Images & Physical Evidence Flashcards

(61 cards)

1
Q

Which culture invented the Fayum mummy portraits, and when we they being made?

A

Roman innovation, 1st-3rd c. CE

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2
Q

How many Fayum mummy portraits have been discovered?

A

Roughly 900 portraits

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3
Q

What are the 2 primary findspots for Fayum mummy portraits?

A

Mainly from Hawara and Antinoopolis

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4
Q

How were the Fayum mummy portraits made?

A

Two main techniques: encaustic (water based, bright colours, naturalistic) and tempera (chalky, animal fat in glue)

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5
Q

What percentage of Fayum mummy portraits are named?

A

3-5% of Fayum portraits are named

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6
Q

What are the two materials used in making mummy portraits and what are the key differences between them?

A

Linen portraits are much more fragile and less common than those on wood, require regulated and stable environment when on display. Wooden portraits were painted when the subject was young, and kept until they died, whereas linen portraits were painted at their death, and were therefore much more realistic and give us a better indication of the age of the subject when they died.

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7
Q

How did the Fayum mummy portraits develop stylistically?

A

Greek naturalism was adopted by Roman artists and transferred to Egypt both by the Ptolemies and the later Roman occupation, the Fayum portraits and other naturalistic mummy masks are indicators of the influx of Greco-Roman cultural markers into Egypt, such as art and funerary practices

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8
Q

What was Egyptian funerary art like pre-Romans?

A

Prior to Roman rule, Egyptian funerary art consisted of sarcophagi accompanied by sculptured portraits of the deceased in the form of a fitted cartonnage mask over the coffin; this was done in order to mould a physical replica of the dead that would not decay.

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9
Q

How did Egyptian funerary art change under the Romans?

A

Roman homes often hosted funerary busts of ancestors, and this would carry forward into Roman Egypt, where there is evidence for mummy portraits remaining in the home either before or after the individual’s death.
The shift to more naturalistic representations of the deceased is indicative of Graeco-Roman influence.

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10
Q

What is tempera?

A

Colour pigments in animal glue.
Tempera painting was an ancient technique utilised by native Egyptians; grew in prominence and was eventually preferred to encaustic in the Fayum

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11
Q

What was the encaustic technique?

A

Heat: used beeswax to lock in the pigments

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12
Q

What was cedar of Lebanon used for?

A

A rare import to Egypt, used by the elite for their funerary objects in the Pharaonic era
Common practice to reuse/recycle expensive materials (e.g. cedar of Lebanon)

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13
Q

What was lime wood used for and why?

A

Lime wood used for some portraits was a non-native import to Egypt and made up 69.4% of the mummy portraits as of May 2018: it was favoured for its quality and ready availability due to the long history of European distribution - despite having never been imported into Egypt prior to its usage in mummy portraits - and required less thick panels than imported oak or native fig wood, for example

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14
Q

What are the typical features of mummy portraits from Er-Rubayat?

A

Diagonal clipping of corners which allowed this portrait to be placed into the mummy shroud
Heavy use of pigment

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15
Q

What is a typical feature of mummy portraits from Hawara?

A

Curved top

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16
Q

Who was the Malibu Painter and how can we identify his work?

A

Attested at Hawara/Arsinoë around 100 CE and potentially belonged to a large school of 1st/2nd century painters; he was characterised by his near identical “pudgy” depictions of late Flavian women - identified by their hairstyle - and “distinctive” treatment of areas such as the nose and mouth

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17
Q

What were clavii?

A

Vertical stripes on the mantle may have represented Roman citizenship. Clavi might have been worn by wealthy peregrini too: clavate tunics may simply have represented those in Roman Egypt that could afford to wear them, potentially indicating non-slave status.

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18
Q

How could citizenship be achieved in Roman Egypt?

A

Roman or Alexandrian citizenship in Egypt could only be achieved if both parents were registered in the same category for the child to inherit this status

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19
Q

What other forms of citizenship - aside from Roman or Alexandrian - were there?

