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1
Q

7 types according to nature

A

occupational, religious or ceremonial, games, wedding, courtship, festival, war

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2
Q

show movements of a certain industry or human labor

A

Occupational dances (nature)

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3
Q

Performed in connection with spiritual vows and ceremonies

A

Religious or Ceremonial Dances (nature)

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4
Q

Performed with play components

A

Games Dances (nature)

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5
Q

Performed during nuptial feasts

A

Wedding Dances (nature)

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6
Q

Depicting a man expressing his love for a woman

A

Courtship Dances (nature)

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7
Q

Suitable for special occasions or social gatherings

A

Festival Dances (nature)

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8
Q

Showing imaginary combat or duel

A

War Dances (nature)

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9
Q

4 types according to Movement

A

Active with fast energetic movements, Moderate, Slow, Slow and fast

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10
Q

4 Types

A

Cordillera Dances, Muslim Dances, Maria Clara Dances, Rural Dance

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11
Q

3 types according to Formation

A

Square Dance or Quadrille, Long Formation, Set

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12
Q

4 Factors Affecting Philippine Dances

A

Geographic Location, Economic Condition, Climatic Condition, Customs and Tradition

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13
Q

depicts the hunting ritual performed before a tribal war

A

Idaw (Luzon)

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14
Q

Tribesmen would search and watch the scared ? bird which is believed to lead the tribe to victory

A

Idaw (Luzon)

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15
Q

shows the Cordillera women on their way to the river to fetch water for their families

A

Banga (Luzon)

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16
Q

This dance projects the skill, strength, grace, and agility of the women as they carry five or six clay pots full of water on their heads

A

Banga (Luzon)

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17
Q

Banga (Luzon) shows the ? women on their way to the river to fetch water for their families

A

Cordillera

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18
Q

presents a typical Itneg/ Tinggian couple who take turns in taking care of their children while doing their daily work in the fields

A

Idudu (Luzon)

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19
Q

Idudu (Luzon) presents a typical ? who take turns in taking care of their children while doing their daily work in the fields

A

Itneg/ Tinggian couple

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20
Q

Performed in Binan, Laguna as a mock war dance that demonstrates a fight between the Moros and the Christians over the prized of Latik or coconut meat during Spanish rule

A

Maglalatik (Luzon)

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21
Q

Maglalatik (Luzon) Performed in ? as a mock war dance that demonstrates a fight between the Moros and the Christians over the prized of Latik or coconut meat during Spanish rule

A

Binan, Laguna

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22
Q

Maglalatik (Luzon) mock war dance that demonstrates a fight between the ? over the prize of ? during Spanish rule

A

Moros and the Christians, Latik or coconut meat

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23
Q

this dance also shown to pay tribute to the town patron saint San Isidro Labrador

A

Maglalatik (Luzon)

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24
Q

Maglalatik (Luzon) this dance also shown to pay tribute to the town patron saint ?

