hamlet critics Flashcards

(22 cards)

1
Q

‘the play does not offer any … about what is the … to the question it poses about …’

A

‘the play does not offer any conclusions about what is the right response to the question it poses about human aggression’

Alexander

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2
Q

‘… exists on a margin between … and …’

A

‘revenge exists on a margin between justice and crime’
Belsey

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3
Q

‘the audience are … because they are asked to …………….. a little more about the ….. springs of ……’

A

‘the audience are entertained because they are asked to see, feel and understand a little more about the hidden springs of action’

Alexander

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4
Q

Rosencrantz and Guildenstern … the …… to a …..

A

Rosencrantz and Guildenstern sacrifice the bond of human friendship to a social propriety

Marilyn French

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5
Q

Gertrude’s marriage to Claudius provided a ….. to Hamlet’s …. which caused him to sink into …..

A

Gertrude’s marriage to Claudius provided a violent shock to Hamlet’s moral being, which caused him to sink into melancholy

AC Bradley

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6
Q

‘the ghost seeks to … a stereotype on the prince, that of a ….., but Hamlet displays a very credible resistance to that stereotype

A

‘the ghost seeks to impose a stereotype on the prince, that of a dedicated revenger, but Hamlet displays a very credible resistance to that stereotype

Watts

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7
Q

‘not allowed to …., and …. to be ….., Ophelia …..’

A

‘not allowed to love, and unable to be false, Ophelia breaks’

Leverenz

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8
Q

it is the sovereigns failure to …. which ….. the subjects quest for ….

A

it is the sovereigns failure to administer justice which inaugurates the subjects quest for vengeance

Bradley

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9
Q

Hamlets ….. at the ….. in himself is …. into violent revulsion against women

A

Hamlets disgust at the feminine passivity in himself is translated into violent revulsion against women

Leverenz

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10
Q

the incertitude that informs the play is attributed to some split between seeming and being, appearance and reality, intellect and action, inside and outside

A

French

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11
Q

wheres her madness is …., represented bodily, and its content ….., Hamlets melancholy is ….. in … and …

A

wheres her madness is somatised, represented bodily, and its content eroticised, Hamlets melancholy is politicised in form and content

Neely

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12
Q

‘the mousetrap is a ….. illusion, the play within the play of hamlet proves that the drama is not ….. it is a careful construct of the lives we live

A

the mousetrap is a topical illusion, the play within the play of hamlet proves that the drama is not escapist relaxation, it is a careful construct of the lives we live

Worral

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13
Q

‘…., a relationship frequently …. and highly valued by ….. writers and their ….. followers is ….. at Elsinore’

A

‘friendship, a relationship frequently praised and highly valued by latin writers and their humanist followers is corrupted at Elsinore’

Hadfield

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14
Q

madness gives ‘licence of the …… in ……’

A

madness gives ‘licence of the allowed fool in speech and action’
Mack

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15
Q

the revenger could - … the audience’s …..by use of
…….tactic .. or becoming more obsessed with revenge than the motive for it

A

the revenger could - exhaust the audience’s sympathy by use of treacherous tactic .. or becoming more obsessed with revenge than the motive for it

salgado

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16
Q

ophelia plays the part of the …. who sees through the ….. of the …..

A

ophelia plays the part of the court fool who sees through the guises of the monarchs

Olivas

17
Q

her madness - enables her to … her being; she is no longer forced to …. and play the ……

A

her madness - enables her to assert her being; she is no longer forced to keep silent and play the dutiful daughter

Charney

18
Q

‘affects the … of the whole …. or …..’ - tragic hero

A

‘affects the welfare of the whole nation or empire’ - tragic hero

AC BRADLY

19
Q

characters struggle unsuccessfully to ….. a coherent worldview from the ….. of the old - on soliloquies

A

characters struggle unsuccessfully to reconstruct a coherent worldview from the ruins of the old - on soliloquies

Kastan

20
Q

friendship as a ‘free choice made between ……’ + ‘……. virtue’

A

friendship as a ‘free choice made between equals’ + ‘incorruptible virtue’

Limmer

21
Q

‘turning point of the play, ….. for Hamlet the ….. of …… action’

‘thinking too …….. is as …….. as acting impulsively’

A

‘turning point of the play, crystalizing for Hamlet the futility of heroic action’

‘thinking too preciecly is as beastly as acting impulsively’

Shapiro on fortinbras and Hamlet

22
Q

‘except for the ….. of Hamlet’s father, the Hamlet universe is one of …… life - against this backdrop is the figure of Hamlet …..with the ………’

A

‘except for the origional murder of Hamlet’s father, the Hamlet universe is one of healthy and robust life - against this backdrop is the figure of Hamlet pale with the consciousness of death’

WIlson KNight on claudius and hamlet