Form

Question 1

Binary Form and how each part ends

Answer 1

Movement divided in two. Both sections repeated. 2nd part usually longer
1st part ends with HC or AC in new key
2nd part unstable ends with PAC

Question 2

Rounded binary form

Answer 2

Open returns in middle to end of second. Must be og key with little variation

Question 3

Balanced binary form

Answer 3

Cadence rhyme

Question 4

Simple binary form

Answer 4

A and B are related but material doesn’t get repeated

Question 5

Symmetrical form

Answer 5

Sections same length

Question 6

Sectional form

Answer 6

First part ends with AC in OG key

Question 7

Four movement piece form

Answer 7

1: fast Sonata
2: slow lyrical
3: fast, triple meter, ternary form
4: fastest, rondo or sonata

Question 8

Ternary form- how does A end

Answer 8

ABA
A usually ends in home key on PAC
2nd A usually longer than first
B is more substantial in ternary

Question 9

Compound ternary

Answer 9

A and B are in ternary form themselves

Question 10

Rondo and how each part ends

Answer 10

Can be 5 or 7 part
ABACA(BA)
WHAT MAKES RONDO A RONDO- A is the refrain (the same, home key every time)
A ends with PAC in home key
B ends in HC or PAC in new key
B is more simple, stable, shorter than C
First B related key, second home key

Question 11

What makes Rondo a Rondo

Answer 11

A is the refrain. Same every time. Home key

Question 12

Transition

Answer 12

Move to new key

Question 13

Re transition

Answer 13

Move back to home key

Question 14

Modified transition

Answer 14

Sounds like it’s modulating, but doesn’t. Uses dominant prolongation,sequences, linear chromaticism

Question 15

Continuous variation form

Answer 15

The theme is one phrase that ends on half cadence
A section ends in different key

Question 16

One part form

Answer 16

No repeats, all lead to tonic at end

Question 17

Strophic

Answer 17

Songs. New lyrics, same music

Question 18

Modified strophic

Answer 18

Almost the same music for each set of lyrics

Question 19

Through composed

Answer 19

It’s what it sounds like

Question 20

Sonata form and subsections

Answer 20

Optional intro
Exposition (primary theme-transition-medial caesura-secondary theme-closing)
Repeat
Development (x-section and Re transition)
Recapitulation (primary theme-transition-secondary theme-closing)
Optional- repeat development and recapitulation
Optional Coda

Question 21

Exposition

Answer 21

Repeated- begins in tonic ends in secondary key
Primary theme (ends in home key)
Transition (starts in tonic ends with HC in new key. May begin like primary, but modulates)
Medial caesura
Secondary theme (ends with PAC in new key) (new material or variant)
Closing (PAC, no new material)

Question 22

Development

Answer 22

After closing of exposition
Ends with PAC and avoids tonic Harmonically unstable
X-section
Re transition- usually dom prolongation, but could be sequence or something

Question 23

Recapitulation

Answer 23

Comes after development
Starts and ends in home key
Primary theme
Transition
Secondary theme (transposed to tonic)
Closing (transposed to tonic)

Question 24

Coda

Answer 24

Fresh new stuff
Comes after closing of recapitulation

Question 25

Sonata Rondo and when it’s common

Answer 25

Seven part Rondo and Sonata had baby Common as fast multi movement work’s final movement AB A C AB A AB is structured like expo C is like development AB is like recap A like closing?

Question 26

What is sonata form the outgrowth of

Answer 26

Continuous Rounded binary

Question 27

What is the harmonic value of a coda

Answer 27

Tonic prolongstion

Question 28

Which sections of sonata form are harmonically unstable

Answer 28

X-section and transitions

Question 29

Which section have the harmonic value of major V in sonata form

Answer 29

Expo- 2nd tonal area and closing

Question 30

What are the differences between ternary and rounded binary

Answer 30

Ternary: sections are closed off/have a clear closing Rounded binary: sections bleed into each other and share material

Question 31

Second tonal area harmonic value

Answer 31

Major V in major keys And major III in minor

Question 32

What is the harmonic value of a closing

Answer 32

Major V in major Major III in minor

Question 33

What is the harmonic value of the x-section

Answer 33

Harmonically unstable

Question 34

What is the harmonic value of a retransition

Answer 34

Dominant prolongation more often than not

Question 35

What is the harmonic value of a recap

Answer 35

Major or minor tonic Includes 1TA, Altered transition, 2TA, and closing

Question 36

What is the (almost equivalent) of a sonata recap and why not completely

Answer 36

Rounding in binary form. In sonata you use the entire A section. Much more hardcore

Question 37

Types of chromatic modulation

Answer 37

Enharmonically reinterpreted o7, common tone modulation, pivot chord modulation, chromatic sequence

Question 38

Compound forms

Answer 38

Each section has embedded binary form Compound ternary most common, but occasional rondo

Question 39

What are the two kinds of names and variations?

Answer 39

Sectional and continuous

Question 40

Sectional theme variations

Answer 40

Each section can be played as a it’s own thing

Question 41

Continuous theme variations 

Answer 41

One piece with fixed/ostinatoelement. Often baseline and or harmonic Progressions 

Question 42

Harmonically fixed

Answer 42

Under sectional? Same harmonic structure. Phrase, cadence , Modulation, function 

Question 43

Formally fixed

Answer 43

Rounded binary, continuous cadence

Question 44

Ostinato

Answer 44

Repeated pitch (pattern) often baseline

Question 45

Ground base

Answer 45

Baseline repeats throughout

Question 46

Chaconne

Answer 46

Progressions stays

Question 47

Passacaglia

Answer 47

Progression, line, bass, stays

Question 48

Hemiola

Answer 48

2 meters at the same time

Question 49

Polyrhythm

Answer 49

Two divisions of meter rhythm at once

Question 50

Contrapuntal

Answer 50

More focus on melody, then chords and harmony

Question 51

What are the three parts to a fugue?

Answer 51

Expo, development, And some sort of reference to subject near the end

Question 52

Exposition

Answer 52

All subjects and answers are presented. Subject, optional counter subject, answe

Question 53

Development

Answer 53

Avoid tonic

Question 54

Subject

Answer 54

Melodic line Carried throughout the piece - usually tonic 

Question 55

Answer

Answer 55

Dominant, response

Question 56

Counter subject

Answer 56

Accompaniment roll, appears consistently alongside subject 

Question 57

What is an episode?

Answer 57

Only area of a fugue after expo that does not contain the subject, variety, moving one key to another.  Derives material from subject, counter, subject, answer, and other episodes . Textures thinner less voices

Question 58

Middle entries

Answer 58

Mostly three part design

Question 59

Sogetto in reference to subject

Answer 59

No longer than three measures, simple, square cut

Question 60

Andamento

Answer 60

More flowy, often two ideas Large organ fugues

Question 61

Bridge

Answer 61

Extension of subject to get back to tonic

Question 62

Stretto figure

Answer 62

Subject, and answer overlap more than a couple of notes

Question 63

Link

Answer 63

Short section in expo that does not have subject or answer

Question 64

Dom pedal

Answer 64

Returns to tonic

Question 65

Tonic pedal

Answer 65

Returns to dom

Question 66

Real

Answer 66

Intervallically identical

Question 67

Tonal answer

Answer 67

Answer is altered slightly. Often one note to fit with counterpoint

Question 68

Real/authentic answer

Answer 68

Transposition is exact. Interval for interval….minus quality?