A

Other forms of citizenship included metropolite citizenship, which boys under 14 could apply for, and gymnasial membership which required several generations to qualify.

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20
Q

What common iconography might we find on Fayum mummy portraits?

A

Rose wreath - potentially crown of justification - these crowns conveyed the elevation of the deceased

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21
Q

What did earrings represent on Fayum mummy portraits?

A

Earrings acted as status markers and symbols of Roman influence throughout the Mediterranean, and the Fayum portraits reflect this with a high concentration of pearl and emerald gold earrings represented in the catalogue

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22
Q

Why might there be a difference in concentration between adult and child mummy portraits?

A

Portraits of youths and children were rarer than men (the majority) and women, potentially due to the fact that mummy portraits were painted long before death and kept in the home until needed, whereas premature deaths left little time to prepare such portraits

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23
Q

Name an example of a hairstyle found on mummy portraits:

A

‘Sidelock’ was commonly associated with children dedicated to the Isis cult and called a ‘Horus lock’ in the Roman period, but hearkened back to pharaonic Egypt as an emblem of indigenous religion.
This lock of hair may also have been a Greek tradition, as boys from Greek families in Egypt grew out this lock and removed it once they reached puberty in a dedication ceremony called mallokouria

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24
Q

What key status marker can be found on mummy portraits?

A

Wealth would indicate non-Egyptian status, as Graeco-Romans often held higher positions in society, such as administration, lawgiving, government etcetera

