Historical Revivals Flashcards

(56 cards)

1
Q
A

Hempfield Railroad

Jacquard double-weave coverlet

blue wool and white cotton

1850

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2
Q

Revival Styles

A

Inspired from design vocabulary of the past

reaction to rapid urbanization, spread of manufacturing & mechanization

embraced Romanticism

re-examination of the “simple” ways

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3
Q

Philadelphia Centennial Exposition

A

1876

brough beautifully designed objects from all over the world to America

US is 100 years old

celebrate the nation

Americans opportunity to engage in pride

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4
Q

Candance Wheeler

A

viewed economic power over political power for women to achieve financial independence

promoted art and design as paying career for women over a hobby

one of first professional women interior designers

created uniquely American style of textile and wallpaper designs

early “career woman”, designer, role model for women

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5
Q

Crystal Palace Exhibition

A

1851, London Hyde Parke

Henry Cole & Prince Albert

first exhibition of culture and industry

Cole believed products made in Great Britain were the best

decide to see what others are making to improve innovation

held to see what the world has to offer, finds England the best

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6
Q

Wallace Nutting

A

Develops neurasthenia - fear of modernism

treament: photograph historic landscapes

starts selling photographs and restoring colonial homes

opens to tourists, sells furniture replicas

painful irony - against modernism but can only exist in the modern era

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7
Q

New York Crystal Palace Exhibition

A

1853, Bryant Park

industrial wallpaper

Cole does not like - wall meant to be solid not pretending to be a window

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8
Q

Social & Technological Changes: Post-bellum Era

A

gas lighting - see at night

larger trade networks - Eerie canal

Railroad - larbor, move objects, people

Jacquard loom - less labor intensive

Communication networks - telegraph cables

Industrial production - paper, carving machines, result lots produced for lower price and greater quantities

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9
Q
A

Maria Theresa Baldwin Hollander

Abolition Quilt

silk, 1853

Colonial revival

patriotic emblems - flag, eagles, stars, George Washington

red, white, blue

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10
Q
A

Tiffany and Company

Mounted section of transatlantic telegraph cable

1858

steel and brass

increased communication networks

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11
Q
A

Manufacturer Unknown

Rolled-printed wallpaper depicting Wall Street, Battery & Castle Garden, Trinity Church, Grace Church, City Hall NY

1850

wall functioning as a window

reality - never see all views from one place

slavishly copying, create something better instead

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12
Q
A

Manufacturer Unknown

Roller-printed wallpaper

probably NYC, 1850

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13
Q
A

“M.W.”

Detail of Berlin work sampler

1866

not craft, embroidery but not skill

“blood of wasted hours” Candice Wheeler

synthetic dyes

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14
Q

Rococo Revival

A

1835 - 1865 (1855)

c-scrolls, naturalistic decoration, floral elements, shells, animals

Originated in France

Dramatic carving

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15
Q

John Henry Belter

A

German immigrant

comes to NY in 1830s, US citizen 1839

most famous of Rococo revival designers

manufacturing process: laminated rosewood, thicker veneers laminated together, lined with glue

steam bend wood to create serpentine curvilinear form

carving applied after

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16
Q
A

The Manufacture of Parlor Furniture

Factory of M. and H. Schrenkesisen, NYC

1880

Culture and Comfort, Grier - Parlor Furniture

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17
Q
A

John Henry Belter

Tete-a-Tete

rosewood

1850-60

heavy carving, naturalistic elements, floral motifs

Courting furniture, socialization, public interaction

flamboyant, announces presence, demands attention

has to be in center of room, can’t push against a wall

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18
Q
A

Attributed to John Henry Belter

Sofa

Rosewood, silk upholstery (replaced)

1855

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19
Q
A

Alexander Roux

Sideboard

Rosewood with walnut, tulip, poplar, glass, marble

1850-57

C-scrolls, naturalistic elements, pheasants and other birds as “trophies of the hunt”

massive, heavy object

display of wealth

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20
Q
A

Ignatius Lutz

Sideboard

oak, yellow poplar, marble

1850 - 60

Philadelphia, PA

similar to Roux, trophies of the hunt, animals

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21
Q
A

Designed by Theodore Russel Davis

Produced by Haviland and Company

Ice Cream Plate, 1880

from the State Dinner & Dessert Service of Pres. Rutherford B. Hayes

porcelain with chromolithograph & gilt decoration

specific intention of object, ate ice cream off a plate

bounty and wealth in types of goods being served & way they were served

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22
Q
A

Possibly J. & J.W. Meeks

Side chair

rosewood, probably replacement underupholstery, replacement showcover, casters

New York, 1850

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23
Q
A

Alexander Roux

Cabinet

1866

Rococo revival, columns architectural element

*prob not on exam

24
Q
A

Causeus

probably United States

Rosewood, silk upholstery (replaced)

