Identity Flashcards

1
Q

What is identity

A

Image, Gender, Appearance, Personality, Characteristics, Beliefs, Morals, Views, Ethnicity, Faith, Quirks/Traits, Fashion/dress sense, Nationality.

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2
Q

Key aspects of identity

A

Key aspects of identity ( like gender, social class, age , sexual orientation, race and ethnicity ) play significant roles in determining how we understand and experience the world.
The media use different representations (Images, word and characters or personae) to convey specific ideas and values relate to culture and identity in society.

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3
Q

Gender and Identity

A

GENDER IS NOT THE SAME AS SEX
Sex difference is about whether you are biologically male or female (so what is physically present)
Gender difference are culturally formed. Embedded in society.

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4
Q

Binary Opposites of Masculinity

A
Brave / Tough
Hairy / Scruff
Calm / Lazy
Authoritative
Angry / Aggressive
Emotionless
Manual Labour
Heroic
Bread Winners
Practical
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5
Q

Binary Opposites of Femininity

A
Scared
Smooth / Elegant
Bossy
Weak
Timid
Emotional
Domesticated
In Distress
Home Makers
Academic / Clever
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6
Q

To what extend does the “Male Gaze” Influence the Identity of female teens today?

A

The Male Gaze influences the identity of female teens today as women post “Sexy” or revealing photographs of themselves having a fake persona all for the desire and acceptance of men.

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7
Q

Criticism of the male gaze

A

Some women enjoy being “Looked” at e.g beauty pageants
The gaze can also be directed towards members of the same gender for reasons: not all of which are sexual, such as in comparison of body image and clothing.

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8
Q

Judith Butler arguement

A

Argued feminism made a mistake in stating that women were a group with common characteristics and interests.
Butler argued feminists had rejected the idea that a female could not fulfil male roles because of their sex.
However Butler Questioned that as their theory was based on a patriarchal culture, therefore the same destiny was just as inevitable. The argument allows no room for choice, difference or resistance to the male dominance.
Butler concluded that Gender Is a Performance.

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9
Q

Identity and social media

A

Consumers are 71% more likely to make a purchase based on social media referrals.
74% of consumers rely on social network to guide purchase decisions.
44% of female social media users say bloggers influence their purchase decision.
15.1 Millions Consumers refer to social media channels before making purchase decisions.
Positive feedback, interaction and responses build your brand.

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10
Q

advantages of the individual as a producer

A
Instant messaging
Constant communication
Sharing memories
Identity
Online Memories Stored 
Raising awareness
Motivate, Inspire people
Creativity
Express your skills.
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11
Q

disadvantages of the individual as a producer

A
Insecurities
Bullying
Fake
Unreachable expectations
Groping 
Child predators
Catfish
Over sexualisation
Societies downfall
Addiction
Lack of privacy
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12
Q

what role does social media have in creating identity

A

Social media plays a large role in creating identity as everything we post online creates or adds to the identity you portray online you aim to be the best version of yourselves.

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13
Q

Why could it be argued that social media presents more than one identity?

A

It can be argued as one person can have multiple identities on social media because of the selection of different platforms. The individual’s different social media accounts can have completely different content for example they may be very “Innocent” on Facebook in front of their families but on snapchat are very “Wild” or “Crazy”.

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14
Q

How are users of social media examples of Laura Mulvey and Judith Butler’s Theories when portraying their own identities?

A

Girls over sexualise themselves as they want to be appreciated and accepted by men this male gaze is present in female social media to appeal to men. Butler also realises these online identities are performances that the individual puts on.

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15
Q

“A Persons relationship with social media today, is characterised by their roles as a ‘User’ or ‘Participant’ rather than an ‘audience member’” – Agree or Disagree?

A

I agree as social media is used more promptly to upload content and participate in the app rather than just being on it. People will actually use it. You either use it for upload content or participate by liking, sharing and interacting with it. There are rarely audience members on social media.

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16
Q

The Honeycomb Of Social Media

A
Presence,
Relationship,
Reputation,
Identity,
Group,
Sharing,
Conversation.
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17
Q

function of presence

A

the extent to which users know if others are available

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18
Q

function of relationship

A

the extend to which users relate to each other

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19
Q

function of reputation

A

the extent to which users know the social standing of others and content

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20
Q

function of groups

A

the extent to which users are ordered or form communities

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21
Q

function of conversation

A

the extent to which users communicate with each other

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22
Q

function of sharing

A

the extend to which users exchange distribute and receive content

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23
Q

function of identity

A

the extend to which users reveal themselves

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24
Q

implications of presence

A

creating and managing the reality, intimacy and immediacy of the content.

