Indonesian Architecture Flashcards

(51 cards)

1
Q

Indonesians refer to their homeland as

A

Tanah Air Kita, which means “Our
country Land and Water.”

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2
Q

This refers to its geographical makeup consisting of

A

18,307 islands

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3
Q

The total land mass is

A

1.91 million square kilometers

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4
Q

Materials:

A

Brick
Timber/Hardwood/Worok wood
Sugar pal leaves
Coconut Trunk Bamboo
Alang alang Grass
Rice Straw
Coconut Fiber

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5
Q

average temperatures

A

coastal plains : 28°C inland
mountain areas : 26°C
higher mountain areas: 23°C

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6
Q

average relative humidity

A

70% and 90%, with a minimum of 73%
and a maximum of 87%.

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7
Q

The government of Indonesia officially recognizes
only six religions,

A

Modernist Islam, Traditional
Islam, Protestantism, Catholicism, Hinduism and
Buddhism.

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8
Q

influence

A

China, India, Middle eastern, European

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9
Q

first thought as protection against tropical
diseases coming from tropical air, years later the
Dutch learnt to adapt their architectural style with
local building features (long eaves, verandahs,
porticos, large windows and ventilation openings)

A

Row houses, canals and enclosed solid walls

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10
Q

Religious structures large and
sophisticated, tower-like structures
- built in lava during the peak of Indonesla’s Great
Hindu-Buddhist

A

Candi

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11
Q

earliest surviving Hindu temples in lava

A

Dieng Plateau

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12
Q

small and relatively plain
But architecture developed substantially and just
100 years later the second

A

Dieng Structures

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13
Q

which in Hindu-Buddhist
mythology is identified as the residence of the
gods.

A

Mount Meru

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14
Q
  • a World Heritage site
  • built by the Sallendra
    Dynasty between 750 and 850 AD, but it was
    abandoned shortly after its completion as a result
    of the decline of Buddhism and a shift of power to
    eastern
A

Buddhist monument, Borobudur

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15
Q

contains a vast number of
Intricate carvings that tell a story as one moves
through to the upper levels, metaphorically
reaching enlightenment.

A

Java

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16
Q

The use of bricks in Indonesia’s Classical Era
-mastered by the Majapahit builders, using a mortar of vine sap and palm sugar

A

Majahapit Era

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17
Q

have a strong geometrical quality with a sense
of verticality achleved through the use of
numerous horizontal lines often with an almost
art-deco sense of streamlining and proportion

A

Temples of Majapahit

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18
Q

had become the dominant religion in Java
and Sumatra, Indonesia’s two most populous
islands;

A

Islam

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19
Q

took many design cues from
Hindu, Buddhist, and even Chinese architectural
Influences
- lacked, for example, the ublquitous Islamic
dome which did not appear in Indonesia until the
19th century.

A

Javanese Mosques

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20
Q

the oldest mosque In Java that
survives through time

A

Gala Mosque, Tembayat

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21
Q

which consists of the 18th century
remnants other Muslim rule.

22
Q

one of the Seven Wonders of the
World. The site consists of the Hindu-Buddhist
temple of 19th century

23
Q

is also one of the cultural sites of
Indonesia as it consists of a number of museums
and markets which are dedicated to indigenous
art and crafts.

24
Q

which is a water castle used by the
kings and queens for bathing and
relaxation.

25
includes the boat-shaped jabu homes of the Toba Batak people, with dominating carved gables and dramatic oversized roof, and is based on an ancient model.
Batak architecture
26
builds the rumah gadang, distinctive for their multiple gables with dramatically upsweeping ridge ends.
Minangkabau of West Sumatra
27
Malay traditional houses built on stilts of Sumatra, Borneo and Malay Borneo and Malay Peninsula.
Rumah Melayu Malay
28
is characterized by villages built on stilts over waterways.
Riau region
29
with their steeply pitched roofs, is the large homes of Banjarese royalty and aristocrats in South Kalimantan.
Bubungan Tinggi
30
build lumbung, pile-built bonnet-roofed rice barns, that are often more distinctive and elaborate than their houses.
The Sasak people of Lombok
31
are renowned for their tongkonan, houses built on piles and dwarfed by massive exaggerated-pitch saddle roofs.
Toraja of the Sulawesi highlands
32
have distinctive thatched "high hat" roofs and are wrapped wrapped with sheltered verandahs.
Rumah adat on Sumba
33
traditionally live in small family compounds composed of several circular huts known as honay with thatched dome roofs.
Papua Dani
34
architecture of the various kingdoms and realms of indonesia
Istana (or "Palace")
35
a three-storey version of the Minangkabau
Pagaruyung Palace
36
known as the Keraton (also spelled kraton or karaton), is a grand complex that was meticulously planned to reflect the Javanese cosmos.
The palace of Yogyakarta
37
an enlarged version of the homes in the village
The omo sebua ("chief's house")
38
serves as a residence, a hall for family meetings, and for ceremonial activities. The rumah gadang is owned by the women of the family who live there - ownership is passed from mother to daughter.
rumah gadang
39
reflects an aristocratic and hierarchical social structure, with the house containing anjuang (raised floors) at each end to permit elevated seating of clan leaders during
koto piliang design
40
reflects a democratic social structure, with the floors being flat and on one level.
bodi caniago
41
a traditional vernacular house of Javanese people.
Joglo
42
Two parts of Joglo
Pendopo and Dalem
43
the front section of Joglo that have large roofed space with columns and without wall or partition.
Pendopo
44
the inner sections with walled enclosure and rooms such as bedroom and kitchen.
Dalem
45
Acehnese traditional houses This custom home- type houses on stilts with 3 main sections and an additional parts
Rumoh Aceh
46
Three main parts of Aceh:
1. home seuramoe keuë (front porch) 2. sevramoëTeungoh (central foyer) 3. sevramoe likot (back porch)
47
The shape and layout of the house type and type Gomo Moro.
"Omo Niha"
48
ovals shape diagram.
Moro
49
schematics Is square, but contain curves
Gomo
50
is of particular note with one of the largest remaining collections of 1920s Art-Deco buildings in the world with the notable work of several Dutch architects and planners,
Bandung
51
The central image in Toba Batak art, a supernatural creature whose likeness protects individuals, homes, and communities from malevolent supernatural forces.
Singa