Jekyll and Hyde quote analysis Flashcards

(25 cards)

1
Q

I concealed my pleasures - C10

A

jekyll is concealing his bad deeds, which is typical of victorian gentlemen. He is favouring his social respect while supressing his sinful side

Vague language - still does not reveal full extent of his hidden desires. This means it is not his ‘full statement’ - unreliable

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2
Q

My devil had long been caged, he came out roaring

furious propensity to ill

A

References inner ‘devil’ which is manifestation of Jekyll’s deepest desires

Devil is religious allusion denotes stark contrast which christian ideas of morality

‘roaring’ is annimalistic & uncontrolled expression of his repressed elements in Hyde

‘propensity to ill’ - deeper, now natural tendency & inclination to immorality

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3
Q

the hand that lay on my knee was corded and hairy

A

The hand, a symbol of respectability and honour, is invaded by free-flowing hair, insinuating the idea of uncontrolled freedom

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4
Q

I felt younger, lighter, happier in body

A

restraints of society are burdensome - without them he (as Hyde) can indulge freely

asyndetic tricolon: jekyll’s delight + emphasis. He is no longer constrained by the maintenance of reputation when in a different body

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5
Q

The murder of Carew was a ‘tragic folly’

Jekyll meaning I kill- Stevenson actually meant for the je to be pronounced like the french

A

‘Folly’ here shows that it was the lack of good planning for the murder which was the mistake, not the actual sin‘Folly’ here shows that it was the lack of good planning for the murder which was the mistake, not the actual sin

I kill shows that maybe it was Jekyll who was killing rather than Hyde

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6
Q

Man is not truly one but truly two

I was radically both

C10

A

Syntactic parallelism - emphasises that man cannot be pure as he is constantly between good and evil

Stevenson captures Victorian views at the time that everyone has inherent evil in them - original sin from fall of adam and eve

Radically - idea that duality of man/soul is a fundamental part of human nature. Shows that Jekyll is not a victim, he embraces the change, and it makes his tragic downfall more poignant

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7
Q

Late one accursed night, I compounded the elements

A

Motif of darkness

Lexis from semantic field of chemistry

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8
Q

and from these agonies of death and birth, I had come forth an angel instead of a fiend (theoretical opposite scenario)

A

Inverse iconic word order - death and birth. Jekyll’s desire beyond restrictions of natural order

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9
Q

a man who was without bowels of mercy

A

Alliterative ‘w’ gives a sense of difficulty in articulating Hyde as a character, and as a being who lacks all morals

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10
Q

strong feeling of deformity

he is not easy to describe…something displeasing, something downright detestable

A

physiognomy - his appearance would convict him as a criminal

Hyde is vague in nature and is hard to be described in words - evokes fear in characters and readers alike. It also makes the reader imagine their worst fears in Hyde

Alliterative ‘d’ reinforces a sense of repulsion

Anaphoric repetition of ‘something’ creates an air of intangibility

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11
Q

snarled aloud into a savage laugh

A

‘savage’ and ‘snarled’ gives sense of unrestrained and uncontrollable destruction + freedom

Hyde is degenerative - highlights common views at the time of ‘fin de siècle’ , and how Victorian social respectability is degenerating.

AO3 - people are worried about advancements in science and medicine - Stevenson warning readers about such fast developments?

Sibilance reinforces his underlying sinisterness

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12
Q

damned juggernaut

A

Juggernaut - hugely overwhelming destructive force. Lack of mercy or thought.
Hyde’s two victims are young girl and elderly man - weak. This shows Hyde to be bullying and cowardly

damned - repeating motif of devil and hell. Hyde is the manifestation/embodiment of the devil - spiritual corruption

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13
Q

he had borne himself to the lawyer with a sort of murderous mixture of timidity and boldness

A

Antithesis and conflict between ‘timidity’ and ‘boldness’ which mirrors internal conflict.

Alliteration of ‘m’ could imply this behaviour is intrinsic and automatic to his character

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14
Q

a rugged countenance that was never lighted by a smile

A

Utterson is reserved and is seemingly not affected by emotion - this gives his voice authority and tells the reader he is a reliable narrator

U is aware of the divide between public and private persona in victorian times

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15
Q

If he be Mr Hyde… I shall be Mr Seek

A

Shows Utterson’s innate curiosity, which also propels the plot forwards

Emphasises theme of duality

Shows U is the investigator in this novel

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16
Q

I shall consider it my duty to break in that door

A

He is investigative but rational

He always wishes to protect the integrity and safety of his clients

He feels bound to protect his friend. This juxtaposes with Enfield, who would have shied away immediately

17
Q

i was coming home from some place…about three o’clock of a black winter morning

A

Ideas of respectability in Victorian gentlemen - Enfield does not describe why he was out at such a late hour

Enfield may not be as morally strict as he presents - duality also within highly respected men

18
Q

Jekyll became too fanciful for me

A

Lanyon is traditional in his scientific beliefs, highlighting the absurdities in J’s experiments

Fricatives creates a harsh tone of rejection

19
Q

he spoke ‘with a ferocity of accent which testified to his own jangled nerves’

A

Poole shows a rare expression of emotion in the novella. This shows that poole is less restricted due to his lower class

20
Q

doggedly disregarding the question

A

Poole is loyal and concerned for Jekyll’s safety. He is respectful (‘sir’) and doesn’t want to see J harmed

21
Q

an aged and beautiful gentleman with white hair

A

Sir Carew is a symbol of age, distinguishment and purity-ish
This perpetuates carew’s presentation as a victim in the novel.

He is also described with feministic words - females are helpless in the novel? or that females are dominated my men in this era?

Carew is vulnerable, which heightens the violence of his murder

22
Q

an air of invitation

sinister block of building

A

Duality of Jekyll’s home - duality of the city too

AO3 - John Hunter was a famous surgeon in London in the 18th century. He had a pretty house on Leicester square, but also had a secret entrance onto a dingy side alley, where he would receive corpses from grave-robbers

Ideas that without this illegal business, humanity would not have benefitted from more knowledge on the human body - idea of doing evil for a greater good

23
Q

The fog rolled over the city in the small hours - C4

A

Pathetic fallacy

The fog is a recurring motif - confusion, secrecy, and moral ambiguity

It literally and metaphorically blinds the characters and the reader — we’re kept in the dark about Hyde’s identity.

The fog also reflects the murky boundary between good and evil — just as the fog blurs the city, the line between Jekyll and Hyde is blurred.

24
Q

A great chocolate-coloured pall lowered over heaven - C4

A

Chocolate-coloured pall (a “pall” is a funeral cloth) implies death, decay, and heaviness

The phrase “lowered over heaven” shows how even divine light is being blocked, reflecting a world losing its moral compass

Stevenson uses the polluted, gloomy atmosphere of London to reflect how the city — and its people — are suffocating under sin and secrecy

Precedes the murder of Carew - evil is blinding the city to the impending horror

25
I incline to Cain’s heresy - Utterson in C1
In the Bible, Cain kills his brother Abel, committing the first murder. The “heresy” here is rejecting responsibility for others. Utterson is basically saying: “I mind my own business — I don’t interfere, even if people are destroying themselves.” Ironic - U is investigative and does want to care for others Stevenson uses this to suggest that even in polite society, people may turn a blind eye to evil — a reflection of Victorian repression and denial The idea of letting someone “go to the devil” foreshadows what happens to Jekyll, and shows how inaction can lead to tragedy