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25
Q

implications of relationships

A

managing the structural and flow properties in a network of relationship

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26
Q

implications of identity

A

data privacy controls and tools for user self-promotion.

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27
Q

implications of reputation

A

monitoring the strength, passion, sentiment and reach of users and brands

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28
Q

implications of groups

A

membership rules and protocols

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29
Q

implications of conersations

A

conversation velocity and the risks of starting and joining

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30
Q

implications of sharing

A

content management system and social graphs

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31
Q

David Gauntlett - Media, gender and identity

A

“Role model Should Not be taken to mean someone that a person wants to copy. Instead, role models serve as Navigation Points as individuals steer their Own Personal Routes Through Life”

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32
Q

Lil’Milquela and instagram filters

A

Milquela has been posting on Instagram for the last 5 months and has gained a following of over 80K. Many photos posted by models blur the lines between reality and make belief. We trust what we see online. We accept more about identity and gender in modern society. The idea that identities are multiple and that individuals may select different identities at different times had led to the concept of identity as performance.

Instagram.com/lilmiquela
She’s a real person but she digitally edits her face. 100% CGI. But people cant seem to tell if she is real or not. A Study of 7 Millions photos online found filters increase the chance of views by 21% and comments by 45%.
Social medias use of Avatars and anonymity and games with the role-playing of gangsters, wizards, soldiers, and suburban family members, moving between ethnicity, age and gender which exists in a virtual world which maybe based on actual historical or social events.

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33
Q

role of filters used by social media producers in creating multiple identities.

A
  • Increased audience exposure to a range of identities encouraging wider acceptance in society
  • Changes in technology allow audience to “have more control” over their own identity
  • Filters give an illusion of empowerment
  • Difficult to identify ‘true’ identity
  • Multiple and mutable identities
  • Balance of power producer/Audience
  • Concept of mass audiences VS individualised responses
  • Online identity can be different to real life identity
  • The ability to edit profiles on a different platform.
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34
Q

Judith Butler Summary

A

A contemporary approach to gender representation was introduced by Judith Butler who suggests that gender is not the result of nature but is socially constructed. That is to say, male and female behaviour and roles are not the result of biology but are constructed and reinforced through media and culture. Butler argues that there are a number of exaggerated disruptive ‘tongue-in-cheek’ representations of masculinity and femininity, which draw attention to the idea that gender is socially constructed and cause what she refers to as ‘Gender Trouble’

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35
Q

Judith Butler Points

A
  • Nothing within your identity is fixed.
  • Your identity is little more than a pile of things which you have previously expressed or which have been said about you.
  • There is not really an ‘inner self’. We come to believe we have one through the repetition of discourses about it
  • Gender, like other aspects of identity, is a performance. Reinforced through repetition. Not always a consciously chosen one.
  • People can therefore change.
  • The binary divide between masculinity and femininity is a social construct built on the binary divide between men and women – which is also a social construction
  • We should challenge the traditional views of masculinity, femininity and sexuality by causing gender trouble.
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36
Q

Structuralism Define

A

Stucturalists say that the meaning of a text is not held within it, but in the cultural relationships surrounding and connecting it.

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37
Q

structuralists consider

A
  • Genre
  • Over Arching Narrative
  • Style Influences
  • Adaptions
  • Stock Characters
  • Binary Opposites
  • Recurring Themes
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38
Q

female characteristics

A
Girly
Beauty
Elegance
Intelligence
Rebellion
Cheeky
Curvy
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39
Q

males characteristics

A
Strong
Aggressive
Loud
Rule breaker
Intimidating
Jokers
Rowdy
Immature
Reckless
Followers
British
Bulldog
Chancers
Boisterous
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40
Q

The Alpha Male

A
  • Male Characters are often represented as isolated and their own lone hero.
  • “Culturally Idealised form of masculinity” has a certain level of ‘Buffness’ (IE Muscles, six pack, abs,).
  • Males in society have to be ( and are represented as being ) dominant as we have a patriarchal society
  • The Male Physique is an important part of representing masculinity.
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41
Q

Fundamental elements of hegemonic masculinity is:

A
  • Women Exist as sexual objects.
  • Women provide sexual validation.
  • Men compete with other main for sexual validity of women.
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42
Q

Men With Scars

A

The Big Shot – Professional statues, He is the epitome of success. He has the characteristics nad possessions that society deem desirable.
The Action Hero - Strong but not always silent, often angry, he is violent and aggressive.
These stereotypes suggest that a ‘real man’ must be powerful and successful.

