hamlet modern critical quotes Flashcards

(11 cards)

1
Q

Freud about Hamlet

A

‘the play is built upon hamlets hesitations over fulfilling the task of revenge that is assigned to him”

‘[hamlet] is literally no better than the sinner whom he is to punish’

1900

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2
Q

Bradley about Hamlet

A

‘melancholia is at the root of hamlets problems’

‘the tragedy is that this involves the waste of good’

‘nothing stands between hamlet and suicide expect religious awe’

1904

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3
Q

Edwards about Ophelia and Hamlet

A

‘we can imagine Hamlet’s story without ophelia but Ophelia literally has no story without Hamlet’

1979

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4
Q

Hawkes about the ghost

A

‘the ghost dominates even in his absence’

‘at the end the results are the same as if it had’ (war breaking out)
- talk about how this was all for nothing (all the deaths could’ve been prevented realistically)

‘claudius redirects his revenging energy’

1986

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5
Q

Traub on Ophelia’s death and masculine parties alike

A

‘Laertes and Hsmlet fight over the right to Ophelia’s chasity and the right and rite of sexual possession’
- talk about this idea being made and stationed on her grave in act 5:1
- link the idea of the brothers in the dom being the exact same over the duchess
1988

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6
Q

Neely about Ophelia

A

‘ophelia becomes alienated, acting out the madness hamlet only plays at’

1991

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7
Q

Jardine about Ophelia and Hamlet

A

‘her closet was the sole place which she ostensibly exercise total control… he encounters her as a sexualised object’

1996

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8
Q

Kerrigan about Hamlet

A

‘hamlet is surrounded by people and places that remorselessly remind him of the dead king’
- disagree with this as if they reminded him he would’ve acted quicker than he had done as he’d kept getting promoted

‘spontaneous retaliation not long-nurtured vengeance ’
- link to the weapons used to kill Claudius

‘the audience can’t even tell if Hamlet is thinking about his father during these critical minutes’

1996

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9
Q

Greenblatt about the ghost

A

‘the ghost initiates a nightmare’

2002

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10
Q

Ingram about Ophelia’s femininity

A

‘the ophelia figure was a kind of feminine ideal; totally passive, sexualised and defined by her romantic relationships’

2005

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11
Q

McEvoy on psychoanalysis and mental illness

A

‘the medieval conception of madness as divine or demonic possession was being replaced by the idea that insanity was medical condition’
- link to modern viewers
perspectives of Hamlet’s madness vs. contemporary viewers

‘he cannot kill claudius because he identifies with him’

2006

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