gr 10- theory Flashcards

(42 cards)

1
Q

coordination

A

-awareness of how the whole body is moving

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2
Q

BASTE

A
body
action
space
time
energy
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3
Q

locomotor

A

action that carries the body from one place to another

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4
Q

axial

A

motion organized around the axis of the body which stays in place

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5
Q

sustained

A

an even smooth flow

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6
Q

suspended

A

a momentary stillness w the body actively arrested space (often a burts of energy)

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7
Q

to be centered

A
  • physically aligned proper posture

- mentally, focused and relaxed

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8
Q

frontal plane

A
  • divides body from front and back

- movement is side to side

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9
Q

saggital planes

A

divers body in half right and left

- movement is forward and back

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10
Q

transverse plane

A
  • cuts body in too and bottom halves

- twisting or rotational movement

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11
Q

flexion

A

to bend

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12
Q

extension

A

to lengthen

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13
Q

abduction

A

to move away from the midline of the body

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14
Q

adduction

A

to move towards the midline of the body

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15
Q

dorsi flexion

A

to flex the foot

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16
Q

plantar flexion

A

to point the foot

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17
Q

supination

A

roll onto the outside edge of foot (sickle)

18
Q

pronation

A

roll onto the inside edge of the foot (wing)

19
Q

psychoneuromuscular theory

A
  • imagines the movement
  • internal visualization, imagining the muscles and bones from the inside imaging how they feel in action
  • external, most like watching tv and seeing oneself do a movement
20
Q

internal visualization

A

-internal visualization, imagining the muscles and bones from the inside imaging how they feel in action

21
Q

external visualization

A

-external, most like watching tv and seeing oneself do a movement

22
Q

intensity

A

the difficulty of dancr steps,exercises, or combonations

23
Q

volume

A

the number of repetitions in correspondence with the resistance the higher the resistance the fewer reps

24
Q

frequency

A

how often you practice and for how long

25
lordosis
swayback/ banana back
26
kyphosis
humpback
27
scoliosis
s curved back
28
isometric contraction
tension is developed in the muscle but the muscle does not shorten and there is no joint movement
29
isotonic contraction
a muscular contraction where there is joint movement and shortens the muscle
30
muscular strength
the ability of a muscle or group of muscles to exert force against resistance in one all out effort
31
flexibility
the elasticity of muscles and the range of motion a certain joint ligaments and tendons have
32
muscular endurance
- the ability of a muscle or group of muscles to perform repeated muscular contractions - the ability of muscles to work strenuously for progressively longer periods of time without fatigue
33
cardiovascular endurance
The ability of cardiovascular system heart and lungs to function efficiently during sustain vigourous activity
34
Aerobic activity
Involves large muscle groups and it’s continuous for 20 to 30 minutes heart rate is maintained at 132 170 bpm examples running swimming and cycling
35
Anaerobic activity
Not significantly taxing on the cardiovascular system. Can be sustained for only short bursts of 1 to 2 minutes.
36
Overload principal
Do you more today than you did yesterday and do more tomorrow than you did today ways to improve and challenger level of fitness increase the number of repetitions our distance increase the duration of the activity increase the speed and it’s intensity of resistance decrease decrease rest intervals
37
What are the elements of dance
Space, shape/body, energy/dynamics, and relationship, time
38
Space
level, direction, pathway (on the floor and in the air ) information, size of movement (whole body versus general)
39
Shape/body
Body parts [initiation, isolation, core versus distal], Circular versus linear, symmetry versus asymmetry
40
Energy/dynamics
Tension and weight, impulse impact continuous rebound swing.
41
time
Duration, tempo [speed], time signature [2/4, 3/4, 4/4]
42
relationships
Proximity, orientation [facing], focus [internal versus external], groupings [solo, duet, trio, whole group etc.], connection to audience, connection to props