G10 Electronic Music Flashcards

(51 cards)

1
Q

It is a movement that centered
on nature and its beauty,
abandoning the romantic
movement.

A

Impressionism

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2
Q

Music of this movement has a

high level of dissonance.

A

Expressionism

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3
Q

Composers of this movement
poured intense emotional
expression into their music and
explored the subconscious mind.

A

Expressionism

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4
Q

Music of this movement had a

mysterious atmosphere.

A

Impressionism

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5
Q

_ _ was an interesting period in music. Composers started
experimenting with various techniques that were not considered
conventional. Dissonances were more present in music, and even the rules of
harmony were being broken.

A

20th century

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6
Q

_ _ also came about in
the 20th century, which was brought about by a series of
inventions.

A

Electronic music

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7
Q

invented by
Thomas Edison in 1887, was a device
that could record and reproduce
sounds.

A

Phonograph

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8
Q

Other names of phonograph

A

a gramophone or since the 1940s

called a record player.

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9
Q

invented in the 1920s,
were able to create sound waves known
as sine, square, and sawtooth waves.

A

Oscillators​

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10
Q

are pure tones without

additional harmonics, square

A

Sine waves

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11
Q

are tones with other

harmonics

A

sawtooth waves

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12
Q

were invented in

Germany in World War II.

A

Tape recorders

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13
Q

Some
20th-century composers spliced and put
together different tape recordings to
create _ _

A

Tape music

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14
Q

was invented by Russian scientist Leon Theremin in
1920.

It produces sounds through antennas that detect movement from nearby
objects.

A

Theremin​,

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15
Q

The first synthesizer invented in 1955.

It was a
complicated
machine that used knobs, switches, and oscillators to produce sound, which
is then manipulated through
different filters that control pitch and volume

A

RCA Mark II Sound Synthesizer​

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16
Q

It was a
complicated
machine that used knobs, switches, and oscillators to produce sound, which
is then manipulated through
different filters that control pitch and volume.

A

Synthesizers​, both analog and digital.

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17
Q

In the 1960s, _ _ took this technology(synthesizers) and turned it into a more
compact unit.

A

Robert Moog

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18
Q

were the first to use a piano-style

keyboard, which made it(synthesizers) easier to use.

A

Moog synthesizers

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19
Q

Due to a massive influx of synthesizers, there was a growing concern for
compatibility. Dave Smith and Ikutaru Kakehashi then formulated a
system wherein machines could communicate with each other using a
universal digital language called _.

A

MIDI

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20
Q

MIDI stands for

A

“​musical

instrument digital interface​”

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21
Q

Examples of songs that uses synthesizer

A

MIDNIGHT CITY - M83

JUMP - Van Halen

THE FINAL COUNTDOWN - Europe

22
Q

In 1948, French composers _ _ and _ _ created

tape collages by splicing and putting different tapes together.

A

Pierre Schaeffer and Pierre Henry

23
Q

splicing and putting different tapes together

A

tape collages

24
Q

In 1948, French composers Pierre Schaeffer and Pierre Henry created
tape collages by splicing and putting different tapes together.
The sounds
they processed included sound effects, musical fragments, vocalizations, and
other sounds that are produced by man and the
environment.

25
The sounds they processed included sound effects, musical fragments, vocalizations, and other sounds that are produced by man and the environment. These sounds were considered “_,” which is why they named their music as such. (Pierre Schaeffer and Pierre Henry)
concrete
26
The sounds were manipulated in various methods such as _ _ and _ _ _
altering speed and playing tapes backward.
27
However, Schaeffer was against the use of oscillators in Musique Concrete because for him these were not “concrete,” therefore not “_.”
human
28
They composed a suite that describes a man and his activities, in 1950. (Pierre Schaeffer and Pierre Henry)
“​Symphonie pour un homme seul​” (Symphony for One | Man Only)
29
Pierre Henry created a ballet score for Belgian dancer | Maurice Bejart which tells the story of Orpheus descent into Hades in 1953.
“​Orphee​”
30
created a tape music composition called “​Gesang der Junglinge” (Song of Youth)​ ​in 1956, which used sine waves combines with the voice of a 12-year old soprano.
Karlheinz Stockhausen
31
Karlheinz Stockhausen created a tape music composition which used sine waves combines with the voice of a 12-year old soprano in 1956.
“​Gesang der | Junglinge” (Song of Youth)​
32
This was revolutionary at the time because it fused both _ _ _ and _ _ _,​ and re-established Germany as a dominant force in new music. (Karlheinz Stockhausen)
German electronic music | and French Musique Concrete
33
He followed it up with more important piece in 1959. | Karlheinz Stockhausen
Kontakte(for tape, | piano, and percussion)
34
He followed it up with more important piece in 1966. | Karlheinz Stockhausen
Telemusik(purely for tape)
35
He remained at the helm of electronic music composition until his death in _. (Karlheinz Stockhausen)
2007
36
_ _ was an Italian electronic music composer who made | Thema-Omaggio a Joyce (1958; Homage to Joyce) and Visage (1961).
Luciano Berio
37
Luciano Berio was an Italian electronic music composer who made _ _ _ in 1958.
Thema-Omaggio a Joyce (1958; Homage to Joyce)
38
Luciano Berio was an Italian electronic music composer who made _ in 1961.
Visage (1961).
39
Luciano Berio was an Italian electronic music composer who made Thema-Omaggio a Joyce (1958; Homage to Joyce) and Visage (1961). These two compositions made use of the voice of American singer _ _.
Cathy Berberian
40
was an American experimental music composer who also made tape music. He wrote “Imaginary Landscape No. 1” 1939, which is considered a forerunner of modern live electronic music.
John Cage
41
which is considered a | forerunner of modern live electronic music.
“Imaginary Landscape No. 1” at 1939
42
In the 1960s, American _ _ released two synthesizer music albums called “Switched-on Bach” and “The Well-Tempered Synthesizer,” which took Baroque compositions and arranged them for the Moog Synthesizer.
Wendy Carlos
43
However, the Moog was a _ synthesizer, so it could only produce one note at a time. This meant that for the multilayer pieces that Carlos did, it would’ve taken her a lot of studio time.
monophonic
44
Wendy Carlos released two synthesizer music albums
“Switched-on Bach” and “The Well-Tempered Synthesizer” in the 1960s
45
also made use of the Moog in some tracks | of their 1969 album, “Abbey Road.”
The Beatles
46
The Beatles album released in 1969
“Abbey Road”
47
their most ambitious and experimental track was a sound collage made from tape loops found in the studio, manipulated in different ways released in 1968. (The Beatles)
“Revolution 9”
48
However, their most ambitious and experimental track was 1968’s “Revolution 9,” a sound collage made from tape loops found in the studio, manipulated in different ways. The result was an eerie-sounding composition that made the listener feel _.
uneasy
49
_ _ elements were soon used in a variety of ways, including music for film and TV.
Electronic music
50
Rock and jazz bands started to incorporate the _ as part | of their music more and more
synthesizer
51
Rock and jazz bands started to incorporate the synthesizer as part of their music more and more, especially in the 1980s where genres such as _, _, _, and _ _ emerged.
synth, pop, dance music, and New Wave