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43
Q

Men In Crisis

A

The strong Silent type:
Focuses on being in charge and containing emotion, reinforcing the idea that men should always be ‘in control’ and to show emotion is weak
The Jock:
Must avoid being ‘soft’. He is aggressive, fighting other men where necessary and shows his power and strength through physical exertion by doing so, he wins the approval of men and the admiration of women.

Not being like this you failed masculinity.
Men compare themselves to men on advertisements, which cause crisis.

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44
Q

Laddism

A

The belief men should not be emotional and should make fun of those who are.
Typical behaviour is; Drinking, partying, talking about football, women and sex.
Often their jokes are at the expense of females and weaker and more vunerable males.

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45
Q

Joker

A

Joker is the binary opposite of the ‘Alpha’ male, exaggerating characteristics of the Alpha male to make fun of themselves. Women be little or dominate these kinds of people.

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46
Q

Fool / Buffoon

A

Will always get it wrong, unintentionally. But always comes out on top as people like them for their inadequacies.

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47
Q

The New Man

A

The Alpha male becoming ‘Metrosexual’
Metrosexual = Being paternal and having emotions
The modern male joins in with the family unit.
Experienced in second best and not always winning
Has experienced Rejection and takes on women roles
Taking pride in their appearance.
Evolved out of historical events like feminist activists in the 1970’s, rise of homosexuality and limited success of the civil rights movement.

48
Q

Judith Butler

A

Butlers Theory outlines that the media offers men and women a range of ‘Scripts’ for gender roles. Which audiences interpret and perform in their own lives.
Gender trouble refers to any behaviour and representation that disrupts culturally accepted ideologies of gender.

49
Q

Define Fluid Identity

A

Identity develops and changes as it flows

50
Q

Define Fixed (structuralism) Identity

A

Identity being one and not changeable.

51
Q

Define “True” Identity

A

Does it even exist?

52
Q

Define Multiple Identity

A

A lot of identities

53
Q

Define Mutable Identity

A

Hidden identities

54
Q

Define Empowerment

A

Power to reinforce identity (confidence)

55
Q

Define Ideologies (Structuralism)

A

Expected ideas on what identity is about

56
Q

Define Dominant (Structuralism)

A

Main identity; used more of conforming to what society wants.

57
Q

David Gauntlett - Contemporary Media

A

Contemporary Media = Modern day
David Gauntlett argues contemporary Media presents more equality between the sexes and more complex, less stereotyped identities than ever.
He suggests that it may now be more applicable to conceptualise the media as an, although limited, ‘force for change’. To illustrate this point, Gauntlett’s work identifies how conventional representations of women as housewives and unskilled workers has been supressed by images of successful and self-reliant ‘girl power’ icons: whereas ideals associated with masculinity includes toughness, competitiveness and tenacity have become unsettled through a new found focus on mens need for advice their emotions wellbeing and the ‘Crisis of masculinity’.
He crucially asserts that these alterative ideas and images have at least created space for a greater diversity of identities.

58
Q

Define Marginalised (Structuralism)

A

Minority identities, smaller by coverage and representation

59
Q

Gender Fluidity on Social Media

A

Fluid Identities allow for greater exposure to the ‘other’ giving marginalised identities a platform for empowerment and help to challenge the concept of structuralism
Lady Gaga exaggerates gender characteristics, which makes it impossible to view Lady Gaga in the same way each time she is in the media as her appearance is constructed and this challenges the male gaze concept.
Lady Gaga provokes Anxiety among the mass media because she does not conform to conventions about female beauty in her field, e.g. pop music, therefore questioning who her ‘true’ identity is.

60
Q

why is identity constructed by the media

A

Identity is constructed in the media because of social norms and stereotypes used to represent the real world. The social pressures made by the media to be perfect and have the ideal life are reinforced by celebrities sharing ideologies of what the perfect image and life looks like. We construct our own identity as a sub-conscious way of escapism.

61
Q

Males In the media belief

A

Sex is a biological grouping – what makes us male and female
Gender = Masculinity and femininity – this is effected and created by social and cultural influences ( what it means to be a man and a women) – This changes over time.

62
Q

tradition representations of masculinity

A

Traditionally representations of men in the media were manly, macho characters – common in the 1970’s and 1980’s
EG Characters like James Bond, TV, Programmes like Magnum and Starsky and Hutch.

