IP Flashcards

(90 cards)

1
Q

Utility Patent Requirements

A

Novel, non-obvious, useful

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2
Q

Design Patent Requirements

A

Novel, non-obvious, ornamental

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3
Q

Utility Patent Duration

A

20 years

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4
Q

Design Patent Duration

A

15 years

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5
Q

What can be a Utility Patent?

A

An invention or discovery of any new and useful process, machine, manufacture, or composition of matter, or any new and useful improvement thereof.

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6
Q

PHOSITA

A

Person Having Ordinary Skill in the Art

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7
Q

The Formal Requirements for Patentability

A

Must adequately describe the invention to enable PHOSITA to accomplish the patent claims (understand and replicate it)

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8
Q

Substantive Requirements for Patentability

A

Must be patentable subject matter that is Novel, non-obvious and useful/ornamental.

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9
Q

Non-Patentable Subject Matter

A

Laws of Nature, Physical/Natural Phenomena, Abstract Ideas

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10
Q

When would progress best be facilitated by precluding patent protection?

A

When discoveries are fundamental building blocks of science, medicine, mathematics, etc.

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11
Q

Two Step Test for Patent Eligibility

A

Step 1: Is the invention, as claimed, directed to one of the three patent-ineligible categories (i.e., a law of nature, physical/natural phenomenon, or abstract idea)?
If NO, the claim is ELIGIBLE for patenting.
If YES, proceed to STEP 2.

Step 2: Does the claimed invention reflect an inventive concept—i.e., do the claims contain an element or combination of elements that amounts to
significantly more than a patent upon the ineligible concept itself?
If NO, the claim is NOT ELIGIBLE for patenting.
If YES, the claim is ELIGIBLE for patenting.

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12
Q

Mayo Collaborative v. Prometheus Labs

A

A natural law or natural phenomena must be sufficiently added upon or transformed in order to make an idea, formula, mechanism, or test, patentable.

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13
Q

Alice Corp v. CLS Bank

A

An abstract idea is patentable only if the balance of the claim adds something significant to the idea in that it transforms the idea to a new and useful end.

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14
Q

Utility / Useful

A

An invention is useful only if discloses a way of producing something with an actual existing use. An invention is useful under 35 U.S.C. §101 as long as it confers some benefit, a low threshold to meet.

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15
Q

Novel / Novelty

A

The “novelty” requirement provides that patents can only protect new inventions. If something is already publicly known, it cannot be patented

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16
Q

Titanium Metals Corp v. Banner

A

Discovering new properties and features of an anticipated product does not render that product patentable.

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17
Q

Patent Priority

A

Only the first inventor to file a patent application for an invention can patent the invention

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18
Q

Non-obviousness

A

A patent for a claimed invention may not be obtained . . . if the differences between the claimed invention and the prior art are such that the claimed invention as a whole would have been obvious before the effective filing date of the claimed invention to a PHOSITA to which the claimed invention pertains.

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19
Q

Indirect Patent Infringement

A

Patent owners can sue not only people who infringe their patents, but also people who enable infringement of their patents.

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20
Q

Literal Patent Infringement

A

The defendant copied every element of a patent claim.

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21
Q

Nonliteral Patent Infringement

A

The defendant effectively infringed a patent claim, even though the defendant did not literally infringe

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22
Q

Doctrine of Equivalents

A

A patent claim is infringed if the defendant’s use is equivalent to the plaintiff’s claim.

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23
Q

Laws of Nature

A

Laws of nature are scientific explanations of physical or natural phenomena. Not Patentable.

