IDB film industry processes Flashcards

1
Q

above the line marketing

A

advertising messages that are broadcast to the massses without any specific target

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2
Q

below the line marketing

A

advertising messages which are highly targeted towards a specific niche

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3
Q

production

A

the process of producing the film: pre production (shooting) and post production (editing, special effects)

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4
Q

distribution

A

the process of a film being distributed ready for exhibition, coming out

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5
Q

exhibition

A

the process of a film being shown for example in cinemas

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6
Q

who directed IDB?

A

Ken Loach

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7
Q

Sixteen films industry context

A
  • Ken Loach started this small independent production company
  • they partnered up with a french production company called ‘why not productions’ who agreed because they like his work
  • these companies are only production, but not distribution so eOne productions marketed and distributed the film
  • these companies still did not provide enough funding for the film so the BBC and the BFI helped with this.
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8
Q

Ken Loach context

A
  • main genre is social realism
  • this is a niche genre that is not very popular
  • this centres around british issues
  • he has won awards for this in the oscars and is well known globally as well as in britain
  • this attracted many production companies such as why not productions
  • Ken Loach is the unique selling point
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9
Q

The BBC and the BFI like to fund projects which are:
(this impacted the film because it was required to meet these needs)

A
  • innately british
  • niche/alternative
  • culturally significant
  • show aspects of British culture to the world that they might not have seen
  • educational
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10
Q

what did the low budget mean?

A
  • low budget so was filmed in real houses and on the streets
  • no extras in public scenes, it is real people
  • small actors, this also adds to the social realims effect because it is not someone you will have seen in a different film
  • mainly improvised, so they’re not restricted to a script
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11
Q

the BBC is a public service broadcaster, which means that:

A
  • be informative/educational as well as entertaining
  • show diversity (experience of poverty for different types of people eg single mothers, children, ethnic minorities)
  • show new talent (this is shown in the small actors in IDB)
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12
Q

what is Ken Loach’s political perspective?

A
  • anti-conservative, very left wing and looks at the negative impacts of government social policy through his films
  • this means that the film is impacted by this ideology, such as the impact of austerity measures
  • this is also shown in the marketing
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13
Q

regional british films

A
  • regional british films are hard to sell because there is little global exposure to these areas as well as strong accents
  • it did better in countries which could have dubs or subs
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14
Q

marketing for the film (audience)

A
  • used many traditional analogue forms like posters, trailers and newspapers (the daily mirror- LEFT WING) which may be familiar with the older target audience (45ish)
  • social media lets the left wing younger fans do the rest (apply Jenkins)
  • the Palme D’Or is mentioned, which is awarded at the cannes film festival to more niche films, which would engage an audience looking for a culturally significant film
  • eOne used, low budget, high impact ‘guerilla marketing’- this can be controversial and sometimes illegal (projections)
  • this was all over social media and the news, and in London (houses of parliament)- this attracts a British as well as global audience because there could be tourists or people could see it online
  • this also conveys the political message
  • this was based in the North as well so it targets anti-conservatives because they were likely to be living in poverty due to thatcher’s gov
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15
Q

premiere of the film

A
  • was in the north
  • Jeremy Corbyn came who wrote an article about this in the mirror, he is left wing
  • the paparazzi supported this publicity by photographing them
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16
Q

‘new technologies’ being used in the film?

A
  • no use of 3D, IMAX, CGI etc (unlike BP)
  • not a huge amount of online technology used but relied on others to market on social media when controversy had been sparked
  • distributed on DVD and digital download online after cinema, which may engage the secondary audience of young left wing people
17
Q

arguments for regulation

A
  • awarded a 15 by the BBFC, due to the emotional impact of some scenes
  • some people think it has an educational benefit for younger audiences though because it shows what it’s like living in poverty
  • this reflects Livingstone and Lunt’s views that regulators have to dwindle on a fine line between protecting us and offering us enriching media