63
Q

contemporary representations of masculinity

A

Modern characters are seen as in touch with their feminine side, showing their emotions and taking pride in their appearance

64
Q

The Metro-sexual Man

A
  • One recent development in the representations of masculinity is the metrosexual (mid 1990’s)
  • The young single man with a high disposable income, living in the city – as it is near to the best shops.
  • The Metrosexual man is not gay but is often confused with being homosexual
  • He is objectified and sexualised (turned into a sex object) which goes again goes against traditional representations of masculinity.
65
Q

Women and Masculinity

A

Women can also be capable of demonstrating masculinity (Masculine traits) in how they are represented in the media.

66
Q

Changes In Male Repreentations

A

Since the 1980’s there have been significant changes in the representations of men.
New stereotypes have emerged that deviate from traditional masculine traits.
Many argue this is mainly due to the ‘rise’ of Feminism and the equality of women in society

67
Q

The Main Stereotypes Of Men

A
  • From the boys to men
  • the action hero
  • the big shot
  • the strong silent type
  • the jock
  • the joker
  • the fool/buffoon
68
Q

Explain From The Boy To Man

A

Media Messages About Masculinity’ Report (1999) from pressure group Children Now.
They found there were now seven common stereotypical representations of men.

69
Q

Explain The Action Hero

A

is strong but not always silent. He is often angry and above all he is aggressive in the extreme and engages in violent behaviour.

70
Q

Explain The Big Shot

A

He is defined by his professional status. He is the epitome of success embodying the characteristics and acquiring the possessions that society deems valuable. This stereotype suggests that a real man must be economically powerful and socially successful.

71
Q

Explain The Strong Silent Type

A

focuses on being in charge, containing emotion and succeeding with women. This stereotype reinforces the assumption that men and boys should always be in control and talking about ones feelings is a sign of weakness.

72
Q

Explain The Jock

A

is always willing to compromise his own long-term health, he must fight other men when necessary and must avoid being soft and must be aggressive. By demonstrating his power and strength the jock wins approval of other men and the adoration of women.

73
Q

Explain The Joker

A

A very popular character with boys/men - a potential negative consequence of this stereotype is the assumption that boys and men should not be serious or emotional. However researchers have also found that humorous roles can expand definitions of masculinity

74
Q

The fool stereotype is a tried and tested formula (1970s onwards) EG the bungling father in TV ads and Sitcoms. Usually well intentioned and light hearted, these characters range from slightly inept to completely hopeless in work or parenting and domestic situations. On the surface it may seem a very pejorative representation of men. However they still always come out on top.

A

Explain The Fool/ Buffoon

75
Q

Explain The Patriarchy

A

The dominant ideology in our society.
The reason for the overly positive and dominant representations of men in the media is down to power.
Many critics and theorists suggest that we are (and still are) living within a patriarchy.
Patriarchy is a male run/ dominated society.
Men have been in control of the media so have created positive representations that support their dominance (hegemony)

76
Q

Explain The Crisis of Masculinity

A

Social contexts: Since the late 1970-1980 men have been seen to be in a crisis, a crisis/ confusion of identity. As women were occupying roles and jobs in society that were traditionally the domain of men – men did not know how or what they were supposed to be – what it means to be a man now?
Traditionally ideas of masculinity were/are changing. This led to a variety in their representations and roles in society.

77
Q

Explain Noam Chomsky

A

“There is another sector of the media, the elite media, sometimes called the agenda-setting media because they are the ones with the big resources. The elite media set a framework with which others operate

78
Q

Why Set Agendas

A

To have a set point and goal to work around and possibly achieve, to follow for.

79
Q

Influence Of Mainstream Media

A

Mainstream media are institutions, which have a level of dominance, power and control over the images seen in the media.

80
Q

Examples of agendas are set

A
  • Whitewashing
  • Gender: Female = Beauty / Males = Muscular
  • Males are better than females
81
Q

Define Marxism

A

Elite -> Power -> Mass

82
Q

Define Bourgeoisie

A

Bourgeoisie:

  • Own Different types of capitals (Wealth, Factories, Shares, Properties)
  • Middle Class and Above
  • Dominates the proletariat
83
Q

Define Proletariat

A

Mass = Proletariat:

  • Exploited for profit
  • Mass of the population
  • Accept the systems and power of the bourgeoisie.
84
Q

Karl Marx - Superstructure Theory

A

Karl Marx suggests societal structures exist to support the bourgeoisie through either repressive or ideological ways.

