Handel: 'And the Glory of the Lord' from Messiah Flashcards

1
Q

Performing Forces

A
  • Use of sopranos, altos, tenors and basses
  • Accompanied by strings and continuo
  • Orchestra often doubles the vocal lines
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2
Q

Structure

A
  • Starts with an orchestral introduction (ritornello) which return later in the piece twice
  • No set form and based on different combinations of the four motifs
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3
Q

Melody

A
  • First sung by the altos, starting in bar 11, it clearly outlines the key of A major.
  • Second motif, sung by the tenors starts in bar 17. It uses a descending sequence and a melisma on the word ‘revealed’ (several notes to one word).
  • Third motif is sung by the altos in bar 43. A short descending figure from A to E is repeated twice.
  • Fourth motif sung by the tenors and basses starts in bar 51. Most of it is on the same pitch (A) but it uses longer notes- sounding solemn (sad).
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4
Q

Rhythm metre and tempo

A
  • Dance like metre- 3/4
  • fast tempo: allegro, until the end where there is a bar of total silence (general pause) and then three bars in a slower tempo, marked Adagio to create a drawn-out ending.
  • number of hemiolas in the piece such as bars 9-10, where the music feels as if it is in 2/4 rather than 3/4
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5
Q

Tonality and harmony

A
  • The piece is in A major and modulates to two related keys: the dominant (E major) and the supertonic (Bmajor).
  • The work ends with a plagal cadence in A major.
  • The harmony is diatonic
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6
Q

Texture

A
  • Texture alternates between homophonic and contrapuntal passages. The first passage sung by the whole choir is homophonic (bars 14-17). This is followed by a contrapuntal section that introduces the phrase ‘shall be revealed’ (bars 17-33).
  • Short monophonic passage in bars 108-9
  • Use of imitation, bar 17, the tenors sing ‘shall be revealed’ which is imitated by the basses and sopranos.
  • Number of parts vary, sometimes it is just one (such as just altos in bars 43-46) and other times its two or three parts, or all four parts together.
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7
Q

Word setting

A
  • Mixture of syllabic and melismatic word setting. Word ‘revealed’ in motif 2 is melismatic (more than one note for a word).
  • Motif 4, ‘for the mouth of the lord’ is syllabic- each word has it’s own single note.
  • Different phrases of text are repeated many times to make words clear.
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8
Q

History

A
  • Oratorio (based on a biblical story).
  • Composed in 1741
  • Handel was living in London
  • Performed in concert halls and theatres
  • First performance was given by a small choir and orchestra.
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