GRE English Subject Flashcards
(266 cards)
Alexandrine
A line of iambic hexameter
EX: Spenser
Alliteration
Use of repeated consonant or sound at the beginning of a series of words
Allusion
Reference
EX: “Call me Ishmael!”
Antagonist
Main character opposing the protagonist, villain
EX: Iago
Anthropomorphism
Assigning human traits to animals, plants, or objects – different from personification bc it occurs throughout the work
EX: Aslan in Chronicle of Narnia
Apostrophe
Speech addressed to someone not present or addressed to an abstracted idea – prone to parody
EX: “History! You will remember me.”
Bildungsroman
Coming of age tale, from innocence to experience
EX: Catcher in the Rye
Caesura
Pause that breaks an OE line in half
EX: Beowulf
Decorum
Neoclassical principle of drama – a character’s speech should reflect their social status
EX: Oscar Wilde
Doggerel
Bad poetry
Epithalamium
A poem written to celebrate a wedding
EX: Spenser’s “Epithalamium”
Euphamism
Writing that is self-consciously laden with figures of speech
EX: Polonius
Feminine rhyme
Lines ended with final two syllables rhyming
EX: “running” and “gunning”
Flat vs. round characters
Est’d by E.M Forrester
Flat= same dominant trait, never change Round= complex psychological profile
Georgic
People laboring in countryside – NOT pastoral
EX: Virgil’s Georgic is about the virtues of farming
Hamartia
Aristotle’s “tragic flaw” that is determined by fate
EX: Oediupus
Homeric epithet
Repeated descriptive phrase
EX: “the ever-resourceful Odysseus”
Hudibrastic
Samuel Butler’s Hudibras – couplets of rhymed tetrameter lines
EX: Bad poetry, limericks
Hyperbole
Deliberate exaggeration
Litotes
Understatement created by use of double negative
EX: “no ordinary”
Masculine rhyme
Rhyme ending on the final stressed syllable
EX: “know” and “snow”
Metonymy
Referring to a person or object using a single important feature
EX: “the pen” and “the sword”
Neoclassical unities
Dramatic conventions derived from Aristotles poetics Time Place Decorum Action
EX: a play must be set over the course of one day in one place, to unify time and place of audience and play with no subplots – all unified
Pastoral elegy
Lament for the dead sung by a shepherd
EX: Milton’s “Lycidas” and Shelley’s “ Adonais”