85
Q

Define Repressive Structure

A

Those that will enforce the rules if they are not upheld

Army
Police
Legal System

86
Q

Define Ideological Structure

A

Those that construct the values and ideologies, which control behaviours.

Schools
Religions
Families
Media

87
Q

How Do the media enforce the ideologies

A

The media create a false consciousness, which is the belief in the ideas and values as the truth when they are in fact constructed ideologies which support the super structure.
Marx ideas suggest that medias view of the world constructed through most mainstream media persuade the proletariat to accept capitalism as natural and inevitable whist at the same time distracting them from complaining about any exploitations.

88
Q

Jean Kilbourne Theory

A

“The first thing the advertisers do is surround us with the image of ideal female beauty, so we all learn how important it is for a woman to be beautiful, and exactly what it takes”

She states that advertisements sell Ideas of love, people relationships, success and values more than the product theyre originally trying to sell.
Women are made to feel ashamed and guilty when they don’t look like this ‘Ideal female beauty’ that they learn from an early age. They also will understand failure is inevitable and successfully achieving this ‘beauty’ is impossible. Because it is all digitally manipulated and computerised by alterations.
Girls are fine with how they look around 8,9 & 10 but until they reach adolescence and they hit this wall. Hormones come in and this impacts mood around trying ( and failing) to achieve this ‘Beauty’
According to Kilbourne, women are more often shown ‘Dismembered’ (Just parts of their bodies shown’)

89
Q

Jean Kilbourne Idea of Advertising Environment

A

Jean Kilbourne started collecting ads in the late 1960s, inspired, in part, by her involvement with the women’s movement, her interest in media, and her experiences as a model.

  • Kilbourne started to see a pattern in the ads – a kind of statement about what it meant to be a woman in American culture.
  • Over the past 40 years, despite the gains of the women’s movement, Kilbourne believes advertising’s image of women has only gotten worse.


• Advertising is a $250 billion a year industry in the United States.

  • The average American is exposed to over 3,000 ads every single day and will spend two years of his or her life watching television commercials.
  • Ads are everywhere: schools, buildings, sports stadiums, billboards, bus stops, buses, cars, elevators, medical offices, airplanes, food, etc.
  • Many people feel personally exempt from the influence of advertising.
90
Q

Jean Kilbourne idea of Advertising and Objectification

A

• Advertising tells women that what’s most important is how they look, and ads surround us with the image of ideal female beauty. However, this flawlessness cannot be achieved. It’s a look that’s been created through airbrushing, cosmetics, and computer retouching.

  • You almost never see a photograph of a woman considered beautiful that hasn’t been Photoshopped.
  • Women of color are generally considered beautiful only if they approximate the white ideal: light skin, straight hair, and Caucasian features.
  • Black women are often featured in jungle settings wearing leopard skins as if they were exotic animals.
  • In all kinds of advertising, women’s bodies are turned into “things” and “objects.” Kilbourne believes this objectification creates a climate in which there is widespread violence against women
  • Women’s bodies are often dismembered in ads. Just one part of the body – often breasts – is focused on.

• There has been a dramatic increase in recent years in the amount of cosmetic procedures:
o 91% of all cosmetic procedures are performed on women.
o From 1997 to 2007, these procedures, overall, rose 457% to almost 12 million per year.
o Over the same period, there has been an increase of 754% in non-surgical procedures like Botox and laser treatments.
o And an increase of 114% in actual surgeries, like breast implants, liposuction, and eyelid surgery. There are now more than two million of these a year.
• Men basically don’t live in a world in which their bodies are routinely scrutinized, criticized, and judged – whereas women and girls do.
• We’re told that women are acceptable only if they’re young, thin, white – or at least lightskinned – perfectly groomed and polished, plucked and shaved. And any deviation from this ideal is met with a lot of contempt and hostility.

