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Music🤍 > Haydn Movement 2 > Flashcards

Haydn Movement 2 Flashcards

(61 cards)

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1
Q

harmony and tonality: bar 1 key?

A

G major (subdom key of dmaj)

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2
Q

harmony and tonality: bar 23 chord?

A

enharmonic C major (c,d#(eb)g)

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3
Q

harmony and tonality: bar 24 chord?

A

D#dim7th chord (sharpened 5 dim7) (colour)

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4
Q

harmony and tonality: bar 25 chord and cadence?

A

C Major, deceptive cadence (V-IV) - usually leads to cadenza, a type of interrupted cadence.

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5
Q

harmony and tonality: bar 33-36 harmonic device?

A

tonic G pedal to calm unstable harmony

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6
Q

harmony and tonality: bar 38 key?

A

G minor (tonic minor)

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7
Q

harmony and tonality: bar 42 key and beginning of what?

A

D minor, beginning of sturm and drang

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8
Q

harmony and tonality: bar 47 key and cadence

A

Bb major, perfect cadence (V7-I)

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9
Q

harmony and tonality: bar 55-56 cadence?

A

imperfect cadence (V7-I) hangs in air due to kings theatre reverb in bar 56

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10
Q

harmony and tonality: bar 60-66 harmonic device ?

A

circle of 5ths (Bb-F-Cm-Gm-D-G)

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11
Q

harmony and tonality: bar 60-65 harmonic/ melodic device?

A

rising 4-3 suspensions

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12
Q

harmony and tonality: bar 74 key?

A

g major

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13
Q

harmony and tonality: bar 79 interval?

A

minor 6th interval in Fl. and Vln1. with a SF drawing attention to this unease (colour)

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14
Q

harmony and tonality: bar 102 chord progression?

A

unstable chord progression changing every two bars D-G-Cm-Ab-Db

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15
Q

harmony and tonality: bar 112 key?

A

Db major (flattened 5th of G)

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16
Q

harmony and tonality: bar 112-113 chords?

A

Dbmaj to C#minor - enharmonic shift

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17
Q

harmony and tonality: bar 114-119 chord progression? Relationship between chords in bar 118-119?

A

unsettled A-B#dim7-E#dim7-F#maj-F#minor-Dmaj. F#minor (118) to Dminor (119) have parallel-klang relationship ( share two notes -F#,A- and the other notes -c#,d- are a semi tone apart)

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18
Q

harmony and tonality: bar 141 harmonic device?

A

g pedal settling music to end

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19
Q

harmony and tonality: bar 151-152 cadence?

A

perfect V7-I in G major finishing off movement

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20
Q

structure: overall structure of movement 2?

A

tripartite structure with a monothematic element, imbalance throughout movement.

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21
Q

structure: section 1 bars and length?

A

bar 1-38, about 3 minutes in length ( long creating imbalance)

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22
Q

structure: substructure of section 1?

A

binary form with repeats at bar 8 and 39 (imbalance!)

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23
Q

structure: section 2 bars and length?

A

bar 38-74, relatively short creating imbalance.

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24
Q

structure: section 3 bars and length?

A

bar 74-152, shorter than section 1 so imbalance!

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25
structure: bar 114-7 and bar 131-134?
flute cadenza.
26
structure: bar 141-152?
codetta.
27
instrumentation: section 1 bars 1-16 main instruments ?
string dominated, Vln1+2, Viola, Cello and Bass only with melody in Violins.
28
instrumentation: bar 17?
bassoon introduced in octave unison with Vln1.
29
instrumentation: bar 33?
sweet bassoon melody introduced that will be reintroduced in codetta.
30
instrumentation: bar 38-41 timbre, instruments?
wind choir ( flute, oboe, basson) no clarinet as clarinet used as brass, no strings, sombre/ominous feel.
31
instrumentation: bar 42 first appearance of what textural technique ?
full tutti, all instruments in playing ff creating drama!
32
instrumentation: bar 50-53 melodic technique in Viola and Vc+Cb?
measured tremolo to create tension.
33
instrumentation: bar 60-64 texture between oboe and Vc+Cb?
imitation
34
instrumentation: bar 60 short 1 bar interruption of what?
full tutti.
35
instrumentation: bar 74 instruments ?
reduced to strings and flute and oboe in octave unison
36
instrumentation: bar 102 texture?
reduced to just strings.
37
instrumentation: bar 114 and 131?
flute cadenza, not particularly virtuosic or flashy but would of been technically challenging at time due to **split e mechanism** on flutes.
38
instrumentation: bar 149 horns?
rare melodic role playing in pp - hard to play.
39
melody: bar 1-38 rhythm that dominates?
double dotted rhythm seen in introduction of Movement 1.
40
melody: bar 9-11 melodic device ?
sequence.
41
melody: bar 17 bassoon line?
in octave unison with violin 1, plays rising sequence with some chromatic passing notes.
42
melody: bar 38 - who has melody? mood?
flute, wind choir- minor key featuring diminished chords creating a sombre mood.
43
melody: bar 48 melodic/ rhythmic device?
syncopation.
44
melody: bar 57?
return to opening theme in Bbmaj
45
melody: bar 71 reduced texture? who has melody?
monophonic just violin1, staccato arpeggios played in pp builds to section 3.
46
melody: bar 74 who has central role? melody line?
melody same as bar 1 but with flutes doubling vln1 in octave unison but because of register flute stands out feeling soloistic.
47
melody: bar 82 distinctive figure in flutes and violins?
staccato/ dotted figure making melody bouncier and developed.
48
melody: bar 90 in strings ?
overlapping melody.
49
melody: bar 96-101 in flutes and violin melodic technique ?
triplet feel, developing music.
50
melody: bar 102-108?
elongated melody in chromatic rise.
51
melody: bar 122 in horns?
fanfare idea.
52
melody: bar 141 melodic material?
same material from bar 33 played in bassoons, binds the composition together.
53
texture: bar 1-16?
string dominated.
54
texture: bar 38 compared to 37?
reduced to just wind choir, complete change of sonority, no strings.
55
texture: bar 42 first appearance of?
full tutti
56
texture: bar 71?
monophonic in just violin 1.
57
texture: bar 87 texture of full tutti section?
homorhythmic movement
58
texture: bar 114?
wind choir.
59
context: bar 25 on deceptive cadence ?
kings theatre reverb.
60
context: bar 42,45,51+ **zu2**?
two of that instrument
61
context: bar 115-117 “piú largo” + “a tempo”
tempo slows then returns to what it was then slows again then returns

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