Historical and Social Foundations of Music Education Flashcards

(77 cards)

1
Q

Who is Guido d’Arezzo?

A

A choirmaster who created a systematic method to teach young boys to sing from notation. Credited with the Micrologus treatise on Medieval music, introducing the hexachordal system, 6-note scale, Guidonian Hand, and the four-line staff. Was invited by the Pope to teach his system, gaining widespread popularity.

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2
Q

What is the Singing School Movement?

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A movement influenced by German music education that affected American schools in the early 19th century, focusing on music’s role in the mind and heart rather than professional musicianship.

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3
Q

Who influenced music education in America?

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The Pilgrims (1620) and Puritans (1630) influenced music education in America. The Pilgrims brought the Book of Psalms by Reverend Henry Ainsworth, which became the official psalter of Plymouth.

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4
Q

What led to the establishment of formal music education for the public?

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In New England, music education was not included in legislation but taught privately in singing schools. Concerns about declining music quality in church led to the establishment of formal music education for the public. “Singing schools made public school music possible”

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5
Q

What was the evolution of singing schools in America during the Industrial Revolution?

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As the Industrial Revolution brought more people to cities, interest in psalmody and hymns declined, leading to urban Americans considering singing school music as unsophisticated.

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6
Q

What were the two methods of singing psalm tunes?

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The Regular Way – singing by note or reading music, and the ‘Lining out’ Way – one person reads and teaches notation by rote.

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7
Q

What was Tuft’s Introduction to the Singing of Psalm Tunes?

A

Fasola singing was Tuft’s own system he invented for teaching music reading – he used solmization syllables on the staff in place of traditional round notes. The system was not widely accepted, but it was an important model for later systems.

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8
Q

What is the Bay Psalm Book?

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One of the first books printed in the English colonies, containing Calvinist church music of biblical psalms set to folk songs.

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9
Q

Who was William Billings?

A

A Yankee Composer and Singing School Reformer known for presenting ‘Four Rules for Regulating a Singing-School’ in The Singing Master’s Assistant. He wrote many psalm and folk song collections.

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10
Q

What were the “Four Rules for Regulating a Singing-School” according to Billings?

A
  1. Focus on class rules
  2. Punctuality
  3. Respecting the singing master
  4. Avoiding unnecessary conversation during rehearsal
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11
Q

How did William Billings help shape early American musical identity and public music instruction?

A

He was a pioneering American composer and educator who contributed significantly to the singing school movement, creating accessible music education resources like The Singing Master’s Assistant. His innovative choral compositions and approach to music education helped shape early American musical identity and public music instruction.

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12
Q

Who was Jean-Jacques Rousseau?

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He was a Swiss-born composer, music theorist, philosopher, and educator who believed in the freedom of music and child-centered learning. He proposed a new musical notation system and influenced Pestalozzi’s educational philosophy.

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13
Q

What did Jean-Jacques Rousseau advocate for in education?

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He advocated for the goodness of “natural man” and believed children should learn at their own pace, guided by senses, nature and play. He also outlined four stages of child development. His ideas on child development are presented in his book ‘Emile’ (On Education)

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14
Q

What are Rousseau’s 4 stages of development in children?

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Infancy (0-2): the habit and training of emotions
Childhood (2-12): the necessity and the training of sense
Pre-Adolescence (12-15): utility and training of the intellect
Adolescence (15-20): The stage of morality

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15
Q

Who was John Amos Comenius?

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He was a Bohemian leader who wrote the Great Didactic. Known as the father of modern education. He advocated for equal education for impoverished children and women, believing in the strong connection between nature, religion, and knowledge.

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16
Q

What were John Amos Comenius’s contributions to education?

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He introduced many educational innovations, including using native languages in textbooks, a gradual learning approach, lifelong learning, and a focus on logical thinking over memorization.

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17
Q

What was Horace Mann’s role in education?

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He was a key figure in the Common School Movement, and was the first president of the American Association for the Advancement of Education (1848). He believed in universal education and worked toward making schooling accessible to all children, regardless of their social class.

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18
Q

What was the Common School Movement?

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The Common School Movement began in Boston and aimed to improve public education by advocating for free public schools, better teacher preparation, improved school curricula, and a more stable financial foundation for schools.

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19
Q

What were Pestalozzi’s educational reform purposes?

