum loops
48
Q

FL STUDIO
Fruity Slicer
For greater control over slices…

A

-Left-click and drag them from the ‘slice properties’ window to a Sampler Channel or other .wav compatible location.

49
Q

FL STUDIO Fruity Slicer
BPM / BEATS controls -

A
  • Sets the tempo and number of beats (length) of the original loop.
  • -These settings are automatically set to the correct values if such information is embedded in the loop, otherwise Slicer will try to guess the loop tempo and length (the longer the loop, the less accurate the detection).
50
Q

FL STUDIO Fruity Slicer - Open beat slicer button
Use Sample Built-In Slicing

A
  • Uses the slices loaded from the sample (if any).
  • -This is the best option as long as the loop is sliced properly.
51
Q

FL STUDIO Fruity Slicer - Open beat slicer button
Dull / Medium / Sharp Auto-slicing

A

-These are three options for auto-slicing the loop with three predefined values for the slice thresholds (see the threshold knobs).

52
Q

FL STUDIO Fruity Slicer - Open beat slicer button
1/6, 1/4, 1/3 beat … Beat

A

-The sample will be divided into even beat-quantized slices regardless of the content (i.e. no slice auto detection).

53
Q

FL STUDIO Fruity Slicer - Open beat slicer button
No Slicing

A

-The whole loop is treated as a single slice.

54
Q

FL STUDIO Fruity Slicer - Open beat slicer button
Zero cross check slices

A
  • If you hear click/pop artifacts while playing the slices, you can call this option after slicing the loop with any of the options above.
  • -This will snap the slice markers to the nearest zero crossing.
55
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Normal

A

-Writes the notes to match the beat length (adjusted to current tempo).

56
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Reverse

A

-As normal, however the sequence is reversed (each individual slice is still played forward).

57
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Random

A
  • Each slice is placed on random location while preserving the loop groove and length.
  • -The sequence will be different each time this option is selected.
58
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Flatten (groove)

A

-The loop groove is preserved (slice locations) however all slice locations are played with the first slice.

59
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Shift Up / Shift Down

A

-The groove is preserved but all slices are shifter up/down with one slice.

60
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Quantize / Swing

A
  • As normal, however the timing is adjusted (quantized and swing).
  • -Swing holds the first note of the bar at the expense of the second note in the bar.
61
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Accentuate Beat

A

-The first slice in each beat (beat as a measurement) is assigned a higher velocity.

62
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Pitch Up Beat

A

-Every slice which belongs to an odd beat (1st, 3rd, etc.) is assigned a higher pitch.

63
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Widen Stereo

A

-The panning alternates between medium left panning and medium right panning for each alternate slice.

64
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Crazy

A

-The pan, pitch and velocity values of every slice are randomized (values will be different each time).

65
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Stutter (half) / Stutter (quarter)

A

-Each slice is broken into two pieces (half) or four pieces (quarter) to create a “stuttering” effect.

66
Q

FL STUDIO Fruity Slicer - Dump beat to piano roll button
Original Length

A

-Dumps the slices to the Piano roll to match the loop’s original speed (at the current tempo).

67
Q

FL STUDIO Fruity Slicer
Auto Dump switch

A

-When enabled, Fruity Slicer will dump the sliced beat automatically after loading and when adjusting the loop’s tempo/length.

68
Q

FL STUDIO Fruity Slicer
Auto-fit switch

A

-If enabled the loaded loop will be adjusted to fit to the current project tempo on load.

69
Q

FL STUDIO Fruity Slicer
Pitch Shift slider (PS)

A

-Changes the pitch of all slices (+/- 12 semitones), up or down (middle position = original pitch).

70
Q

FL STUDIO Fruity Slicer
Time Stretch slider (TS)

A

-Time-stretches all slices (+/- 400%), while maintaining the selected pitch (middle position = original length). Use to fill gaps.

71
Q

FL STUDIO Fruity Slicer
DeClick

A

-Applies very small fade in/out amounts to the slices (to remove click/pop artifacts).

