Jacques le Fataliste quotes Flashcards

(35 cards)

1
Q

Girl pushed of horse example of Jacques’ fatalism

A

C’est qu’il était écrit là-haut qu’aujourd’hui, sur ce chemin, à l’heure qu’il est, M le docteur serait un bavard… et qu’on vous verrait le cul.

Otis fellows “an event which elicits pseudo-philosophic bantering”

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2
Q

Narrator calls into question how we view the book as a “novel”

A

Il est bien évident que je ne fais point un roman

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3
Q

Horse: displaying Jacques’ fatalist attitude

A

Son usage était de le laisser aller à sa fantaisie

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4
Q

Narrator seeming more unreliable, questioning traditional value of novels in being realistic (and thus absorbing)

A

La vérité, la vérité; la vérité, me direz-vous, est souvent froide commune et plat…qu’y a-t-il d’intéressant? Rien.

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5
Q

Further subverts expectations with empty symbolism of gallows: and parralels Jacques’ fatalistic attitude

A

Mais le cheval de Jacques fut d’un autre avis

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6
Q

Truthful nature of the world, and an emphasis on Jacques paradoxical fatalism (but Jacques accepts this)

A

Un paradoxe n’est pas toujours une fausseté

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7
Q

The narrator seems powerless, varying between power and powerlessness (uncertainty of the narrators role)

A

Lecteur, causons ensemble jusqu’à ce qu’ils se soient rejoints

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8
Q

Story of Gousse playing himself: satire and irony

A

Je me suis fait un procès à moi-même, je l’ai gagné.

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9
Q

Narrator seems even more powerless in light of the storm stopping Jacques’ story

A

“J’espère que Jacques va reprendre le récit de ses amours et que le ciel, qui veut que j’aie la satisfaction d’en entendre la fin, nous retient ici par le mauvais temps”

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10
Q

Jacques and the Maitre are upset about the interruptions to the story (rich coming from them)

A

Les fréquentes interruptions des gens de sa maison m’ont impatienté plusieurs fois

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11
Q

Mme de La pommeraye tells the two women to criticize voltaire, showing the prominence of harsh religious attitudes at the time

A

“Criez que Voltaire est l’Antéchriste”

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12
Q

Jacques urges the hostess to drink Drinking linked with truthfullness (in vino veritas)

A

Notre hôtesse, buvons un coup, cela rafraîchit la mémoire

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13
Q

Presentation of Mme de la Pommeraye, Jacques reaction shows the attitude towards vengeance

A

Cette femme a le diable au corps

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14
Q

Jacques and the master criticises the non-typical story telling of Mme de la Pommeray (perhaps akin to criticisms of JLF)

A

“Vous n’êtes pas encore profonde dans l’art dramatique.”

“ Vous avez péché contre les règles d’Aristote.”

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15
Q

Further demonstration that the narrator has control of the story

A

Je vous entends, lecteur, vous me dites “et les amours de Jacques ?” croyez-vous que je n’en sois pas aussi curieux que vous ?

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16
Q

Parody of religion: the irony of Hudson’s situation

A

“Mon fils vous êtes un sot…Mon frère, n’avez vous point de honte? Un homme qui dit l’Angelus! Un saint!”

17
Q

Further parody and mocking of religion given Hudson’s situation

A

Les moines! Les moines! Je l’ai été et j’ai connu par expérience ce dont ils sont capables.

18
Q

Further questioning of the honesty of stories and the importance of truthfullness in stories

A

Convenez qu’ici comme dans une infinité de bons contes…le mot honnête gâterait tout

19
Q

Jacques in light of the Bigre story is described by master (links to humanism and the carnivalesque

A

Vous êtes un barbare ! Vous avez un cœur de bronze

20
Q

Jacques’ sex anecdote (humanism and the carnivalesque)

A

Je jouais toujours de la serpe sur le taillis ne regardant guère où je frappais et frappant souvent à côté

21
Q

Description of the vicar: mocking religion also humanism

A

C’était une espèce de nain, bossu, crochu, bègue, borgne, jaloux, paillard, amoureux et peut-être aimé de Suzon. C’était le vicaire du village…

22
Q

The truthfulness of the story (narrative like life and truthful)

A

Ce ne sont pas des contes, c’est une histoire.

23
Q

Anti-religous discussion of holy spirit: related with drunkeness

A

Il prétendait que l’Esprit saint était descendu sur les apôtres dans une gourde

24
Q

Again the true to lifee nature of the story is emphasized and the nature of our weirdly personal relationship with narrator further established (narrator doesn’t give a shit)

A

Je fais l’histoire, cet histoire intéressera ou n’intéressera pas, c’est le moindre de mes soucis. Mon projet est d’être vrai. Je l’ai rempli.

25
Interruption is a method of power: Maitre interrupts Jacques (master slave dialectic)
Un maître veut… Interrompre son valet…
26
Speech and story is expilicity linked to power (to be considered with all other aspects of the story)
Je vous rends encore votre parole, vous êtes le maître d’en agir avec moi comme il vous plaira
27
Machinism: its relationship to fatalism shown by Jacques
“Et que nous étions deux vraies machines vivantes et pensantes »
28
Critical quote foster paradox of the book
"the paradox, a novel that is not a novel"
29
Critical quote: Foster The role of Jacques outrageous comedy
"just as a king can afford to laugh at the impertinence of a jester, so too can the Master at Jacques's impertinence - as long as this cannot be construed as a threat to his authority"
30
Foster: comedy from the start of the story
"The first incident of the journey is the classic comedy scene of the angry master wrongly beating his servant"
31
Foster Jacques role: | Why he the master can afford to laugh at Jacques:
"Jacques' function is a combination of the duties of valet, travelling companion and court jester. " "The master can afford to laugh at Jacques as long as this cannot be construed as a threat to his authority"
32
Lester Crocker: Diderot's picture of the chaos of human life
"The chaos of human life is centered, in Diderot's picture, on three factors: sex, moral judgment, and the drive toward power, superiority and the exploitation of others."
33
Description of the petit Abbé and Foster comment on Bad priests
"Antiphilosophe" "The bad priest is an antidote to the good priest"
34
Fellows: Gousse and morality
"Gousse whose head has no more morality in it than that of a fish"
35
Foster on the widsom of gaine and coutelet and humanism linked with rabelais
It is that quality of directness, or joie de vivre, of unashamed earthiness which Diderot associates with Rabelais.