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He was committed to social reform through education. Emphasized active learning. To focus on morality, citizenship, and the development of children’s moral, physical, and mental faculties.

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20
Q

What are Pestalozzian principles?

A

Though he valued music, he did not teach it but his principles influenced music education, including: Sound before sight, Active Learning, Numerous Sensory Experiences, Teach one thing at a time, practice elements first, then learn theory. Have children master something before moving on.

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21
Q

Who was William Channing Woodbridge?

A

One of the first Americans to advocate for music education in public schools and suggest it as a regular part of the curriculum. Also influenced by Pestalozzi’s principles. He wrote the first American music book incorporating these ideas.

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22
Q

What were Woodbridge’s beliefs on music education?

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He believed vocal instruction should be a part of the public school system, and argued that music’s purpose was not only musical development, a view influenced by Fellenberg. Woodbridge highlighted the power of music throughout history, stressing its role in influencing character development and moral growth in his speeches.

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23
Q

What was Lowell Mason known for?

A

He became the first public school music teacher in 1837 (offering his services for free) and was known as the ‘father of singing among children’ in the U.S. He played a key role in having music adopted as a school subject.

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24
Q

What did Lowell Mason find success in?

A

He found success selling music books. In 1834, he published the Manual of Instruction of the Boston Academy of Music, which became a guide for music teachers, using syllables to teach music reading through drills.