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25
Where was Artemidorus found and what is the dating?
Hawara, early 2nd c. CE
26
What is the style of Artemidorus?
Caustic, naturalistic portrait. Greco-Roman stylistic elements
27
Describe Artemidorus:
Mummy of a **Greek** youth, aged 19-21, named Artemidorus in a **cartonnage** body-case with mythological decoration in **gold leaf** and an **encaustic** on **limewood** portrait-panel covering the face and inscription on the chest. There is an inscription in **Greek** on the mummy-case.
28
Where was L'Européenne found and what is the dating?
Antinoopolis, mid 2nd c. CE
29
What materials is L'Européenne made with?
Covered in gold/gilt Caustic painting
30
What can we conclude about L'Européenne?
Wealth and status through jewellery and clothing Deity implied by gold (traditionally, gold covers deities) Priesthood? Priestly family? Potentially lapis gem…
31
Which mummy portrait have we looked at that is likely not genuine?
Sarapion
32
Why is it likely that Sarapion is fake?
Originally Roman era box, touched up Portrait pieced together from strips of 4-5 other portraits, evidence for reuse and repurpose
33
What is the dating for 'Portrait of a young woman in red'?
90-120 CE
34
What is the material of 'Portrait of a young woman in red'?
Encaustic on limewood with gold leaf
35
Describe 'Portrait of a young woman in red':
The background of this portrait was originally **gilded**, emphasizing the **divine** status of the deceased young woman. She looks at the viewer with large serious eyes, accentuated by long lashes. A mass of loose curls covers her head, and some strands fall along the back of her neck on the left side. Framed by the black hair, deeply shadowed neck, and dark red tunic, her brightly lit face stands out in appealing youthfulness, an impression that is heightened by the **gold wreath** and sparkling **jewelry**.
36
Which Fayum mummy portrait can be used as evidence for women in education?
Hermione Grammatike
37
What is the dating of Hermione Grammatike?
AD 14 - 37
38
What is Hermione Grammatike?
Cloth mummy portrait with Greek text
39
What is the findspot of Hermione Grammatike?
Hawara
40
How many Hawara mummies had inscriptions detailing their profession?
Out of the small number of inscribed mummies from Hawara, two bore texts which seemed to Petrie to indicate the deceased person's profession
41
What are the possible translations of 'γραμματικἠ' (grammatikos)? Name at least two:
Teacher Teacher of the classics Instructor in the rudiments Reader in the Classics Literary lady Secretary Literate
42
Why might Hermione's mummy portrait have 'grammatikos' inscribed on it?
Education was an expensive commodity in the ancient world and having had access to it was an indicator of high status, just the kind of information that family members might want to record of a deceased relative
43
Who was the first ruler of Ptolemaic Egypt, and when did they rule?
Ptolemy “I Soter”, satrap from 323 BC
44
Which person did Ptolemy I utilise to establish his rule?
Association with Alexander: after his death, his body is brought to Memphis and then Alexandria. Usually the successor buries the predecessor, Ptolemy using his body to try and claim rule
45
What does Diodorus Siculus say on Ptolemy I?
“Ptolemy took over Egypt without difficulty and was treating the inhabitants with kindness” “He began to collect mercenaries and to form an army”
46
How do the Demotic and Greek dating systems differ?
In the Demotic dating system, they take year 1 of Ptolemy I's reign as his confirmation of pharaoh, whereas Greek dating systems begin year 1 as the death of Alexander
47
How does Ptolemy I's coinage change after his confirmation as Satrap?
Less usage of Alexander, shift away from reliance on previous ruler to establish his hegemony. More Greco-Roman motifs, less indigenous iconography
48
What is the only inscription we looked at in this course, and what theme was it on?
Education. Late antique (first half of the third century): **poetic dipinto** (notes from a teacher to his students) from wall in a schoolroom, **Trimithis** (Amheida).
49
What can the physical evidence surrounding the inscription tell us?
Seems to have been benches around this room, writing was quite small, so a minimal number of students. 5 columns of writing recovered: elegiac couplets etc.
50
Was there widespread schooling in Roman Egypt?
Generally a private business in Egypt, not related to the state Private individuals either paying for a school, hiring a teacher, or teaching at home
51
What is the name of the temple complex we looked at?
Dendera
52
What changed under the Romans that affected Egyptian religion?
A lot of **temple land was confiscated** under the Romans, this weakens indigenous priesthood and their standing within the community, making the **priesthood much more dependent on imperial munificence**
53
What was the Gnomon of the Idios Logos?
Private account, inherited from Ptolemaic rule. A lot about personal status, priesthood and the temples - highly regulated by the Romans (originated from the Augustan period and subsequently adapted, esp. in the second century) looks at **regulating and controlling priesthood/temples** etc.
54
What does the Gnomon of the Idios Logos aim to do?
Regulate and control priesthood, temples, etc.
55
What is a key marker of the Roman rule of Egypt in the religious landscape?
Imperial ideology inserted into the religious landscape, evidenced by the Dendera Temple complex. Roman emperors as pharaohs...
56
What in the Dendera temple complex is a key sign of the religious diversity of Roman Egypt?
Carvings of Trajan and Domitian in Hathor Temple alongside depictions of Cleopatra and other Ptolemaic rulers; temple was rebuilt multiple times, including under the Ptolemies and Romans
57
What artefact at Dendera was re-dated?
Dendera zodiac relief dated to New Kingdom period (previously dated to Tiberius)
58
What 3 things as Dendera are good examples of the Romanisation of Egypt?
1. Roman mammisi dating to Trajan/Marcus Aurelius; includes numerous reliefs of Trajan as Pharaoh making offerings to Egyptian gods 2. New discovery: limestone sphinx potentially in the guise of Claudius 3. Lots of Roman buildings, both in style and date
59
Why is Dendera significant?
Due to its massive size, the structures throughout the complex were constructed over many eras, such as the Middle Kingdom, the Ptolemaic Era, and the period characterised by Roman provincial rule.
60
What is the oldest extant building at Dendera?
The earliest extant (surviving) building in the compound today is the **mammisi** raised by Nectanebo II – last of the native pharaohs (**360–343 BC**).
61
How old is the site of Dendera?
There is evidence that there was an even earlier building on this site, circa **2250 B.C.E**., which could have begun during the reign of Pepi I and completed during the reign of his son, Merenre Nemtyemsaf I. Evidence also exists of a temple in the Eighteenth Dynasty (ca. **1500 BC**).