Jack Flashcards
(21 cards)
how is Jack presented in lotf?
- arrogant
- vain
- immature
- egomaniac
- cruel
- narcissistic
- antagonist
- manipulative
- impulsive
- power-hungry
- controlling
- violent
- sadistic
potential exam questions for Jack
- examine the presentation of Jack
- examine the relationship between Jack and Ralph
- examine the presentation of how Jack changes
- how does Golding use Jack to present evil within human nature?
beginning quotes for Jack
'’I ought to be chief’’ said Jack with simple arrogance’ (ch.1)
‘the freckles on Jack’s face disappeared under a blush of mortification’ (ch.1)
‘for a minute became less a hunter than a furtive thing, ape-like’ (ch.3)
‘the madness came into his eyes again’ (ch.3)
‘he looked in astonishment, no longer at himself but at an awesome stranger’ (ch.4)
middle quotes for Jack
'’Serve you right if something did get you, you useless lot of cry-babies’’ (ch.5)
‘The words came from Jack viciously, as though they were a curse’ (ch.7)
‘He looked at Ralph, his thin body tensed, his spear held as if he threatened him’ (ch.7)
'’He isn’t a proper chief’’ (ch.8)
‘The humiliating tears were running from the corner of each eye’ (ch.8)
‘He was safe from shame or self-consciousness behind the mask of his paint’ (ch.8)
end quotes for Jack
‘The chief’s blush was hidden by the white and red clay’ (ch.10)
‘He was a chief now in truth’ (ch.10)
'’This is my end and my tribe’’ (ch.11)
‘A little boy’ (ch.12)
‘changed his mind and stood still’ (ch.12)
'’I ought to be chief’’ said Jack with simple arrogance’ (ch.1)
- Jack is entitled and confident
- Jack believes that leadership is earned by right
- foreshadows the struggle for power later in the novel
- highlights the beginning of the conflict between Ralph and Jack
- the dialogue is short and assertive with no hesitation
- the description of ‘simple arrogance’ suggests Jack’s arrogance is innate and he does not recognize how arrogant he is - this is dangerous
‘the freckles on Jack’s face disappeared under a blush of mortification’ (ch.1)
- Jack has intense embarrassment
- he feels deep shame and humiliation and this hurts his sense of pride
- suggests Jack’s desire for power is linked to his sense of self-worth
- shows how Jack is unable to accept failure and this fuels his desire for revenge and dominance
‘for a minute became less a hunter than a furtive thing, ape-like’ (ch.3)
-‘less a hunter’ dehumanizes Jack and makes him seem primitive and animalistic
- ‘a furtive thing’ makes Jack seem predatory and suggests that Jack is losing his identity and becoming dangerous
- ‘ape-like’ suggests Jack is in a state of devolution and regression from a human to a primitive creature
‘the madness came into his eyes again’ (ch.3)
- ‘the madness’ has connotations of violence, irrationality and loss of reason
- ‘again’ makes the reader aware that this a recurring event, and Jack is often taken over by this ‘madness’
- shows Jack’s descent from civilisation into savagery
- Jack’s ‘madness’ is a symptom of him rejecting the rules and morals of society
- this reflects how the boys are losing their innocence and embracing violent instincts
‘he looked in astonishment, no longer at himself but at an awesome stranger’ (ch.4)
- ‘he looked in astonishment’ suggests that Jack is in awe of what he sees; a powerful and unexpected appearance
- ‘no longer at himself’ implies that the mask disconnects him from his real identity
- ‘awesome stranger’ shows how Jack is alienated from his old identity, and is proud of his new appearance
- the mask allows Jack to become more savage and less human
- the mask provides Jack with anonymity and allows him to act immorally without shame and guilt
- this is the beginning of Jack’s transformation into a sadistic leader
- the mask becomes a symbol of tribalism, violence and chaos
'’Serve you right if something did get you, you useless lot of cry-babies’’ (ch.5)
- ‘Serve you right’ has a hostile tone as Jack scorns the littluns for being afraid
- the use of ‘something’ portrays how Jack refuses to identify the beast, amplifying the littluns fear
- ‘you useless lot of cry-babies’ conveys how Jack belittles and abuses the littluns as he sees fear as a weakness
- it becomes clear Jack wants to use leadership to intimidate and control the other boys
- Jack uses fear to assert power and dominance
- Jack shows no compassion to the littluns, only contempt
- Jack weaponises the boys fear to undermine Ralph’s leadership
‘The words came from Jack viciously, as though they were a curse’ (ch.7)
- the adverb ‘viciously’ has a violent and aggressive tone, suggesting Jack attacks the other boys with his words, to hurt them and assert his control
- the simile ‘as though they were a curse’ suggests that his language is destructive and harmful, and highlights how poisonous his speech has become, so he can destroy the other boys
- this highlights Jack’s cruelty and his desire to assert his power over others
- this also portrays how Jack is no longer attempting to maintain his emotions, and is letting his anger and impatience take over his actions and words
- this has also corrupted his moral compass
‘He looked at Ralph, his thin body tensed, his spear held as if he threatened him’ (ch.7)
- ‘He looked at Ralph’ displays how Jack and Ralph’s relationship has come to its climax, and is filled with hostility and tension
- the description of Jack’s ‘thin body tensed’ implies that Jack is preparing to fight with Ralph, however the adjective ‘thin’ suggesting that Jack still has a level of vulnerability due to his young age
- the ‘spear’ is a symbol of Jack’s savagery and violence, and by holding it like a threat, Jack aims to assert his physical dominance over Ralph
- this moment marks Jack’s increasing authoritarianism
- Jack’s body language and tension conveys how Jack has become a product of his environment, and marks his descent into being dangerous and animalistic
- Jack’s use of the spear emphasises his battle against democracy and civilisation as he conflicts with Ralph
- the spear also shows how Jack is willing to use force to take absolute control of the island and the boys
