Ford Flashcards

1
Q

S to A: “Strumpet…

A

…I’le rip up thy heart.”

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2
Q

G to F: “I have unclasped…

A

… the burdens of my soul.” “Emptied the storehouse of my thoughts and heart.” “Made myself poor of secrets.”

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3
Q

G to F: “Are we not…

A

… therefore each to other bound so much the more by nature.”

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4
Q

G to A: “A heart…

A

… in which is writ the truth I speak.”

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5
Q

G to A: “thy immoral…

A

… beauty hath untuned all harmony.”

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6
Q

G to A: “I have…

A

… too long suppressed the hidden flames.”

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7
Q

B: “My…

A

… belly seethes like a porridge pot.”

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8
Q

Donado: “Is this…

A

… a churchman’s voice? Dwells justice here?”

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9
Q

P to G: “O sir…

A

… we are all undone, quite undone, utterly undone.”

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10
Q

V to H: “Your own…

A

… mischievous treachery hath killed you.”

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11
Q

G to A: “I have asked…

A

… the counsel of the church who tell me I may love you.”

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12
Q

Florio: “I will not…

A

… have her marry for wealth, but love.”

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13
Q

G: “That beauty…

A

… which, if framed anew, the Gods would make a God of.”

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14
Q

F to G: “Young man…

A

… there are no school points.”

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15
Q

G to F: “Your age…

A

… o’errules you, had you youth like mind, you’d make her love your heaven.”

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16
Q

F to A: “Then you will…

A

… wish each kiss your brother gave had been a dagger’s point.”

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17
Q

F to G: “For death…

A

… waits on thy lust.”

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18
Q

A to G: “For every sigh…

A

…. thou hast spent for me, I have sighed ten.”

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19
Q

Richardetto: “The Cardinal…

A

… is noble; he no doubt will give true justice.”

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20
Q

Corrine S Abate: “The Cardinal…

A

… is a morally compromised man, amid this morally compromised society.”

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21
Q

Lisa Hopkins:

A

“Ford portrays incest too sympathetically by making Giovanni and Annabella attractive.”

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22
Q

Dorothy M Farr: “The death of…

A

… Bergetto presents the violation of innocence in a corrupt society.”

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23
Q

G to A: “Can’t thou…

A

… be dared to swear that thou wilt live to me and to no other?”

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24
Q

S to H: “Learn to…

A

… repent and die.”

25
Q

B’s letter: “Yours…

A

… upwards and downwards.”

26
Q

F to G: “Oh, ignorance…

A

… in knowledge.”

27
Q

F to G: “She did…

A

… yield to lust.”

28
Q

V to H: “I am…

A

… infinitely yours.” (irony)

29
Q

S about A: “Precious…

A

… jewel, such a prize.” (ironic- corrupt.)

30
Q

G to A: “Forgive me.” A to G:…

A

… “With my heart.” (depth of meaning)

31
Q

Gio: “The glory…

A

… of my deed.”

32
Q

A to G: “What, are…

A

… you jealous?”

33
Q

P to A: “Tis too…

A

… late to repent now, heaven help us!”

34
Q

F to A: “You have…

A

… unripped a soul so foul and guilty.”

35
Q

F to A: “Whiles…

A

… I do read a lecture.”

36
Q

F to A: “Heaven…

A

… is merciful.”

37
Q

Cardinal: “Rise…

A

… up, Grimaldi!” (symbolically forgiving him)

38
Q

Cardinal: “He is…

A

… no common man, but nobly born.”

39
Q

G to A: “Tis my…

A

… destiny that you must either love or I must die.”

40
Q

A to G: “I blush…

A

… to tell thee.”

41
Q

H to A: “I come…

A

… not to defraud you of your man.”

42
Q

Wiggins:

A

“The only excessive pressure on Annabella comes form the Friar and his alarming account of eternal torment.”

43
Q

Stavig:

A

“The symbol of true religion leaves the city, corruption and hypocrisy go unchallenged.”

44
Q

Corrine S Abate: Hippolita=

A

“While not admirable, certainly does not justify being poisoned in public.”

45
Q

Dorothy M Farr: “Bergetto is…

A

… a childish simpleton, not far removed from the ‘innocent’ in the Elizabethan sense.”

46
Q

Dorothy M Farr: “The Friar…

A

… is no corrupt churchman neither is he an aged well-wisher.”

47
Q

H J Oliver:

A

“Their loves are pure; their souls unstained.”

48
Q

Dorothy M Farr: “She is…

A

… a child of nurture rather than of nature.”

49
Q

Stavig: “As an atheist…

A

… an incestuous lover, a revenger and a murderer, Giovanni has many characteristics of a stage villain.”

50
Q

Stavig: “Instead of…

A

… worshipping God, he has substituted an earthly ‘idol’, his sister.”

51
Q

Sonia Massai: “The first English…

A

… play to represent sibling incest as a passionate, all consuming love story.”

52
Q

G to A: “For colour,

A

lips; for sweet perfumes, her breath; for jewels, eyes.”

53
Q

G: “Tis not…

A

… I know, my lust, but tis my fate that leads me on.”

54
Q

G: “It were more easy…

A

… to stop the ocean from floats and ebbs than dissuade my vows.”

55
Q

A to G: “What blessed…

A

… shape of come celestial creature now appears?” (heavenly/divine) (may not have recognised him- common of the time- boys sent away to be educated)

56
Q

G to A: “I think you…

A

…. love me, sister.”
“Yes, you know I do.”
(pace) (romantic intimacy)

57
Q

G to A: “Let not…

A

…. this music be a dream.”

58
Q

G to A: “Wise nature…

A

… first in your creation meant to make you mine.”