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24
Q

Physical/Natural Phenomena

A

If a substance is found in nature, it is not patentable

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25
Abstract Ideas
Not patentable, unless there is a sufficiently concrete application of that concept to create something, novel, useful, and nonobvious.
26
Consequentialist Theory of Intellectual Property
IP is justified because it produces good outcomes. Some utilitarian, some economic.
27
Moral Theories of Intellectual Property
Lockean “labor” theory (natural rights to fruits of labor) and the Kantian and Hegelian “personhood” theories (people need control over certain products of their will, personality and freedom to realize their personhood).
28
Misappropriation
The acquisition, disclosure, or use of a trade secret by “improper means.”
29
International News Service v. Associated Press
A quasi-property right exists in published news such that appropriating the published news gathered by another for further commercial purposes constitutes unfair competition in trade.
30
Trade Secret
Economically valuable information that is only valuable because it is a secret, and the owner tries to keep it a secret.
31
Trade Secret Duration
Perpetual, as long as it remains a secret.
32
Cemen Tech Inc. v. Three D Industries
Misappropriation occurred when Three D hired formed Cemen employees who knew trade secrets and used them to make a prototype of Cemen's Tech mixer.
33
duPont deNemours & Co. v. Christopher
There does not need to be a trespass, illegal conduct, or breach of a confidential relationship for an appropriation of trade secrets to be wrongful. The discovery of trade secrets by any improper means is wrongful and constitutes a cause of action.
34
Misappropriation of Trade Secret Remedies
A trade secret owner who wins a misappropriation action may obtain an injunction, compensatory damages, reasonable royalties, punitive damages, and attorney’s fees
35
Copyright
Protects “original works of authorship fixed in any tangible medium of expression."
36
8 Categories of Authorship Protected by Copyright
1. literary works 2. musical works 3. dramatic works 4. pantomimes and choreographic works 5. pictorial, graphic, and sculptural works 6. motion pictures and other audiovisual works 7. sound recordings 8. architectural
37
"Original" Work in Copyright
A work of authorship is “original” only if it is “independently created” by the author of the work and reflects some minimal degree of “creativity.”
38
Feist v. Rural
To be granted copyright protection, works must be original, meaning that they entail some minimal degree of creativity.
39
The Idea-Expression Dichotomy in Copyright
Courts have universally held that copyright can only protect particular expressions of an idea, not the idea itself.
40
Nichols v. Universal Pictures Corp
General ideas or themes in a work cannot be copyrighted.
41
Fixation in Copyright
Copyright can only protect works of authorship that are “fixed in a tangible medium of expression.” Almost any record of a work of authorship counts as fixation, no matter how ephemeral. Writing on a piece of paper, taking a photograph, and recording a sound are all fixation. But so is writing on a chalkboard or drawing in the sand.
42
Copyright Ownership
The initial owners of the copyright in a work of authorship are the people who created the work, unless those people created the work for their employer, in which case the employer is the initial owner of the work. If copyright vests in multiple authors, those authors are joint owners of the work.
43
Copyright Duration
Life of the author plus 70 years
44
Copyright Duration for Joint Authors
For the life of the last surviving author plus 70 years.
45
Work Made for Hire
The Copyright Act provides that a “work made for hire” is “a work prepared by an employee within the scope of his or her employment."
46
Community for Creative Non-Violence v. Reid
The Supreme Court held that a person is a copyright employee if they are an employee for the purpose of federal agency law and concluded that Reid was not an employee. Accordingly, Third World America was not a work made for hire but could be a joint work.
47
Work Made for Hire Copyright Duration
95 years from the year of its first publication, or a term of 120 years from the year of its creation, whichever expires first.
48
The Exclusive Rights of Copyright Owners
1. Reproduction: The right to make copies of the work 2. Adaptation: The right to make derivative works based on the work. 3. Distribution: The right to distribute the work to the public. 4. Performance: The right to perform the work to the public. 5. Display: The right to display the work to the public.
49
Transfer of Copyright Ownership
Copyright owners can sell or license some or all of their exclusive rights in their works, essentially in any way they choose
50
Reproduction Rights for Copyright
The reproduction right gives copyright owners the exclusive right to create copies of their works of authorship.
51
Adaptation Rights
The adaptation right gives copyright owners the exclusive right to create “derivative works” based on their works of authorship
52
Distribution Right
The distribution right gives copyright owners the exclusive right to distribute copies of their works of authorship to the public.
53
The First Sale Doctrine
Doctrine limits the distribution right by providing that “the owner of a particular copy or phonorecord lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord.
54
Compulsory Licenses
Provides that a person can create and distribute a sound recording of a copyrighted musical work without the permission of the copyright owner, by providing notice and paying a low statutory fee per copy distributed. Think cover songs.
55
The Performance & Display Rights
Give copyright owners the exclusive right to perform or display their works of authorship to the public.
56
What is meant by "public" in Performance and Display rights for Copyright?
To perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered.
57
Proving Copyright Infringement
A copyright owner must show “actual copying” and “improper appropriation.”
58
Actual Copying
Defendants are liable for copyright infringement only if they actually copied the original work and are not liable if they created a similar or identical work independently. Usually uses circumstantial evidence to show the defendant had access to the original work and they are sufficiently similar to permit an inference of actual copying.
59
Is Copyright Infringement a "strict liability" offense?
Yes.
60
Bright Tunes Music Corp. v. Harrisongs Music, Ltd