A

San Isidro Labrador

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25
Philippine dance of colonial-era origin from the Maria Clara suite of Philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple in romance scenario
Carinosa (Luzon)
26
Carinosa (Luzon) Philippine dance of colonial-era origin from the ? suite of Philippine folk dances
Maria Clara
27
Carinosa (Luzon) ? plays an instrumental role as it places the couple in romance scenario
fan or handkerchief
28
Representing the courting phase of a romantic relationship, the ? is a Filipino folk dance that emerges from Panay, the Visayas and the Bicol region
Carinosa (Luzon)
29
Carinosa (Luzon) meaning
affectionate one
30
The dance originated from Cabugao, Ilocos Sur province
Kalapati (Luzon)
31
Kalapati (Luzon) The dance originated from ?
Cabugao, Ilocos Sur province
32
It symbolizes peace and is represented by imitating the movements of a graceful dove.
Kalapati (Luzon)
33
Kalapati (Luzon) symbolizes peace and is represented by imitating the movements of a ?
graceful dove
34
Kalapati (Luzon) portrays the typical traits of the ? 3 traits
Ilokanos: simplicity, naturalness, and shyness
35
It portrays the typical traits of the Ilokanos: simplicity, naturalness, and shyness.
Kalapati (Luzon)
36
dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves
La Jota Manilena (Luzon)
37
The costume and the graceful movements of the performers are noticeably inspired by Spanish Culture
La Jota Manilena (Luzon)
38
La Jota Manilena (Luzon) dance named after the city of the Philippines, ?
Manila
39
La Jota Manilena (Luzon) adaptation of ? afloats with the clacking of ? played by the dancers themselves
Castilian Jota, clacking of bamboo castanets
40
La Jota Manilena (Luzon) The costume and the graceful movements of the performers are noticeably inspired by ?
Spanish Culture
41
originated from the province of Leyte and is considered the national dance
Tinikling (Vizayas)
42
It mimics the movement of the ? hopping over shrubs, grasses, or bamboo traps set by farmers
Tikling bird, Tinikling (Vizayas)
43
Dancers display remarkable grace while jumping and hopping between two bamboo poles
Tinikling (Vizayas)
44
Tinikling (Vizayas) originated from the province of ? and is considered the ?
Leyte, national dance
45
Tinikling (Vizayas) Dancers display remarkable grace while jumping and hopping between ?
two bamboo poles
46
represents the epic legend Darangan of the Maranao people
Singkil (Mindanao)
47
Singkil (Mindanao) represents the epic legend ? of the ?
Darangan, Maranao people
48
It tells the fateful story of Princess Gandingan, who was caught in the middle of the forest during an earthquake caused by the fairies
Singkil (Mindanao)
49
Singkil (Mindanao) tells the fateful story of ?, who was caught in the middle of the forest during an earthquake caused by the fairies
Princess Gandingan
50
The crisscross rhythmic clapping of bamboo poles signifies falling trees, which the princess gracefully avoids
Singkil (Mindanao)
51
Singkil (Mindanao) The ? signifies ?, which the princess gracefully avoids
crisscross rhythmic clapping of bamboo poles, falling trees
52
Her loyal slave accompanies her throughout the ordeal, and finally, a prince saves her.
Singkil ('Mindanao)
53
The dancers wear serious and regal faces with a dignified posture, starting at a slow pace and progressing to a fast tempo while skillfully maneuvering the fans, which symbolize the wind
Singkil (Mindanao)
54
Singkil (Mindanao) The dancers wear serious and regal faces with a dignified posture, starting at a slow pace and progressing to a fast tempo while skillfully maneuvering the fans, which symbolize the ?
wind
55
depicts the elite upbringing of Maranao women
KiniKini or The Royal Walk (Mindanao)
56
KiniKini or The Royal Walk (Mindanao) depicts the elite upbringing of ?
Maranao women
57
The dancers display grace in their movements with scarves
KiniKini or The Royal Walk (Mindanao)
58
KiniKini or The Royal Walk (Mindanao) The dancers display grace in their movements with ?
scarves
59
is a Badjao dance
Pangalay (Mindanao)
60
Pangalay (Mindanao) is a ? dance
Badjao
61
The Badjaos are known as the ?
sea gypsies
62
Their dance demonstrates the agility of the upper body, the rhythmic bounce of the shoulders, and the simultaneous alternate waving of the arms
Pangalay (Mindanao)
63
Pangalay (Mindanao) demonstrates the ???
agility of the upper body, the rhythmic bounce of the shoulders, and the simultaneous alternate waving of the arms
64
It is commonly performed at weddings and other social gatherings
Pangalay (Mindanao)
65
is danced solo by a maiden ornamented with fine beads, makeup, and a long headscarf
Asik (Mindanao)
66
Asik (Mindanao) danced solo by a ? ornamented with fine beads, makeup, and a long headscarf
maiden
67
She gives her whole heart and soul throughout the dance to soften and win the favor of her Sultan master or to make up for a wrongdoing.
Asik (Mindanao)
68
Mindanao lies in the ? part of the country
southern
69
Mindanao dances often reflect the religion and culture of ?
Muslim Filipinos
70
4 Mindanao Dances
Singkil, Kinikini (Royal Walk), Pangalay, Asik
71
7 Vizayas Dances
Tinikling, Kuratsa, Itik-itik, Inalimango, Kuradang (Curacha), Mananagat, Mananguete
72
7 Luzon Dances
Idaw, Banga, Idudu, Maglalatik, Carinosa, Kalapati, La Jota Manilena
73
from Bohol province, performed using a moderate waltz style
Kuratsa (Vizayas)
74
It tells the story of a young, free-spirited couple who attempt to get each other’s attention
Kuratsa (Vizayas)
75
Kuratsa (Vizayas) from ?, performed using a ?
Bohol province, moderate waltz style
76
from Surigao Del Norte, imitates the duck’s movements
Itik-itik (Vizayas)
77
Itik-itik (Vizayas) from ?, imitates the ?’s movements
Surigao Del Norte, duck
78
from Panay and Capiz, depicts the mud crab’s movements
Inalimango (Vizayas)
79
Inalimango (Vizayas) from ?, depicts the ?’s movements
Panay and Capiz, mud crab
80
a lively wedding dance popular in Bohol
Kuradang or Curacha (Vizayas)
81
it is performed to the accompaniment of a rondalla, an ensemble of string instruments
Kuradang or Curacha (Vizayas)
82
Kuradang or Curacha (Vizayas) a lively ? dance popular in ?
wedding, Bohol
83
Kuradang or Curacha (Vizayas) performed to the accompaniment of a ?
rondalla
84
ensemble of string instruments
rondalla
85
depicts fishermen at sea
Mananagat (Vizayas)
86
Mananagat (Vizayas) is Cebuano for
“fisherman”
87
Dancers in long-line formations mimic women scooping water from a banca (canoe) with bamboo shells and men wielding wooden paddles
Mananagat (Vizayas)
88
reenacts the stages of making tuba (coconut wine)
Mananguete or Coconut Wine Tapper (Vizayas)
89
The dance starts with movements that mimic the sharpening of the sanggot (scythe) and then proceeds to the cleaning of the kawit (bamboo container), climbing of the coconut tree, extracting of the sap, and finally tasting the tuba
Mananguete or Coconut Wine Tapper (Vizayas)
90
Mananguete or Coconut Wine Tapper (Vizayas) reenacts the stages of making ?
tuba or coconut wine
91
Mananguete or Coconut Wine Tapper (Vizayas) The dance starts with movements that mimic the ? and then proceeds to the ?, ?, ?, and finally ?
sharpening of the sanggot (scythe), cleaning of the kawit (bamboo container), climbing of the coconut tree, extracting of the sap, tasting the tuba

phyed (2 decks)

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