72
Q
FL STUDIO Fruity Slicer
Attack slider (ATT)
A

-Applies a fade in effect to the slices. Push the slider to the bottom to turn this effect off.

73
Q
FL STUDIO Fruity Slicer
Decay slider (DEC)
A

-Applies a fade out effect to the slices. Push the slider to the bottom to turn this effect off.

74
Q

FL STUDIO Fruity Slicer
Animate

A

-Shows a visual cue for the slice that is currently playing.

75
Q

FL STUDIO Fruity Slicer
Play to End

A

-When enabled, each slice plays to the end of the loop.

76
Q

FL STUDIO Fruity Video Player
Rip audio from a video - Open a new project and Video Player or mute all Mixer tracks except the one hosting the Video Player. Load the video and set an empty Pattern Clip at the time-limit, in the Playlist, corresponding to the end of the video. Export the project with ‘Enable audio’ on. Load the rendered audio as an Audio Clip.

A
77
Q

FL STUDIO
What is GMS?

A

-Groove Machine Synth is a multitimbral hybrid synthesizer & FX channel from Groove Machine.

78
Q

FL STUDIO GMS
MIDI/EQ Section
VELOCITY

A
  • Assign keyboard velocity to control a range of targets in Groove Machine.
  • -The VELOCITY TO LEVEL switch enables the basic velocity to volume relationship.
79
Q

FL STUDIO GMS MIDI/EQ Section
MODULATION

A

-Assign the mod wheel to a range of targets in Groove Machine.

80
Q

FL STUDIO GMS MIDI/EQ Section
AFTERTOUCH

A
  • Assign aftertouch to a range of targets in Groove Machine.
  • -Aftertouch is pressure applied to keys/pads after being played, this feature may not be supported on your MIDI controller.
81
Q

FL STUDIO GMS MIDI/EQ Section
PITCH BEND

A

-Set the Pitch Bend wheel to bend-range relationship.

82
Q

FL STUDIO GMS MIDI/EQ Section
EQUALIZER

A

-The 5 band equalizer is post-FX and covers the range of center frequencies of 60 Hz, 220 Hz, 1500 Hz, 8000 Hz and 12000 Hz respectively. ENABLE - Activates the EQ.

83
Q

FL STUDIO GMS Synth Panel,
GMS uses what types of synthesis?

A

-The synthesizer is a hybrid additive, FM (Frequency Modulation) & RM (Ring Modulation) design.

84
Q

FL STUDIO GMS Synth Panel

  • Oscillator section - There are 3 independent oscillators.
  • -WAVESHAPE - Click to select from predefined shapes or load waveforms from .wav files or the library. You can also drop waveforms on each of the 3 oscillators.
  • –PITCH - Pitch change in semitones.
  • —FINE - Pitch change in cents.
A
85
Q

FL STUDIO GMS Synth Panel
MODULATION - Select from one of:
-1 SYNC - OSC1 will be synced by the frequency defined by AMOUNT fader.
–2 to 1 FM - Oscillator 2 is linked to Oscillator 1 in a Frequency Modulation relationship.
—2 to 1 RM - Oscillator 2 is linked to Oscillator 1 in a Ring Modulation relationship.
—-AMOUNT - Sync, FM or RM amount.

A
86
Q

FL STUDIO GMS Synth Panel
PHASE

A
  • OSC 2 - Oscillator 2 phase.
  • -RETRIG - Oscillator 2 phase retriggering.
  • –UNISONO - Unison phase.
87
Q

UNISONO - Multiple detuned voices are generated per note for a chorus-like effect.

  • VOICES - Choose between 1 and 16.
  • -STEREO - Stereo spread of voices.
  • –DETUNE - Detuning of voices.
A
88
Q

FL STUDIO GMS Synth Panel
KEYBOARD
-OCTAVE - Octave for all Oscillators.
–MONO VOICE - Monophonic mode with portamento.

A
89
Q

NOTE: GMS Filter cutoff modulation sounds so fucking sick on Lead 4, why does it sound so different? Isnt it just a normal LPF????

