Jack Flashcards

(21 cards)

1
Q

how is Jack presented in lotf?

A
  • arrogant
  • vain
  • immature
  • egomaniac
  • cruel
  • narcissistic
  • antagonist
  • manipulative
  • impulsive
  • power-hungry
  • controlling
  • violent
  • sadistic
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1
Q

potential exam questions for Jack

A
  • examine the presentation of Jack
  • examine the relationship between Jack and Ralph
  • examine the presentation of how Jack changes
  • how does Golding use Jack to present evil within human nature?
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2
Q

beginning quotes for Jack

A

'’I ought to be chief’’ said Jack with simple arrogance’ (ch.1)

‘the freckles on Jack’s face disappeared under a blush of mortification’ (ch.1)

‘for a minute became less a hunter than a furtive thing, ape-like’ (ch.3)

‘the madness came into his eyes again’ (ch.3)

‘he looked in astonishment, no longer at himself but at an awesome stranger’ (ch.4)

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3
Q

middle quotes for Jack

A

'’Serve you right if something did get you, you useless lot of cry-babies’’ (ch.5)

‘The words came from Jack viciously, as though they were a curse’ (ch.7)

‘He looked at Ralph, his thin body tensed, his spear held as if he threatened him’ (ch.7)

'’He isn’t a proper chief’’ (ch.8)

‘The humiliating tears were running from the corner of each eye’ (ch.8)

‘He was safe from shame or self-consciousness behind the mask of his paint’ (ch.8)

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4
Q

end quotes for Jack

A

‘The chief’s blush was hidden by the white and red clay’ (ch.10)

‘He was a chief now in truth’ (ch.10)

'’This is my end and my tribe’’ (ch.11)

‘A little boy’ (ch.12)

‘changed his mind and stood still’ (ch.12)

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5
Q

'’I ought to be chief’’ said Jack with simple arrogance’ (ch.1)

A
  • Jack is entitled and confident
  • Jack believes that leadership is earned by right
  • foreshadows the struggle for power later in the novel
  • highlights the beginning of the conflict between Ralph and Jack
  • the dialogue is short and assertive with no hesitation
  • the description of ‘simple arrogance’ suggests Jack’s arrogance is innate and he does not recognize how arrogant he is - this is dangerous
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6
Q

‘the freckles on Jack’s face disappeared under a blush of mortification’ (ch.1)

A
  • Jack has intense embarrassment
  • he feels deep shame and humiliation and this hurts his sense of pride
  • suggests Jack’s desire for power is linked to his sense of self-worth
  • shows how Jack is unable to accept failure and this fuels his desire for revenge and dominance
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7
Q

‘for a minute became less a hunter than a furtive thing, ape-like’ (ch.3)

A

-‘less a hunter’ dehumanizes Jack and makes him seem primitive and animalistic
- ‘a furtive thing’ makes Jack seem predatory and suggests that Jack is losing his identity and becoming dangerous
- ‘ape-like’ suggests Jack is in a state of devolution and regression from a human to a primitive creature

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8
Q

‘the madness came into his eyes again’ (ch.3)

A
  • ‘the madness’ has connotations of violence, irrationality and loss of reason
  • ‘again’ makes the reader aware that this a recurring event, and Jack is often taken over by this ‘madness’
  • shows Jack’s descent from civilisation into savagery
  • Jack’s ‘madness’ is a symptom of him rejecting the rules and morals of society
  • this reflects how the boys are losing their innocence and embracing violent instincts
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9
Q

‘he looked in astonishment, no longer at himself but at an awesome stranger’ (ch.4)

A
  • ‘he looked in astonishment’ suggests that Jack is in awe of what he sees; a powerful and unexpected appearance
  • ‘no longer at himself’ implies that the mask disconnects him from his real identity
  • ‘awesome stranger’ shows how Jack is alienated from his old identity, and is proud of his new appearance
  • the mask allows Jack to become more savage and less human
  • the mask provides Jack with anonymity and allows him to act immorally without shame and guilt
  • this is the beginning of Jack’s transformation into a sadistic leader
  • the mask becomes a symbol of tribalism, violence and chaos
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10
Q