91
Q

Jean Kilbourne idea of advertising and the cult of thinness

A
  • Pop culture delights in ridiculing and mocking celebrities who’ve gained weight.
  • The obsession with thinness is about cutting girls down to size – to aspire to become nothing.
  • Yesterday’s sex symbols would be considered fat by today’s standards.
  • Models keep getting thinner and thinner. If they are not thin enough, Photoshop is used to make them appear thinner.
  • The body type that we see in advertisements as acceptable or desirable is one that fewer than 5% of American women have.
  • Some ads today seem to encourage unhealthy attitudes – even eating disorders.
  • Academy Award winner Kate Winslet has been outspoken about her refusal to allow Hollywood to dictate her weight. When British GQ magazine digitally enhanced her photograph to make her look thinner, she issued a statement saying, “I don’t look like that, and, more importantly, I don’t desire to look like that. I can tell you they’ve reduced the size of my legs by about a third.”
  • Women are bombarded with ads for products that promise weight loss. However, diet products are often dangerous, and at best they do not work. 95% of dieters not only regain whatever weight they lose within five years, they go on to gain more.
  • Obesity is a major public health problem: 1/3 of Americans are obese, and 2/3 are overweight.
  • We need to transform our attitudes as a culture about food and about the way we eat, but that’s very difficult to do in a culture that teaches all of us to hate our bodies.
  • Women have been made to feel ashamed of eating. And the more guilty women are made to feel about eating, the more erotic the ads for food become. • Anne Becker’s famous study found a sharp rise in eating disorders among young women in Fiji soon after the introduction of television to the culture.
  • According to the editor in chief of Advertising Age, the major publication of the advertising industry, “Only 8% of an ad’s message is received by the conscious mind. The rest is worked and reworked deep within the recesses of the brain.”
  • Ads create an environment. Just as it’s difficult to be healthy in a toxic physical environment, if we’re breathing poisoned air or drinking polluted water, it’s difficult to be healthy in a “toxic cultural environment” that surrounds us with unhealthy images and constantly sacrifices our health and well-being for the sake of profit.
  • Ads sell more than products. They sell values, images, and concepts of love, sexuality, success, and normalcy. They tell us who we are and who we should be
92
Q

Jean Kilbourne idea of Advertising and Sexual Pathology

A

Girls are often pictured in ads with their hands over their mouths. Their body language is usually passive, vulnerable, and very different from the body language of boys and men.

  • Women are told that it’s sexy to be like a little girl.
  • The sexualization of little girls has become much more extreme. For example, padded bras and thongs for seven-year-olds are now sold in major department stores.
  • The United States has the highest rate of teen pregnancy, and the highest rates of sexually transmitted diseases by far, in the developed world.
  • Images that used to belong to the world of pornography are now commonplace.
  • Sex in advertising is relentlessly heterosexist. Gay men barely exist outside of publications targeting them, and the portrayal of lesbians comes straight from the world of porn.
  • The Internet has given everyone easy access to pornography.
  • As girls learn from a very early age that their sexualized behavior and appearance are often rewarded by society, they’re encouraged to see this as their own choice – as a declaration of empowerment.
  • Kilbourne wants to be very clear that there is nothing wrong with wanting to be attractive and sexy. What’s wrong, she says, is that this is emphasized for girls and women to the exclusion of other important qualities and aspects.
  • Being “hot” has become the most important measure of success. This extremely superficial and limited definition of sexiness makes most women feel insecure, vulnerable, and much less sexy.
  • In 2007, the American Psychological Association released a report concluding that girls exposed to sexualized images from a young age are more prone to depression, eating disorders, and low self-esteem.
  • Girls are constantly given the mixed message by popular culture that they should be sexy but innocent, experienced but virginal.
93
Q

Jean Kilbourne idea of beyond advertising, consumerism & violence

A
  • Advertisers always find ways to turn any movement for radical change into just another way to push a product. For example, feminism as individual self-expression is more likely to sell Botox than change the world.
  • Sexual images in advertisements aren’t intended to sell us on sex. They’re designed to promote shopping and consumerism. Not only are people objectified in ads, but also products are sexualized.
  • Another thing that has changed dramatically over the years has been the increase in ads that objectify men. They’re generally bigger, stronger, and more powerful than women.
  • Masculinity is often linked with violence. Boys grow up in a world where men are constantly shown as perpetrators of brutal violence, encouraging toughness and insensitivity.
  • The negative and distorted image of women deeply affects not only how men feel about women, but also how men feel about everything that gets labeled feminine by the culture – qualities like compassion, cooperation, empathy, intuition, and sensitivity.
  • Human beings should share the whole range of human qualities – strong and gentle, logical and intuitive, powerful and nurturing – and not be told one sex can have only one set of human qualities and one sex only the other.
  • Violent images make some people more aggressive, they desensitize just about everybody, and they make most people more likely to blame the victim.
  • The most dangerous image is one that eroticizes violence. Many ads feature women in bondage, battered, or even murdered.
  • Battering is the single greatest cause of injury to women in America.
  • One-third of all the women who are murdered in our country are killed by their male partners.
  • Most men are not violent, but many men are afraid to speak out against it.
  • The obsession with thinness, the tyranny of the ideal image of beauty, and violence against women are all public health problems that affect us all.
  • Kilbourne believes we need a lot of citizen activism, education, discussion, and media literacy, and we need to work together to change norms and attitudes. We need to think of ourselves as citizens rather than primarily as consumers.
94
Q

Carl Sagan

A

“If we like them, they’re freedom fighters, she thought. If we don’t like them, they’re terrorists. In the unlikely case we can’t make up our minds they’re temporarily only Geurrillas”

95
Q

Guerrillas Definition

A

Members of a small independent group taking part in irregular fighting, typically against larger regular forces.

