J&K Flashcards

(36 cards)

1
Q

2 sides of humanity

A

Man is not truly one but truly two

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2
Q

Jekylls manifestation of deeper desires

A

My devil had long been caged, he came out roaring

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3
Q

Jekyll being naive

A

The moment I chose, I can be rid of Mr Hyde

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4
Q

Jekyll let his desires overpower him

A

The powers of Hyde seemed to have grown with the sickness of jekyll

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5
Q

Jekyll being guilt ridden

A

It was the horror of Hyde that racked me

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6
Q

Jekyll’s image to society

A

Intelligent and reputable

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7
Q

jekylls ambition

A

The temptation of a discovery so singular and profound at last overcame the suggestions of alarm

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8
Q

Uttersons serious nature

A

A man of rugged countenance that was never lighted by a smile

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9
Q

Utterson isn’t judgemental and tolerant to all people

A

Inclined to help rather than to reprove

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10
Q

Utterson is reluctant but loyal

A

Utterson heaved an irrepressible sigh “well” said he “I promised”

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11
Q

Utterson is persistent

A

If he be Mr Hyde then I shall be mr seek

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12
Q

Dr lanyon is open

A

Welcomed with both arms open

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13
Q

Dr lanyon is faithful to his friendships

A

You an I must be the 2 oldest friends that Henry Jekyll has

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14
Q

Dr lanyons reaction to dr Jekylls transformation, he was deeply affected

A

The rosy man had grown pale; his flesh had fallen away and was visibly balder and older

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15
Q

hydes similarity to a force

A

It wasn’t like a man it was like a damned jaggarnaut

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16
Q

Hyde is animalistic

A

With ape like fury he was trampling his victim underfoot

17
Q

Hyde is fiery

A

He broke out in a great flame of anger

18
Q

utterson’s character in familial terms in chapter 1

A

i am inclined to Cain’s heresy

19
Q

Hyde is demonic

A

If I ever read satans signature upon a face it is on that of your new friend

20
Q

hyde does things on impulse

A

“ape like fury”, darwin context of devolving

21
Q

whenever hyde is about to do evil things nature appears

A

“the fog rolled over the city”, in gothic genre weather is used as a weapon and an extra character that is a reflection of hyde (form). when hyde gets more evil then the fog gets thicker

22
Q

feel sympathy for jekyll to try and control hyde, idea of bad being presented as good

A

the animal within me licking the chops of memory, the animal is hyde, hyde is struggling to be himself and jeklyll is struggling to control him, almost saying evilness is satisfying with “licking”, almost presents evil as being a good thing

23
Q

class divide in society, the divide between rich and poor is big and can be seen very clearly

A

“like a fire in a forest”, the fire stands out in a forest and eventually consumes the area around it, simile and juxtaposition

24
Q

vile side of human nature that can be seen from hyde

A

“tramples calmly”, behaviour reveals his evil nature, he attacks the weakest of society and how the disgusting side of human nature that we have to prey on the weakest, this shows his lack of remorse.

25
how does jekyll embody duality
he separates his moral and immoral sides through science and creates hyde, "man is not truly one but truly two"
26
how does hyde embody duality
represents jekylls repressed desires - the violent and primatial side that exists beneath jekylls civilised exterior
27
what is the perspective of the novel?
1. Framed Narrative / Multiple Narrators Feature: The story is told through a non-linear, framed structure with multiple perspectives (e.g. Utterson, Lanyon, Jekyll's confession). Analysis: This fragmented narrative mirrors the fragmented identity of Jekyll and Hyde. Link to Theme: Duality of man — each narrator presents only part of the truth, reflecting the incomplete understanding humans have of themselves and others. High-level idea: The concealment and revelation of key information mimic the Victorian tendency to hide inner desires.
28
what is the overall structure of the novel
3. Cyclical Structure Feature: The novella opens and ends with letters and legal documents. Analysis: This creates a sense of inescapability and fate, suggesting that the truth must eventually be confronted. Link to Theme: Consequences of unchecked ambition — Jekyll’s experiment begins as a secret and ends in written confession and suicide. Sophisticated point: The return to documents highlights the dominance of rationality and the law — things that Hyde (and Jekyll’s desires) seek to defy.
29
the overall structure of the novel
4. Structural Juxtaposition Feature: Stevenson contrasts settings and events — e.g., respectable Jekyll's house vs. the rundown laboratory, or the calm city vs. Hyde’s violence. Analysis: These juxtapositions physically represent the duality within characters and society. Link to Theme: Good vs evil, urban gothic — the contrast between order and chaos, civility and savagery. Grade 9 insight: Juxtaposition isn't just physical — it reflects moral and psychological conflicts rooted in every individual.
30
whats the detective style shift?
5. Shift from Mystery to Confession Feature: The first half reads as a detective mystery, while the ending is a confession/explanation. Analysis: The genre shift mirrors the transition from external investigation to internal exploration. Link to Theme: Science vs religion, identity — Jekyll’s scientific explanation contrasts with the moral implications of his actions. Top-tier point: This structural shift mirrors the Victorian anxiety about science revealing dark, hidden truths about human nature.
31
significance of lanyon's narrative
6. Climactic Placement of Lanyon’s Narrative Feature: Lanyon’s letter appears just before Jekyll’s full confession. Analysis: Placing Lanyon’s account before Jekyll’s confession bridges the rational and irrational. Link to Theme: The limits of science — Lanyon, a man of science, is destroyed by what he sees, showing that some truths are too much for reason. Grade 9 twist: Lanyon’s collapse prefigures Jekyll’s — both are ruined by exposure to the hidden self.
32
the significance of a gothic genre
Gothic Genre Feature: Uses typical Gothic conventions: dark settings, mystery, the supernatural, and madness. Analysis: Gothic form allows Stevenson to explore taboo ideas indirectly — such as repressed desires, the monstrous self, and moral decay. Theme Link: Repression & the nature of evil — the Gothic allows Stevenson to disguise psychological horror as external terror. Grade 9 Point: The Gothic mode gives physical form to inner evil — Hyde is Jekyll’s inner corruption made visible.
33
significance of documents and letters etc
Epistolary Elements (Letters, Statements, Documents) Feature: Parts of the novella are told through written documents (e.g. Lanyon’s narrative, Jekyll’s confession). Analysis: The use of documents adds realism and layers of perspective, but also creates emotional distance. Theme Link: Secrecy & repression — characters choose to write rather than speak, suggesting that the truth is too dangerous to tell aloud. Grade 9 Insight: The form shows how Victorian society preferred to contain and control dangerous knowledge — even confession is locked in a drawer.
34
context theories to identify criminals
🧬 Phrenology and Degeneration Theory Context: Phrenology was the belief that criminal or immoral traits could be detected by skull shape. Degeneration theory (by Lombroso) claimed that criminals were “less evolved.” Link to Theme: Evil, identity, science vs morality How to use: Hyde’s “troglodytic” appearance reflects the fear that evil is physically visible and biologically inherited — suggesting Stevenson critiques pseudoscientific attempts to “locate” evil in the body. Grade 9 insight: Stevenson complicates this idea by making Hyde a product of Jekyll’s respectable mind, not biology — evil is internal, not visible.
35
context for Urban Anonymity in Victorian London
Context: London’s rapid growth created urban environments where people could hide their identities, leading to fears of moral decay in the city. Link to Theme: Repression, secrecy, duality How to use: Hyde thrives in a city where no one knows who you are — he can vanish into the fog, just like people’s hidden desires. Grade 9 twist: The city itself becomes a metaphor for the hidden compartments of the mind — what you present publicly vs what you do in secret.
36