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25
What was Lowell Mason criticized for?
He was criticized for his business practices, Mason arranged and wrote music for education, though some criticized its artistic merit.
26
What does the T. Kemper Davis Report evaluate?
It evaluates vocal music education across intellectual (Vocal music is considered an intellectual art), moral (It fosters civic responsibility, social skills, and the development of good character), and physical (it benefits physical health, and strengthens the lungs) dimensions, concluding that vocal music is essential for education.
27
What is the "Triple Standard"?
The Triple Standard idea was supported by William Channing Woodbridge's 1830 lecture, where he argued that vocal music should be included in a general education for its intellectual, moral, and physical benefits.
28
What were Normal Schools?
The first normal schools began in the early 19th century, providing teacher training in Lexington, Massachusetts, and helping establish formal education systems in the U.S. (1839)
29
What training did Normal Schools provide?
They focused on general teacher training and music as a subject did become more widespread in public schools by the mid-1800s. However, they did not train teachers in music specifically, leading to the development of specialized music teacher training programs like summer music schools later on in the 20th century.
30
What was the significance of Summer Music Schools?
These were critical in filling the gap left by normal schools' initial lack of music-focused training. Many important music educators were involved in these programs, shaping how music was taught in schools.
31
What were Elizabeth Grover's contributions to music education?
She was an early American figure known for printing the first book in the American colonies (the Psalter) in 1640. While not directly involved in the development of music notation, her work laid a foundation for the music traditions in America.
32
What were Sarah Glover's contributions to music education?
She developed the tonic sol-fa system of music notation, which simplified the reading of music and became a critical tool in music education, especially for children. This system was inspired by the work of Guido d'Arezzo.
33
What were John Curwen's contributions to music education?
He built upon Sarah Glover's Tonic Sol-Fa System of music notation, popularizing and formalizing it into a broader pedagogical method for teaching music, particularly choral singing. His work made the Tonic Sol-Fa system widely used and influential in music education.
34
What did Elizabeth & Sarah Glover and John Curwen have in common?
Their work in music education was crucial to making music more accessible to a wider audience and formalizing music teaching methods that are still in use today.
35
What were John Dewey's contributions to music education?
He was the acknowledged leader of the child study movement, influenced by G Stanley Hall. He wrote the Need for a Philosophy of Education & My Pedagogic Creed.
36
What was John Dewey's philosophy of education?
It's the process of education that matters, not just the results. Learning comes from experience - one must experience something themselves to truly understand it. Learning should foster initiative and problem-solving, not just giving answers. Education must begin by understanding the child's capacities, interests, and habits.
37
What was the Call to Keokuk?
The Music Supervisor's National Conference (MSNC) began in 1907 with this meeting that professionalized music education in the U.S., uniting educators and promoting innovative teaching methods. 104 music supervisors met in Keokuk, Iowa.
38
What were MSNC's two goals?
Mutual helpfulness and promoting good music through public schools.
39
Who was Philip Hayden?
A key figure in the founding of MSNC.
40
What was the evolution of MSNC?
It began in 1907. In 1934, the name changed to Music Educators National Conference (MENC), and later, it became the National Association for Music Education (NAfME) in 2011.
41
Who was Frances Elliott Clark?
Known as the 'Mother of the MENC,' she advocated for unity among national music organizations and influenced music education development. She was a expert in using phonographs and radio to teach music to children.
42
Who was Theodore Thomas?
A German immigrant and violinist who founded the Theodore Thomas Orchestra, modeled after European standards. He directed the Cincinnati May Festival from 1873-1905. He was the first president of the college of music of Cincinnati and conductor of the New York Philharmonic Society. He founded the Chicago Symphony Orchestra and conducted it until his death.
43
What were John Philip Sousa's contributions to music education?
He advocated for music programs, especially band music, in public schools, emphasizing music's role in students' development. He pioneered the modern school band movement and contributed to band programs in public education. The Sousa Foundation continues to promote wind band music and preserve his contributions to music education.
44
What was the Yale Seminar?
Landmark event in 1963 at Yale focusing on the future of music education in the U.S. It emphasized music's role in education and aimed to integrate it into broader educational systems and influenced curriculum development and teacher training in music education. It was led by Charles Leonhard and criticized the quality of school music programs, particularly performance skills being used for showmanship with little impact on music education.
45
Who organized the Tanglewood Symposium and for what purpose?
It was organized by MENC, and aimed to examine and redefine the role of music in education, particularly in the context of the 1960s societal changes.
46
What issues did the Tanglewood Symposium focus on?
Holistic music education: emphasizing creativity, critical thinking, and personal expression. Inclusivity and accessibility in music education. Advocated for diversity in the curriculum, including popular, folk, and global music. Addressed the need for expanded and inclusive music curricula, especially for marginalized communities. Focused on teacher preparation and expansion of educational technologies.
47
What were the eight key principles of the Tanglewood Symposium?
1. Music serves best when its integrity as an art is maintained. 2. Music of all periods, styles, and cultures belong in the curriculum, expanding to include American folk music and the music of other cultures. 3. Schools and colleges should provide adequate time for music programs PK–12 and beyond. 4. Instruction in the arts should be a general and important part of education in senior high school. 5. Educational technology and computer-assisted instruction should be applied to music study and research. 6. Emphasis should be placed on helping students fulfill their needs, goals, and potentials. 7. Music education must assist in providing solutions for culturally deprived individuals in inner cities and other areas. 8. Teacher education programs must be expanded and improved to work with the very young, adults, the disadvantaged, and the emotionally disturbed.
48
What was the significance of the Tanglewood Symposium?
The symposium was instrumental in pushing for the creation of the Goals & Objectives Project (GO project) which aimed to address some of the issues identified in the symposium.
49
What is the current relevance of the Tanglewood Symposium?