96
Q

Dominant and Marginalised Identities of

Gender 
Disability 
Social Class
Sexuality 
Ethnicity
A
Gender - Male, Female
Disability - Non-Disabled, Disabled,
Social Class - Upper/Middle Class, Working/Lower Class
Sexuality - Hetrosexual, LGBT+
Ethnicity - White, Non-White
97
Q

Advantages of Mainstream Media Agenda Setting

A

Audience can identify with different groups in society
Can empower audiences to make choice
No risk of collapse of the media (it will always be there

98
Q

Disadvantages of Mainstream Media Agenda Settings

A

Dominant and marginalised groups emerge
Health risks due to feelings of inadequacies
Exploitations of genders, ethnicities, social class
Moral panics develop
Fear of labelling (Folk Devils)
Gaps and divisions in society grow further apart
Motivation is purely for financial gain
Delivers a propaganda style message
Monopoly of media institutions leading to bias

99
Q

Define Post-Modernism

A

a late 20th-century style and concept in the arts, architecture, and criticism, which represents a departure from modernism and is characterized by the self-conscious use of earlier styles and conventions, a mixing of different artistic styles and media, and a general distrust of theories.

100
Q

Define Simulacra

A

an image or representation of someone or something. / an unsatisfactory imitation or substitute

101
Q

Post Modernism Illustrated Social Media Reality

A

Social media illustrates the transition between the consumer and the media. It uses “Real People” who choose to be observed and scrutinised. It provides opportunities from interactions between fans (the consumers / customers) and brands, celebrities and / or other media products
Social Media does not entertain – rather exists to create identities – it is a hybrid of CCTV surveillance and commercial advertising
In the real world social media users are anything from a talentless nobody to a household name but both are treated as stars.

102
Q

Baudrillards Arguement

A

Baudrillard’s argument indicates that social media images are an example of hyper-reality; They have come to seem more ‘real’ than the reality they supposedly represent, e.g. perfect Instagram images seem ‘real’ whereas Snapchat exaggerates what can be ‘real’

103
Q

Douglas Rushkoff Empowerment or Exploitation

A

The brands we like influence and change the way we behave and think. They make us act the way we would like to act and identify as. They shape our identity as we become the brand value. We change to be this certain ideology that the brand suggests or stands for. To fit in with the brand image; whether it be clothing, music or food.

104
Q

Empowerment of Social Media

A
Audience decides whats cool
More likes better we feel
Reputation grows due to recognition
Express yourself
Share obsessions
People “all about it”
Normal day people gain their own following and feel like a celebrity.
105
Q

Exploitation of Social Media

A
Social media currency of likes
Gained and collected data from us
Using you customs for their brands 
Tailor adverts towards you
Turn likes into money
Keep us online ,become a part of the game
106
Q

Strengths of social Media

A
  • Power
  • Promotion
  • Friends
  • gratification
  • Expression
  • live out a dream
  • role play
  • Money
  • finance, quick and easy, accessible
107
Q

Weakness Of Social Media

A
  • Low self esteem
  • Only empowered for the moment
  • Lying
  • Fake Identity
  • Lives in a deluded reality
108
Q

Opportunities of social media

A
  • Be a celebrity
  • Cooperation with brands
  • Synergy
  • Job promotion for hobbies
  • consumers the marketer
  • Fame
  • Money
  • To do things in the first place
  • Build your own brand
109
Q

Threats of social media

A
  • Paedophiles
  • Stalkers
  • Pain to create content
  • Physical harm
  • Mental health
  • Bullying
  • Harassment Online
  • Pressured
  • Ego to demand thing
110
Q

Judith Butler - Gender Performance Theory

A

Judith Butler’s idea of Gender Performance also suggests that the media determine and control individual’s identities. Butler argued that feminism had made a mistake by trying to assert that ‘women’ were a group with common characteristics and interests. That approach, Butler said, performed ‘an unwitting regulation and reification of gender relations’ reinforcing a binary view of gender relations in which human beings are divided into two clear-cut groups, women and men. Rather than opening up possibilities for a person to form and choose their own individual identity, therefore, feminism had closed the options down. Butler notes that feminists rejected the idea that biology is destiny, but then developed an account of patriarchal culture which assumed that masculine and feminine genders would inevitably be built, by culture, upon ‘male’ and ‘female’ bodies, making the same destiny just as inescapable. That argument allows no room for choice, difference or resistance.