'’He isn’t a proper chief’’ (ch.8)
- the adjective ‘proper’ suggests that Jack believes that a good chief is someone who embodies strength, dominance and maybe even fear
- Jack values these qualities over democracy and morals
- Jack’s dialogue reflects a breakdown of the social order of the boys, and his belief that he is superior to Ralph’s rule
- this presents Jack’s sense of entitlement and rejection of Ralph’s rule completely
- Jack also rejects the idea of democracy and believes he should be the leader based on his strength and his ego
‘The humiliating tears were running from the corner of each eye’ (ch.8)
- Jack is emotionally vulnerable here and his tears are fueled by anger and frustration
- the adjective ‘humiliating’ suggests that Jack may feel frustrated that he is not able to control the situation as he is a sadist
- this demonstrates Jack’s struggle between his desire for power and his immense fear of failure
- Jack’s tears show that beneath his desire for power, he is still a naive and young boy who is emotionally vulnerable
‘He was safe from shame or self-consciousness behind the mask of his paint’ (ch.8)
- ‘the mask of his paint’ acts as a barrier between the boys and their civilised selves; who are now free to act without guilt
- the paint depersonalises them and gives them a new identity
- the idea that the boys are ‘safe from shame or self-consciousness’ is critical as it explores how the boys are liberated from their moral inhibitions and are now free to engage in savagery in Jack’s tribe
- for Jack, the mask is also a tool to escape guilt and morality and provides him with the means to detach from the responsibilities of being a leader
- the mask also allows Jack and his tribe to dehumanise themselves so they can act without personal responsibility or conscience
- at this point in the novel, Jack has fully embraced savagery and the mask represents his detachment from civilisation
- the mask also signifies the loss of individual identity, and collects the boys together as they become part of a tribal collective - this provides the boys with a group mentality and allows them to embrace a more primitive identity
‘The chief’s blush was hidden by the white and red clay’ (ch.10)
- the ‘blush’ typically symbolises shame, guilt or self-consciousness
- Jack’s blush could suggest that he is experiencing internal conflict and could feel guilty about the brutality of Simon’s death
- this ‘blush’ contrasts with Jack’s previously savage exterior and signifies a moment of human emotion that he attempts to suppress
- Jack being described as ‘The chief’ also strips him of his identity and appoints him in a position of power over the rest of the boys on the island
- ‘the white and red clay’ symbolises Jack’s new and savage identity; effectively hiding his feelings and increasing his estrangement from his former self
- this marks his growing dependence on savagery as a way to assert control and overcome his own insecurities and vulnerabilities
- the ‘blush’ represents a potential moment of guilt, and suggests Jack is not entirely immune to the emotional impact of the violent acts he has committed - the mask symbolises Jack’s efforts to mask his humanity in order to fulfill his role as a ruthless leader
- the war paint also allows Jack to fully embrace his violent and authoritative identity
‘He was a chief now in truth’ (ch.10)
- ‘in truth’ emphasises how Jack’s position as chief has risen from his desire for power, to his genuine claim of the role of chief, through his actions and control over the group
- Jack has fully embraced his authority, ruling with a brutal and unyielding grip
- this is significant as it highlights the nature of his leadership, and his ability to command through fear and force
- Jack has become a chief through dominance and has attained power through violence and intimidation, rather than mutual respect
- after Simon’s death, Jack’s control over the tribe becomes absolute and the ruthlessness and killing of Simon has solidified his status as chief - Jack has conquered the boys loyalty through being a tyrant
- the phrase ‘in truth’ also suggests that Jack feels a sense of vindication and satisfaction, and claiming the title of chief is a personal triumph for him
'’This is my end and my tribe’’ (ch.11)
- “This is my end” marks Jack’s recognition of the inevitable outcome of his rule: the destruction of Ralph’s group and the finalisation of his power
- Jack’s lust for power has ended in the ultimate destruction of the opposite tribe which has resulted in a breakdown of civilisation and the death of morality
- “my tribe” reflects Jack’s ownership of the situation - his claim implying that he owns it and rules over it by force
- as Jack declares that this is ‘‘my end’’, he recognises the chaos he has created and his tribe represents the triumph of savagery over civility
- the tribe marks the loss of identity and humanity of the individual boys who make up the group and suggests how Jack sees them only as extensions of himself
‘A little boy’ (ch.12)
- this emphasises the contrast between the innocence and helplessness of the children and the evil creatures they have become
- the ‘little boy’ is a reminder that they are still children, and underlines how the boys’ descent into violence was unnatural
- this also highlights the loss of childhood innocence into something darker
- this perhaps conveys how their time on the island has corrupted them, and they are deeply scarred by their experiences
- this phrase speaks to the tragic irony in the story: Jack has become savage, however he is still a child
- the idea of Jack as a ‘little boy’ also might be seen as a symbol of weakness, as the title of chief becomes hollow and meaningless as he is ultimately a child
‘changed his mind and stood still’ (ch.12)
- this moment marks a shift in Jack’s behaviour and suggests that the presence of the naval officer reminds him of his moral compass which he once had
- this also suggests that Jack realises that his rule on the island is over, and he must return to the life he once had