1855

25
Design attributed to Thomas E. Warren possibly manufactured by American Chair Company, Troy, NY Centripetal Spring Chair cast iron, steel, birch, yellow poplar, basswood, brass, paint 1849-58, Rococo revival Ergonomic - supports the body in movement Anthropometric - measurements of the body, how body performs with least amount of strain interest in comfort, supportive back, spring seating, overstuffed cushion
26
Renaissance Revival
1845 - 1870 Looking at classical architecture, symmetry, classical orders reference to architecture within furniture clear formal order building within a piece of furniture
27
Showroom of the Montalbano-Majestic Wood Carving Company Chicago 1929
28
Herts and Company, New York Bedstead, 1876 from Walter Smith, *Industrial Art: Masterpieces of the Centennial Exhibition* Renaissance Revival
29
Gustave Herter Reception Room Cabinet Bird's eye maple, rosewood, ebony, marquetry of various woods, white pine, cherry, poplar, oak, oil on canvas, gilt bronze mounts, brass inlay, gilding, mirror glass 1860 Symmetry, ornaments, restrained, rectangular forms interlaid ordered, referencing classical architecture Renaissance Revival
30
Attributed to M. & H. Schrenkeisen Armchair rosewood, ash, eastern white pine, gilding, reproduction upholstery New York 1870-75
31
William S. Wooten Secretary, 1880-84 manufactured by Wooten Desk Manufacturing Company Indianapolis, IN walnut, maple, pine, bronze mounts Renaissance revival, small building in a desk, architectural order industrial produced, 4 different models, modern
32
Colonial Revival
1861/78 - 1924 belief that best way to identify America's art was looking back to America's history promotes a national identity, embodies American past starting point Centennial Crystal Palace - passion for colonial revival of colonial/patriotic emblems to honor past motives: preservation, pride, American values, quest simplicity, national & cultural identity, spririt of commerce
33
Kittinger Furniture Company Chest of Drawers mahogany, tulip, pine Buffalo, NY 1976 very late date shows how hard to pinpoint colonial revival to a specific period
34
McKim, Mead and White, Inglenook Isaac Bell House Newport, RI 1883 recording history of colonial architecture
35
Karl Muller, German immigrant Centennial Vase Union Works Porcelain Works Greenpoint, NY 1876 George Washington, Buffalo - frontier land, manifest destiny view of factory, plow, telegraph, steamship, woman sewing celebration how far the US has come
36
Bitters Bottle glass 1876 probably made for Centennial Exposition "George Washington Slept Here" Marling - 1876 Centennial Expo
37
Maker Unknown George Washington Quilt cotton 1876 Centennial Exhibition, American Pride
38
Maker Unknown Platform Rocking Chair made from spinning wheel parts 1890 colonial revival completely made up, fabricated probably did not use historic spinning wheel interpreted past very loosely
39
John Colby and Sons Chippendale Chair early 20th century company sells historic objects & reproductions, antique less expensive than reproductions differences to Chippendale Director designs, broader, shorter, squat ways to exemplify colonial aspects of furniture leads to misinterpretation - inspired by colonial
40
Erik Magnussen, designer Gorham Silver Manufacturing Company Candlestick & Vase Providence, RI, 1927 interpretation of the colonial, idea of delicate fluting express consumer desire for new furniture to go with old furniture
41
Tiffany & Company Porringer Silver and ivory 1898 colonial revival
42
William Adams & Sons of England for Bloomingdales Department Store Plate depicting Fraunces Tavern, "Old New York" series earthenware 1914 - 1940 market for colonial revival begins increasing rise in collectors, scholarship accesibility and promoted in department stores
43
Val-Kill Shop Chest of Drawers pine 1927 - 1936 Val-Kill - Eleanor Roosevelt's family home Economical interpretation during Great Depression "Revivals! Colonials Revival in American Craft" Rhodes
44
Cover, *Antiques* Jan. 1922 rise of Antiques Magazine 1922 response to consumer/market demand range of antiques
45
Winthrop Furniture Co. "Colonial Gateleg Corner Cabinet" from Winthrop Furniture Co. Catalogue Boston 1925 leg that swings open, meant to be moved, reduced its form not practical to put family china in chest with moving leg "Revivals! Colonial Revival in American Craft" Rhodes
46
Wallace Nutting, Incorporated #451 Writing Arm Windsor Chair painted pine, ash, and maple 1922 "Revivals! Colonial Revival in American Craft" Rhodes
47
Wallace Nutting Company Cupboard oak, white pine Framingham, MA 1928 almost exact replica from workshop of Peter Blend "beauty, construction, style" Nutting retreats from modernism but factory is very modern with emphasis on industry to sell his reproduction furniture
48
Cover Image of *The Bulletin* announcing the opening of the American Wing at the Metropolitan Museum of Art, NY 1924 most famous example of colonial revival modern building with interior colonial rooms creates expansion of colonialism and new collecting boom
49
A.J. Downing A Cottage in the English or Rural style *Cottage Residences* 1842 elongated form, applied ornament
50
Gothic Revival
1820 - 1845 Cole loves Gothic Court designed by Pugin at 1851 Crystal Palace, adheres to his values of honest construction return to Gothic as way to return to British history quartrefoils, trefoils, gargoyles, darkness, pointed arches, butresses gothic window - tracery unification of all art - architecture, moralistic designs
51
Richard Byrne Hall chair for Lyndhurst 1845 quatrefoil, clover, rose window as back of chair
52
Gustave Herter, designer (German immigre) Bulkely and Herter, cabinetmaker Bookcase, 1853 white oak, eastern white pine, eastern hemlock,yellow poplar, leaded glass (replacement) Gothic Revival level of craftsmanship, high skill, pointed arches break front, lots of ornament and detail
53
Isaac Scott Crib made for Frances Glessner 1878
54
Maker unknown Etagere probably New York rosewood, satinwood, yellow-poplar, black walnut, glass 1840 - 1860 Gothic Revival
55
Jenney Sideboard executed by ISaac Scott mahogany with ebony and holly cameo carving 1875 Gothic Revival
56
F.W. Krause Patent Gothic Star Chair walnut 1876