Glossary 3 Flashcards

1
Q

A device used in poetry to manipulate the sound of words, sentences or lines.

A

Poetic device

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2
Q

The repetition of the same consonant sound at the beginning of words.

A

Alliteration

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3
Q

Example: “Sally sells sea shells by the sea shore”

A

Alliteration

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4
Q

Impact: creates a rhythm that is hard and fast, carrying the text forward

A

Alliteration

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5
Q

The repetition of identical or similar vowel sounds.

A

Assonance

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6
Q

Example: “From the molten-golden notes”

A

Assonance

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7
Q

Impact: creates a sense of emotional resonance, evoking feelings and emotions

A

Assonance

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8
Q

The repetition of the same consonant sound at the end of words or within words.

A

Consonance

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9
Q

Example: “Some late visitor entreating entrance at my chamber door”

A

Consonance

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10
Q

Impact: creates harmony and resonance within the text

A

Consonance

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11
Q

The use of a word which imitates or suggests the sound that the thing makes.

A

Onomatopoeia

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12
Q

Example: Snap, rustle, boom, murmur

A

Onomatopoeia

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13
Q

Impact: used to create vivid imagery, convey atmosphere, evoke an auditory response, and enhance action scenes

A

Onomatopoeia

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14
Q

When a line of poetry contains a rhyme within a single line.

A

Internal rhyme

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15
Q

Example: “To the rhyming and the chiming of the bells!”

A

Internal rhyme

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16
Q

Impact: creates a pleasing rhythm and musicality in written text, enhancing its auditory appeal

A

Internal rhyme

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17
Q

When a poet creates a rhyme, but the two words do not rhyme exactly – they are merely similar.

A

Slant rhyme

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18
Q

Example: “I sat upon a stone, / And found my life has gone.”

A

Slant rhyme

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19
Q

Impact: deepens the theme or mood by adding layers of complexity to the text

A

Slant rhyme

20
Q

When the last word of two different lines of poetry rhyme.

21
Q

Example: “Roses are red, violets are blue, / Sugar is sweet, and so are you.”

22
Q

Impact: used to create a sense of closure or completeness at the end of a line

23
Q

The pattern of a poem’s end rhymes.

A

Rhyme Scheme

24
Q

Example: For example, the following lines have a rhyme scheme of a b a b c d c d:

Shall I compare thee to a summer’s day? a
Thou art more lovely and more temperate. b
Rough winds do shake the darling buds of May. a
And summer’s lease hath all too short a date. b
Sometime too hot the eye of heaven shines c
And often is his gold complexion dimmed d
And every fair from fair sometime declines c
By chance or nature’s changing course untrimmed d

A

Rhyme Scheme

25
Impact: brings order and cohesion to a poem
Rhyme Scheme
26
In every word of more than one syllable, one of the syllables is stressed, or said with more force than the other syllable(s).
Stressed and unstressed syllables
27
Example: In the name “Nathan,” the first syllable is stressed. In the word “unhappiness,” the second of the four syllables is stressed.
Stressed and unstressed syllables
28
Impact: conveys varying tones or moods within a poem, influencing how readers engage with the text
Stressed and unstressed syllables
29
A regular pattern to the syllables in lines of poetry.
Meter
30
Example: Once upon a midnight dreary, while I pondered, weak and weary
Meter
31
Impact: reinforces the message and amplifies the feelings a poet wishes to share
Meter
32
Poetry that doesn’t have much meter or rhyme.
Free verse
33
Example: "I celebrate myself, and sing myself,/And what I assume you shall assume,/For every atom belonging to me as good belongs to you./I loafe and invite my soul, I lean and loafe at my ease/observing a spear of summer grass" Song of Myself by Walt Whitman
Free verse
34
Impact: lets language and emotion give form to their poems.
Free verse
35
Poetry that is written in lines of 10 syllables, alternating stressed and unstressed syllables.
Iambic pentameter
36
Example: “Shall I compare thee to a summer’s day?”
Iambic pentameter
37
Impact: creates a pleasing rhythm in the reader’s ear and make the text more musical and memorable
Iambic pentameter
38
A 14 line poem written in iambic pentameter. Usually divided into three quatrains and a couplet.
Sonnet
39
Example: "My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare." -My Mistress’ Eyes Are Nothing Like the Sun, by William Shakespeare
Sonnet
40
Impact: used to express a wide range of emotions, from joy and love to anger and sorrow
Sonnet
41
When a writer creates a list of items which are all separated by conjunctions. Normally, a conjunction is used only before the last item in a list.
Polysyndeton
42
Example: “I walked the dog, and fed the cat, and milked the cows.”
Polysyndeton
43
Impact: used to slow down the pace of the writing and/or add an authoritative tone.
Polysyndeton
44
When a word that has two or more meanings is used in a humorous way.
Pun
45
Example: “My dog has a fur coat and pants!” “I was stirred by his cooking lesson.”
Pun
46
Impact: used in a humorous way, to elicit a “jokey” tone, but they can also be used to enhance a reader’s interpretation
Pun