GAMABA Flashcards

(55 cards)

1
Q

A PRIVATE ORG AWARD

A

national folk artist

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2
Q

made the nfa award

A

rotary club of the ph

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3
Q

establishment of gawad sa manlilikha ng bayan

A

ra 7355

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4
Q

master of ambahan poetry

A

ginaw bilog

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5
Q

ambahan poetry

A
  • 7syllables
  • old form of writing sa kabisayaan
  • mangyan soul
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6
Q

established the school of living traditions

A

ginaw bilog

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7
Q

ambahan poetry write in

A

bamboo

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8
Q

a gifted poet, epic-chanter, story-teller and
musician. (Makagwa Valley, Palawan)

A

MASINO INTARAY

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9
Q

Master of Traditional Music Instruments
(basal, kulilal, and bagit)

A

MASINO INTARAY

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10
Q

instruments of MASINO INTARAY

A
  • basal, kulilal, bagit
  • aroding, babarak
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11
Q

He has the physical endurance to chant for
several nights the countless tultul,
sudsungit and tuturan

A

MASINO INTARAY

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12
Q

has the highest order of merit

A

MASINO INTARAY

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13
Q

chants of MASINO INTARAY

A

tultul, sudsungit, tuturan

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14
Q

the most honored kutyapi master and
teacher in Magonoy, Mindanao

A

SAMAON SULAIMAN

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15
Q

he is very proficient in the kulintang, agong,
tambul gandingan, and palendag.

A

SAMAON SULAIMAN

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16
Q

he is also an Imam.

A

SAMAON SULAIMAN

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17
Q

called when a person is religiously belief and politically head

A

Imam

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18
Q

instrument og SAMAON SULAIMAN

A

kulintang
agong
tambul gandingan
palendag

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19
Q

A master textile weaver from T’boli, Lake
Sebu

A

lang dulay

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20
Q

weaving using abaca fibers

A

LANG DULAY

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21
Q

she wanted her abaca to be pure and fine as
hair

A

LANG DULAY

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22
Q

she perfected hundred designs which
included the bulinglangit, bankiring, and
kabangi.

A

LANG DULAY

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23
Q

WHAT ARE THE hundred designs OF LANG DULAY

A

buling langit (clouds)
bankiring bangs)
kabangi (butterflies)

24
Q

Bagobo tribe, Bansalan, Davao del Sur
she developed keen eye for the traditional
design.

A

SALINTA MONON

25
teaching young wives in the Bagobo Community her favorite weaving pattern is binuwaya
SALINTA MONON
26
preservation of artifacts such as the Kalinga gong or the gangsa to revive this dying treasures.
alonzo saclag
27
master of dance and the performing arts
ALONZO SACLAG
28
Kalinga Budong Dance Troupe
ALONZO SACLAG
29
epic-chanter from Kalinog, Iloilo and from the mountains of central Panay
FEDERICO CABALLERO
30
He preserved and promoted the encyclopedic folklore of Panay
FEDERICO CABALLERO
31
He was considered as BANTUGAN.
FEDERICO CABALLERO
32
is a Yakan from Lamitan Basilan (nearly blind)
UWANG AHADAS
33
He became a teacher to young people who have interest with the kwintangan, kayu, and tuntungan
UWANG AHADAS
34
Mastered the kwintangan.
UWANG AHADAS
35
is a weaver of pis syabit.(Traditional cloth tapestry)
darhata sawabi
36
preserved and promoted generations of traditional tausug designs
darhata sawabi
37
head cloth aka
traditional cloth tapestry (pis syabit)
38
an artist who focuses on creating religous and secular art. (silve, bronze, wood)
eduardo mutuc
39
his crafsmanship involves the right choice of tools and medium. (chissel & hammer)
EDUARDO MUTUC
40
Quality of product vs. material rewards
EDUARDO MUTUC
41
the master mat weaver (Sama Indeginous Community)
HAJA AMINA APPI
42
Her colorful mats with their complex geometric patterns exhibited her precise proportion, symmetry, sense of design, and sensitivity to color
HAJA AMINA APPI
43
he is known for making the all-weather headgear. (Tabungaw)
TEOFILO GARCIA
44
all weather head gear of teofilo garcia
TABUNGAW
45
made of the native gourd which is hollowed out, polished and varnished to a bringht orange.
tabungaw
46
a head piece made of finely woven rattan matting while the brim has a bamboo weave
tabungaw
47
Master Weaver who creates inabel (Ilokanos handwoven cloth)
MAGDALENA GAMAYO
48
ilokanos handowven cloth
INabel
49
“Knowledge in weaving is not enough, there are several skills that has to be developed to be master in this art. ”
MAGDALENA GAMAYO
50
- Weavers agree that weaving is a very complex task. - self-taught (binakol, inuritan, kusikos, sinansabong)
MAGDALENA GAMAYO
51
preerved and promoted Yakan “tennun” (Tapestryweaving tradition)
AMABANG AUSALIN
52
She is able to create the most intricate dsigns having the complex knowledged of the entire weaving process and cultural significance of the Yakan design.
AMBAGN AUSALIN
53
Her textile design suwah bekkat and suwah pendan
AMBANG AUSALIN
54
AMBANG AUSALIN textile designs
suwah bekkat (x) suwah pendan (embroider)
55
labnai, mat weaving master
ESTELITA BANTILLAN