Isabella AO1/AO5 Pairs Flashcards

(4 cards)

1
Q

• In this scene, Isabella pleads with Angelo to stop Claudio’s execution
• She repeats to Angelo that her chastity is worth more than her brother’s life
Analysis
• Isabella emphasises the value of her chastity in an emphatic sentence which places the words “live” and “chaste” beside each other
• This line comments on the power and influence Isabella gains by her virtuous sexuality
• The oxymoronic comparison of “live” and “die” signifies her belief that her chastity is equivalent to life:
• This highlights the limited autonomy of Jacobean women

Quote + 2 named criticisms of Isabella’s valuation of chastity

A

AO2: “Live chaste, and brother die/ More than our brother is our chastity” (2,4)

AO5: “More than our brother is our chastity is a formal statement of belief rather than an inner revelation of feeling” (Emma Smith, 2010?)

AO5: Isabella’s preoccupation with her chastity shows “spiritual arrogance” (Darryl Gless, 1945-2015)

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2
Q

Isabella on Claudio’s mental state in (2,2), using ingenious ‘reason and discourse’ to plead his case

Critic picking up on Isabella’s assimilation of the Duke’s watchful qualities

A

“He’s not prepared for death. Even for our kitchens/ We kill the fowl of season; shall we serve heaven/ With less respect than we do minster/ To our gross selves

Stephenson identifies that Isabella is “the panoptic guard; it is she who watches the Duke, the Duke who capitulates under the female gaze”

She also suggests that “it is Isabella who becomes the voyeur” (in 5,1)

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3
Q

Isabella commenting on Angelo’s virtuous outward appearance against the grimy reality of his inward corruption and licentiousness

A

“Seeming, seeming!/ I will proclaim thee, Angelo, look for ‘t”

Irene McGarrity vituperatively puts forward that Isabella “is holding a hollow sculpture of virtue to hide inside of” (Irene McGarrity)

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4
Q

Isabella (perceptibly) slightly alters her position on Angelo, presenting his hypocrisy/ sin as a mercurial, one-off event. In support of Mariana, who pleads against Angelo’s death in (5,1)

A

“I partly think/ A due sincerity governed his deeds/Till he did look on me”

Kent Lanowski: “Isabella wanted Angelo dead, and justly so. However, if she ever desires mercy upon her brother, she must experience a conversion to mercy in her own heart, a conversion that extends mercy to her enemies”

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