Frankenstein AO3 + AO5 Flashcards
(42 cards)
Jacobus
‘At best, all women are the bearers of a traditional love, nurturance and domesticity; at worst, passive victims’
2011 National Theatre version
- alludes to creature sexually assaulting Elizabeth
- Cumberbatch + co-star swap roles every night to show Victor and creature interchangeable
- Victor shouts ‘I am God!’ after creation
Mellor’s ‘Usurping the Female’
- ‘a feminist critique of science’
- ‘one of the deepest horrors of the novel is Frankenstein’s implicit goal of creating a society for men only’
- the notion that science should manipulate and control rather than describe, understand and revere nature’
Gilbert and Gubar
‘creature is as nameless as a woman in patriarchal society’
O’Shea’s ‘The Fear of Femaleness’
- Elizabeth: ‘primary role is to expose the treatment of women’
- ‘Shelley views matrimony as a literal death wish’
- Safie: ‘epitome of what she considers to be an ideal woman… nothing more than a figment of imagination’
Seymour
‘Shelley’s creature warns of the dangers inherent in scientific experiment without due thought for the results’
McWhir
creature ‘suffers fate of an educated young woman in an oppressive society’
Bathard-Smith
creature is ‘only monstrous in desperation’
Marsh
- creature’s crimes can be seen as an ‘enactment of Mary Shelley’s sublimated rage’
- ‘exploration of pathological narcissism’
Botting
‘the monster is something to be shown […] demonstrate and warn […] serves an increasingly moral function’
Shelley’s 1831 introduction
Shelley writes she wanted to ‘curdle the blood and quicken the beatings of the heart’
Cluely
‘Victor embodies the Romantic rebelliousness towards accepted modes of thought in his pursuit of forbidden knowledge’
1818 Quarterly Review
‘a tissue of horrible and disgusting absurdity’
1931 Karloff film
- Victor has small audience for creation
- shouts ‘it’s alive!’ repeatedly and ‘I know what it feels like to be God’
Freud’s latent theory
unconscious fears, desires
Shelley’s nickname for her novel
‘hideous progeny’
Prejudice in Regency era
aesthetic prejudice
Shelley’s mother, Mary Wollstonecraft and father, William Godwin
Wollstonecraft:
- some suggest Mary felt responsible for her death as she died during childbirth
- wrote ‘A Vindication of the Rights of Women’
- strong, independent mother mirroring Safie’s mother
Godwin:
- wrote ‘An Essay Concerning Political Justice’ (1793)
- argued we are not free, morally or rationally, to make whatever choices we like
- focused on education
Frankenstein in relation to Gothic genre
first Gothic novel to focus on internal evil
Paradise Lost
reflects creature
Satan: ‘the happier Eden shall enjoy their fill of bliss on bliss; while I to Hell am thrust’
John Locke
‘Tabula Rasa’ (blank slate) theory
Rosseau
theory of human natural goodness
- ‘one man thinks himself the master of others, but remains more of a slave than they’
Shelley’s relationship with children
- many miscarriages
- struggles to conceive
- of the four children she bore, only one survived
The Modern Prometheus
- punished for overreaching, like Victor
- Victor encapsulates Promethean figure as he defies Gods and creates life himself
- like Prometheus, creature didn’t ask to be created