111
Q

Males In The Media - Male Theory

A

The Male Theory, which looks at different portrayals of males in the media, shows that the media have built these identities which individuals will inevitably follow for social pressure as they would interpret these identities as normal and what they should be. An example of this would be the Alpha Male. This is a man shown to be physically muscular as he is the most dominant man mentally, emotionally and physically strong. Showing little emotion other than anger and aggression, this ideology of what males are reflect on the audiences and make men who aren’t this feel inadequate. The alpha male’s will see females as sexual objects for them to own, this belittles females and suggests that female identity is domesticated and ruled under the male. In this postmodern world where ideologies about gender, ethnicity and sexuality are less discriminated against because of wider exposure, In more modern media we are shown the performance of a metrosexual male which is a more sensitive male who is open about emotions and feelings. These men care a lot about appearance and will demonstrate female characteristics, yet with Alpha Males the media remains out-dated with these identities which try to control individual identities.

112
Q

David Gauntlet - Navigation Theory

A

David Gauntlett suggest that the individual is free to develop and refine their own identities. Gauntlett suggests that individuals must think about their own identity, attitudes, behaviours and lifestyle in relation to the media figures they see, Some who could be potential ‘role models’. Individuals must make decisions and judgements about their own way of living. This reason is why the concept of ‘role model’ is important although the individual should not be taken to mean someone that they want to copy. Instead the role model should serve as navigation points as individuals steer their own personal routes through life. To illustrate this point, Gauntlett’s work identifies how conventional representations of women as housewives and unskilled workers has been superseded by images of successful and self-reliant ‘girl power’ icons. Whereas ideas associated with masculinity including toughness, competitiveness and tenacity have become unsettled through a new found focus on men’s need for advice, their emotions, wellbeing and this ‘crisis of masculinity’ currently in circulation. He argues contemporary media presents more equality between the sexes and more complex, less stereotyped identities than ever. He crucially asserts that these alternative ideas and images have at least created space for a greater diversity of identities and that it may now be more applicable to conceptualise the media as an albeit limited, ‘force for change’.

113
Q

Douglas Rushkoff - Exploit or Empower Theory

A

Douglas Rushkoff proposed this question of Exploit or Empower? Douglas Rushkoff suggested that or kids today, you are what you like. Individuals today will carefully chose the content they post, like and share however secret algorithms use this information about us to market products based on our interests and our online habits to us. The consumer becomes the marketer. You are your own social media company. Individuals feel empowered but must be exploited to do so and thus companies use individuals and the audience to sell the products they interact with online back to them. This is now a interactive media, no longer one way communication.

114
Q

Jean Baudrillards - Stimulacra Theory

A

A hyperrealitiy or a simulacra where they can pretend and feel like they are famous and stars and anything they want to be. But Baudrillards argument indicates that social media images are an example of hyperreality; they have come to seem more ‘real’ than the reality they supposedly represent. Social media does not entertain – rather it exists to create identities, it’s a hybrid of CCTV surveillance and commercial advertising.

115
Q

Lil Miquela - Filter and Identity Case Study

A

When really this creates a fake identity online meaning because of social media it is hard to understand ‘true’ identity when there are multiple identities. An example of this online is from the Instagram @lilmiquela. This Instagram account takes effects and filters to a whole new level to create her identity online. Lil Miquela digitally contracts a 3D model of ‘herself’ to post on social media

116
Q

Noam Chomsky - Agenda Setting Media

A

Noam Chomsky suggests that a sector called the agenda-setting media have the big resources and these elites set the framework with which others operate. We see this via dominant and marginalised identities. The media control their identities by encouraging feelings that the dominant ideologies are the correct way perpetuating stereotypes about dominant and marginalised identity as it becomes more mainstream due to the users

117
Q

Marxism - Elites and Power Theory

A

This stream of media reinforces dominant identities and misrepresents marginalised groups. This Theory of Marxism displays the answer that Media determine and control people’s identity as the Elite bourgeoisie have power over the mass proletariat.