He's So Fine song. The court found that Harrison did not deliberately or consciously copy He’s So Fine, but still found actual copying, concluding that Harrison unconsciously copied He’s So Fine.
61
Improper Appropriation
Copyright owners also must prove “improper appropriation,” by showing that the original and the copy are “substantially similar” because the defendant copied protected elements of the original. Copying a small part of a work (de minimis copying) may not be infringing, if it doesn’t make the original and the copy substantially similar. Likewise, copying an idea or expression of fact from a work may not be infringing.
62
Merger Doctrine
When a fact can only be expressed in a limited number of ways, it will not be seen as copyright infringement.
63
Literal Copying
Literal copying means copying a concrete element or particular expression from the original, creating extrinsic or “objective” similarity between the original and the copy.
64
Nonliteral Copying
Nonliteral copying means copying an abstract element or general quality from the original, creating intrinsic or “subjective” similarity between the original and the copy.
65
Statute of Limitations for Copyright Infringement
Three years for civil infringement actions, and five years for criminal infringement actions.
66
Fair Use Defense
The fair use doctrine provides that certain prima facie infringing uses of copyrighted works of authorship are not actually infringing, because they are socially beneficial. Includes criticism, commentary, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
67
Four Factors Considered in Fair Use
1. Purpose and Character of the Use - Decision makers consider the uses purpose- is it for commercial or for nonprofit/educational purposes? 2. The Nature of Copyrighted Work - Some works are closer to the core of intended copyright protection than others. How creative is it? 3. Amount and Substantiality of the CR work - Is the amount and substantiality of CR used reasonably in relation to the copying's purpose? 4. The Uses Market Effects ***Most important factor*** Evaluates the impact not only on the market for the copyrighted work, but also the market for derivative works based on the copyrighted work.
68
Campbell v. Acuff-Rose Music, Inc (Pretty Woman Song Parody)
The Supreme Court held that it could be a transformative fair use because it commented on and criticized the original. The Court also observed that while substantial copying is necessary to create a parody, a parody is not a substitute for the original.
69
Remedies for Copyright Infringement
If a copyright owner wins an infringement action, the court can provide an injunction, damages, or both. Also, potential recovery of attorney's fees.
70
Trademarks
A trademark is created when a person uses a mark in commerce in relation to goods or services, and consumers associate the mark with the source of the goods or services.
71
Trademark Duration
Indefinite
72
Are Trademarks governed by federal or state Law?
Federal or State Law
73
Trademark Validity (Hierarchy of Marks)
1. Fanciful: A mark that is a “neologism” with no independent meaning, such as “Kodak” for cameras or “Google” for a search engine. 2. Arbitrary: A mark that is unrelated to the product, such as “Apple” for computers or “Amazon” for an online store. 3. Suggestive: A mark that alludes to a quality of the product, such as “Coppertone” for sunscreen or “Greyhound” for a bus line. 4. Descriptive: A mark that identifies a quality of the product, such as “spearmint toothpaste” or “nylon toothbrush.” *TM eligible if secondary meaning acquired* 5. Generic: A mark that identifies the nature of the product, such as “pencil” or “paper.” *not TM eligible*
74
Can Generic TMs provide TM protection?
No.
75
Can Descriptive Marks provide TM protection?
Yes, if they have acquired secondary meaning.
76
Trade Dress
The visual appearance or packaging of a product or its design that signifies the source of the product to consumers.
77
TM Infringement
Federal and state law prohibit the unauthorized use of both registered and unregistered trademarks if it is likely to cause confusion.
78
TM Likelihood of Confusion Factors
1. The strength of the plaintiff’s mark 2. The proximity or relatedness of plaintiff’s and defendant’s goods 3. The similarity of plaintiff’s and defendant’s marks 4. Evidence of actual confusion 5. Convergence of marketing channels 6. The degree of care customers are likely to use when purchasing goods of the type in question 7. The intent of the defendant in selecting the mark 8. The likelihood the parties will expand their business lines and compete with each other These factors are looked at wholistically and weighed against each other when determining if confusion is likely.
79
Kellogg Co. v. Toucan Golf, Inc.,
While the court found that Toucan Sam is a “very strong” trademark, it dismissed Kellogg’s complaint because it found no risk of consumer confusion. The court observed that Kellogg and Toucan Golf sell totally unrelated products, and their trademarks are similar only because they both consist of a drawing of a toucan.
80
TM Dilution
The Lanham Act authorizes the owners of “famous” trademarks to sue for “dilution,” which includes “blurring” and “tarnishment.”
81
TM Nominative Use
Permits the unauthorized use of a trademark when it is unlikely to cause consumer confusion.
82
Smith v. Chanel, Inc.
A manufacturer who copies an unpatented but trademarked product can use the trademark in advertising to identify the copied product. (Nominative Use)
83
Are Rights to Privacy and Right of Publicity governed by State or Federal law?
State law.
84
Right to Privacy
The right to privacy typically authorized people to prevent the disclosure of certain kinds of facts about themselves, as well as the use of their name and likeness.
85
Pavesich v. New England Life Insurance
The court specifically observed that the commercial use of a person’s name or likeness without their permission was not protected free speech.
86
Right of Publicicty
Enables celebrities to license the use of their names and licenses, because they could prevent unauthorized use.
87
Haelan Laboratories v. Topps Chewing Gum
The court held that the players could transfer their right to privacy and referred to this transferrable right as the “right of publicity.”
88
Midler v. Ford Motor Co.
The court held that Ford infringed Midler’s right of publicity by causing consumers to believe that Midler had performed the song used in the ad.
89
Is copyright governed by federal or state law?
Federal Law
90
Are patents governed by federal or state law?
Federal Law