'’Serve you right if something did get you, you useless lot of cry-babies’’ (ch.5)

A
  • ‘Serve you right’ has a hostile tone as Jack scorns the littluns for being afraid
  • the use of ‘something’ portrays how Jack refuses to identify the beast, amplifying the littluns fear
  • ‘you useless lot of cry-babies’ conveys how Jack belittles and abuses the littluns as he sees fear as a weakness
  • it becomes clear Jack wants to use leadership to intimidate and control the other boys
  • Jack uses fear to assert power and dominance
  • Jack shows no compassion to the littluns, only contempt
  • Jack weaponises the boys fear to undermine Ralph’s leadership
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11
Q

‘The words came from Jack viciously, as though they were a curse’ (ch.7)

A
  • the adverb ‘viciously’ has a violent and aggressive tone, suggesting Jack attacks the other boys with his words, to hurt them and assert his control
  • the simile ‘as though they were a curse’ suggests that his language is destructive and harmful, and highlights how poisonous his speech has become, so he can destroy the other boys
  • this highlights Jack’s cruelty and his desire to assert his power over others
  • this also portrays how Jack is no longer attempting to maintain his emotions, and is letting his anger and impatience take over his actions and words
  • this has also corrupted his moral compass
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12
Q

‘He looked at Ralph, his thin body tensed, his spear held as if he threatened him’ (ch.7)

A
  • ‘He looked at Ralph’ displays how Jack and Ralph’s relationship has come to its climax, and is filled with hostility and tension
  • the description of Jack’s ‘thin body tensed’ implies that Jack is preparing to fight with Ralph, however the adjective ‘thin’ suggesting that Jack still has a level of vulnerability due to his young age
  • the ‘spear’ is a symbol of Jack’s savagery and violence, and by holding it like a threat, Jack aims to assert his physical dominance over Ralph
  • this moment marks Jack’s increasing authoritarianism
  • Jack’s body language and tension conveys how Jack has become a product of his environment, and marks his descent into being dangerous and animalistic
  • Jack’s use of the spear emphasises his battle against democracy and civilisation as he conflicts with Ralph
  • the spear also shows how Jack is willing to use force to take absolute control of the island and the boys
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13
Q

'’He isn’t a proper chief’’ (ch.8)

A
  • the adjective ‘proper’ suggests that Jack believes that a good chief is someone who embodies strength, dominance and maybe even fear
  • Jack values these qualities over democracy and morals
  • Jack’s dialogue reflects a breakdown of the social order of the boys, and his belief that he is superior to Ralph’s rule
  • this presents Jack’s sense of entitlement and rejection of Ralph’s rule completely
  • Jack also rejects the idea of democracy and believes he should be the leader based on his strength and his ego
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14
Q

‘The humiliating tears were running from the corner of each eye’ (ch.8)

A
  • Jack is emotionally vulnerable here and his tears are fueled by anger and frustration
  • the adjective ‘humiliating’ suggests that Jack may feel frustrated that he is not able to control the situation as he is a sadist
  • this demonstrates Jack’s struggle between his desire for power and his immense fear of failure
  • Jack’s tears show that beneath his desire for power, he is still a naive and young boy who is emotionally vulnerable
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15
Q

‘He was safe from shame or self-consciousness behind the mask of his paint’ (ch.8)