A
90
Q

FL STUDIO GMS - ENVELOPE
AMNT

A
  • Amount of envelope applied.
  • -Envelope scaling.
91
Q

FL STUDIO GMS - ENVELOPE
INVERT

A

-Invert the phase of the envelope.

92
Q

FL STUDIO GMS - ENVELOPE
DEST

A

-Target parameter for envelope modulation.

93
Q

FL STUDIO GMS - ENVELOPE
EG1 / EG2

A

-There are two envelopes available, switch between them here.

94
Q

FL STUDIO GMS - LFO

  • SYNC - Synchronize the LFO period to NONE (free running), BEATs or BARs.
  • -AMNT - LFO modulation amount.
  • –RETRIG - Retriggering restarts the LFO phase on each note. Leave off for a free-running LFO effect.
  • —DEST - LFO destination. Select the target to be modulated by the LFO.
  • —-INVERT - Inverts the LFO waveform.
  • —–SHAPE - LFO waveform shape. NOTE: The Sine (top shape) is bipolar, generating both +1 and -1 values at opposing peaks. The remainder of the shapes (Triangle, Saw & Square) are uni-polar producing values between 0 and 1.
  • ——LFO 1 / LFO 2 - There are two LFO sources available, choose the LFO to be edited here.
A
95
Q

FL STUDIO GMS
LVL EG is what?

A
  • Envelope Generator Level.
  • -The envelope is used to shape the volume contour of the sound of each note played.
96
Q

FL STUDIO GMS - Effects
GLUE

A

-Click this switch to permanently enable the selected effect. Momentary activation can be gained by clicking in the X/Y panel.

97
Q

FL STUDIO GMS - Effects
DIST X Y

A
  • Distortion.
  • -X - Distortion amount.
  • –Y - Low pass filter cutoff frequency.
98
Q

FL STUDIO GMS - Effects
CRSH X Y

A
  • Bit crusher.
  • -X - Sample-rate reduction amount.
  • –Y - Low pass filter cutoff frequency.
99
Q

FL STUDIO GMS - Effects
FLNG X Y

A
  • Flanging.
  • -X - Depth.
  • –Y - Feedback.
100
Q

FL STUDIO GMS - Effects
PHSR X Y

A
  • Phasing.
  • -X - Depth.
  • –Y - Feedback.
101
Q

FL STUDIO GMS - Effects
LPF X Y

A
  • Low pass filtering.
  • -X - Low pass filter cutoff frequency.
  • –Y - Resonance amount.
102
Q

FL STUDIO GMS - Effects
HPF X Y

A
  • High pass filtering.
  • -X - High pass filter cutoff frequency.
  • –Y - Resonance amount
103
Q

FL STUDIO GMS - Effects
ECHO X Y

A
  • Delay/Echo.
  • -X - Feedback amount (echo strength)
  • –Y - Echo filtering.
104
Q

FL STUDIO GMS - Effects
RVRB X Y

A
  • Reverberation.
  • -X - Feedback.
  • –Y - Wet level (reverb amount).
105
Q

FL STUDIO GMS - Effects
PAN X Y

A
  • Panning.
  • -X - Left/Right pan position.
  • –Y - Binaural effect level. Up/Down.
106
Q

FL STUDIO GMS - Effects
TRNC X Y

A
  • Trance effect.
  • -X - Release time.
  • –Y - Drop level. Use this effect to induce side-chain style pumping.
107
Q

FL STUDIO GMS - Effects LFO Section
LFO Multiplier

A

-Select a multiplication factor for the LFO.

108
Q

FL STUDIO GMS - Effects LFO Section
AMOUNT

A

-LFO multiplier, from 0 to 100% (top).

109
Q

FL STUDIO GMS - Effects LFO Section
SYNC

A

-LFO can be synced to the Bar or Beat.

110
Q

FL STUDIO GMS - Effects LFO Section
SHAPE

A

-LFO waveform shape.

111
Q

FL STUDIO GMS - Effects LFO Section
Arm X / Y

A

-Each effect has a pair of unique performance parameters.

112
Q
A