i love you mum i promise i wont die Flashcards

(34 cards)

1
Q

What type of theatre is ‘I Love You Mum - I Promise I Won’t Die’?

A

It is a verbatim play, a type of documentary theatre.

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2
Q

What is the purpose of verbatim theatre?

A

To break down complex issues and promote change.

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3
Q

Who is the play ‘I Love You Mum - I Promise I Won’t Die’ a tribute to?

A

Daniel Spargo-Mabbs.

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4
Q

What event inspired the creation of the play?

A

Daniel Spargo-Mabbs died after taking MDMA on a night out with friends.

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5
Q

What important message does the play aim to raise awareness about?

A

The dangers of party drugs.

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6
Q

How many times has the play been performed?

A

More than 500 times.

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7
Q

What charity is associated with the play’s performances?

A

The DSM charity.

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8
Q

What type of educational piece is ‘I Love You Mum - I Promise I Won’t Die’ considered?

A

It is a theatre in education (TIE) piece.

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9
Q

What does verbatim theatre have the potential to expose us to?

A

Truths that we might otherwise have overlooked.

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10
Q

True or False: The play is based on fictional characters.

A

False.

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11
Q

Fill in the blank: The choice of a verbatim play makes the message more _______.

A

hard-hitting.

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12
Q

What is a key characteristic of verbatim plays?

A

They are constructed from the words of real people responding to a particular theme or event.

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13
Q

How many acts and sections are there in the play?

A

2 acts and 10 sections

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14
Q

Why does Wheeller split the action into different acts?

A

To accommodate the availability of the young people and family for interviews

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15
Q

What is the purpose of Act 2?

A

Creates an intimate and tender atmosphere, allowing the audience to connect empathetically through direct address

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16
Q

What drama techniques are utilized due to the structure?

A

A non-linear structure, revealing Dan’s story piece by piece

17
Q

What does Wheeller mean by describing the two acts as ‘two plays’?

A

Both acts require a different approach by actors and designers to create distinct atmospheres

18
Q

How is the first act divided?

A

Into four sections focusing on the story from friends’ perspectives

19
Q

How is the second act divided?

A

Into six sections charting the family’s journey

20
Q

What is the effect of the non-linear structure of the play?

A

Keeps the audience engaged while reflecting the experiences of friends and family

21
Q

What techniques are highlighted in the first act?

A

Flashbacks, ensemble movement, speech (unison), split-role, mime, and stylised movement

22
Q

What creates a more intimate atmosphere in Act 2?

A

Mark is not present, allowing for direct address from the family

23
Q

What staging challenges does the play present?

A

Lacks a distinct setting, requiring a multi-purpose set for actors to move easily between settings

24
Q

What key phrase describes the overall structure of the play?

A

Flashbacks, ensemble movement, speech (mison), split-role, mime, stylised, choreographed movement

25
What challenges does a designer face in this play?
Creating a multi-purpose set to facilitate movement between various settings and times
26
What is the purpose of Act 1?
To push the verbatim process through Mark's questioning, creating an atmosphere of flashbacks
27
What can be said about the pacing of Act 1?
It can be quicker paced as it involves friends reliving the rave
28
Why does Wheeler split the action up into different acts?
The availability of the young people at the rave vs his girlfriend and his family were on separate dates for interviews shows Dans social life vs his home life
29
what key phrase would you use to describe the overall structure of the play? And what meaning does it create?
A non-linear structure, revealing dance story piece by piece, engaging the audience yet also reflecting his friends and family experience.
30
what drama techniques are used as a result of the structure?
Flashbacks, ensemble movement, speech in unison, split, mime, stylised choreographed movement
31
describe the purpose of act one and how you might communicate this as a director/actor/designer.
The verbatim process is pushed by marks questioning creating an atmosphere of flashbacks, key events and experiences.. A split stage could be used to convey this as act one would generally be quick since it is the friends reliving the rave.
32
What challenges does a designer face in this piece? How might they overcome them?
The piece does not have a distinct setting so a multipurpose that allows actors to easily move between sets and times
33
how would you answer: how does Mark Wheeller use the opening section to show that the play is more than just journalism and engage the audience?
Explain the IMPACT of two stylistic choices/dramatic techniques
34
how does Mark Wheeller use the opening section to show that the play is more than just journalism and engage the audience?
split role, flashbacks, projections, chorus, direct address