“Art of Living”: Education should foster personal identity and creativity, not just survival. Aesthetic Tradition: The arts, including music, provide continuity with the aesthetic history of humanity and help individuals in their search for self-realization. Social Responsibility: Educators must address individual needs and societal challenges such as racial and international tensions. Relevance Today: Many of these principles are still applicable today, as educators continue to grapple with questions of efficiency, inclusivity, and the role of music in society.
50
What is the Goals & Objectives Project (GO project)?
A project that began to implement recommendations from the Tanglewood Symposium, focusing on comprehensive music programs and quality teacher preparation.
51
Who led the GO project and what were the 4 major goals?
Paul Lehman - Comprehensive music programs in all schools - Involve people of all ages in learning music - Support the quality preparation of teachers - Use the most effective techniques and resources in music instruction
52
What did the GO Project emphasize about evaluation and assessment?
They emphasized the need for evaluating music programs and teaching effectiveness to ensure goals were met, focusing on continuous improvement and adapting to societal needs and child development.
53
What was the Contemporary Music Project?
An advocacy effort aimed at providing a synthesis for disparate activities in music, giving them cohesion and relevance to society, culture, and educational institutions (1963).
54
What were the purposes of the Contemporary Music Project?
To increase emphasis on creativity in music education, Create a foundation for accepting contemporary music in schools, Reduce the divide between music composition and music education, Cultivate taste and discrimination in contemporary music choices, Discover creative talent among students.
55
What was the impact and outcome of the Contemporary Music Project (CMP)?
The CMP gave direction, developed methodology, and made the music education profession more open to change and innovation. It was a catalyst for comprehensive musicianship; music itself became the curriculum.
56
What was the Housewright Symposium?
A symposium co-sponsored by MENC and Florida State University School of Music in 1999, focusing on reforming music education and addressing issues like teacher shortages and technological progress.
57
What was the significance of the Housewright Symposium?
It emphasized the importance of integrating music into all aspects of education and society. It also highlighted the need for changes but lacked detailed guidance on implementation, leaving room for growth.
58
What is the purpose of the Contemporary Music Project (CMP)?
To increase emphasis on creativity in music education, create a foundation for accepting contemporary music in schools, reduce the divide between music composition and music education, cultivate taste in contemporary music choices, and discover creative talent among students.
59
What was the key impact of the CMP?
It served as a catalyst for comprehensive musicianship, making music itself the curriculum.
60
What was the Housewright Symposium?
Co-sponsored in 1999 by MENC and Florida State University, it focused on reforming music education and addressing issues like teacher shortages and technological progress.
61
What is the Housewright Declaration?
A result of the Housewright Symposium held in 1999, it identified new issues in music education, including teacher shortages, lack of time, and the challenges of community music education.
62
What are the key points from the Housewright Declaration?
Time must be allotted for music education, all music genres should be part of the curriculum, music ed. should be integrated into classroom instruction, stay updated on technological changes, emphasize community music-making, recruit music teachers, and begin music education at the earliest age and continue throughout.
63
What is the broader definition of music-making from the Housewright Declaration?
Music-making includes performance, composition, improvisation, listening, and interpretation.
64
Who is Emile Jacques-Dalcroze?
A Swiss musician who emphasized training musical faculties, not just technique, used movement to express musical interpretation and developed eurhythmics, widely used in the US.
65
Who is Carl Orff?
A composer interested in music and movement from Dalcroze; believed in basic, fundamental music education, and created the Orff-Schulwerk method and wrote Carmina Burana.
66
Who is Zoltan Kodaly?
A Hungarian composer who created a pedagogical system emphasizing universal music literacy and teaching through folk songs. Made solfege and hand signs popular. His method is widely used in the US.
67
Who is Shinichi Suzuki?
The creator of Talent Education, the "mother tongue method" based on psycholinguistics; emphasizing observation, imitation, and repetition in music learning.
68
What is comprehensive musicianship?
A holistic approach to music education integrating theory, history, composition, performance, and listening. It encourages active learning, analysis, and creativity in music study.
69
What is the origin of Comprehensive Musicianship?
It originated in the 1960s and was influenced by the Contemporary Music Project.
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What were the outcomes of Comprehensive Musicianship?
It led to curriculum reforms and the development of Comprehensive Musicianship through Performance (CMP), a more focused method that emphasizes performance as an integral part of music education.
71
What did the Goals 2000: Educate America Act achieve?
Promoted standards-based education and recognized music and the arts as core subjects, leading to the National Standards for Music Education.
72
What is the Goals 2000 - Educate America Act?
Signed into law in 1994 to promote standards-based education. It helped to develop structured curricula, assessments, and teacher training. Strengthened advocacy for music programs in schools.
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What are the six goals set by the Goals 2000 Act?
Readiness for School, High School Completion, Achievement and Citizenship, U.S. Ranked 1st in Mathematics and Science, Adult Literacy & Lifelong Learning, and Safe, Disciplined, and Drug-Free Schools.
74
What was the No Child Left Behind Act?
Signed into law in 2002, it increased emphasis on standardized testing, reducing time for music and arts, but recognized them as core subjects eligible for federal funding.
75
What were positive outcomes from the No Child Left Behind Act?
Music education was recognized as a core subject, opening up funding opportunities, =it increased state flexibility in education policies, giving states more control while still requiring federal funding. It also focused on all students, including struggling learners, and emphasized accountability and parental choice.
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What were some of the negative outcomes from the No Child Left Behind Act?
It reduced time for specialty classes like music due to the focus on testable subject, it was often deprioritized in practice.
77
What was the Every Student Succeeds Act (ESSA)?
Signed into law in 2015, it gave states more control over education policies, reduced emphasis on high-stakes testing, and recognized music and arts as part of a well-rounded education, making them eligible for federal funding. It also allowed states to prioritize music education and include it in school accountability measures.