A
  • ‘the mask of his paint’ acts as a barrier between the boys and their civilised selves; who are now free to act without guilt
  • the paint depersonalises them and gives them a new identity
  • the idea that the boys are ‘safe from shame or self-consciousness’ is critical as it explores how the boys are liberated from their moral inhibitions and are now free to engage in savagery in Jack’s tribe
  • for Jack, the mask is also a tool to escape guilt and morality and provides him with the means to detach from the responsibilities of being a leader
  • the mask also allows Jack and his tribe to dehumanise themselves so they can act without personal responsibility or conscience
  • at this point in the novel, Jack has fully embraced savagery and the mask represents his detachment from civilisation
  • the mask also signifies the loss of individual identity, and collects the boys together as they become part of a tribal collective - this provides the boys with a group mentality and allows them to embrace a more primitive identity
16
Q

‘The chief’s blush was hidden by the white and red clay’ (ch.10)

A
  • the ‘blush’ typically symbolises shame, guilt or self-consciousness
  • Jack’s blush could suggest that he is experiencing internal conflict and could feel guilty about the brutality of Simon’s death
  • this ‘blush’ contrasts with Jack’s previously savage exterior and signifies a moment of human emotion that he attempts to suppress
  • Jack being described as ‘The chief’ also strips him of his identity and appoints him in a position of power over the rest of the boys on the island
  • ‘the white and red clay’ symbolises Jack’s new and savage identity; effectively hiding his feelings and increasing his estrangement from his former self
  • this marks his growing dependence on savagery as a way to assert control and overcome his own insecurities and vulnerabilities
  • the ‘blush’ represents a potential moment of guilt, and suggests Jack is not entirely immune to the emotional impact of the violent acts he has committed - the mask symbolises Jack’s efforts to mask his humanity in order to fulfill his role as a ruthless leader
  • the war paint also allows Jack to fully embrace his violent and authoritative identity
17
Q

‘He was a chief now in truth’ (ch.10)

A
  • ‘in truth’ emphasises how Jack’s position as chief has risen from his desire for power, to his genuine claim of the role of chief, through his actions and control over the group
  • Jack has fully embraced his authority, ruling with a brutal and unyielding grip
  • this is significant as it highlights the nature of his leadership, and his ability to command through fear and force
  • Jack has become a chief through dominance and has attained power through violence and intimidation, rather than mutual respect
  • after Simon’s death, Jack’s control over the tribe becomes absolute and the ruthlessness and killing of Simon has solidified his status as chief - Jack has conquered the boys loyalty through being a tyrant
  • the phrase ‘in truth’ also suggests that Jack feels a sense of vindication and satisfaction, and claiming the title of chief is a personal triumph for him
18
Q

'’This is my end and my tribe’’ (ch.11)

A
  • “This is my end” marks Jack’s recognition of the inevitable outcome of his rule: the destruction of Ralph’s group and the finalisation of his power
  • Jack’s lust for power has ended in the ultimate destruction of the opposite tribe which has resulted in a breakdown of civilisation and the death of morality
  • “my tribe” reflects Jack’s ownership of the situation - his claim implying that he owns it and rules over it by force
  • as Jack declares that this is ‘‘my end’’, he recognises the chaos he has created and his tribe represents the triumph of savagery over civility
  • the tribe marks the loss of identity and humanity of the individual boys who make up the group and suggests how Jack sees them only as extensions of himself
19
Q

‘A little boy’ (ch.12)

A
  • this emphasises the contrast between the innocence and helplessness of the children and the evil creatures they have become
  • the ‘little boy’ is a reminder that they are still children, and underlines how the boys’ descent into violence was unnatural
  • this also highlights the loss of childhood innocence into something darker
  • this perhaps conveys how their time on the island has corrupted them, and they are deeply scarred by their experiences
  • this phrase speaks to the tragic irony in the story: Jack has become savage, however he is still a child
  • the idea of Jack as a ‘little boy’ also might be seen as a symbol of weakness, as the title of chief becomes hollow and meaningless as he is ultimately a child
20
Q

‘changed his mind and stood still’ (ch.12)

A
  • this moment marks a shift in Jack’s behaviour and suggests that the presence of the naval officer reminds him of his moral compass which he once had
  • this also suggests that Jack realises that his rule on the island is over, and he must return to the life he once had