jhkh Flashcards

(94 cards)

1
Q

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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2
Q

And I am dumb to tell the crooked rose

My youth is bent by the same wintry fever.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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3
Q

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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4
Q

And I am dumb to mouth unto my veins

How at the mountain spring the same mouth sucks.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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5
Q

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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6
Q

And I am dumb to tell the hanging man

How of my clay is made the hangman’s lime.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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7
Q

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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8
Q

And I am dumb to tell a weather’s wind

How time has ticked a heaven round the stars.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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9
Q

And I am dumb to tell the lover’s tomb

How at my sheet goes the same crooked worm.

A

The force that through the green fuse drives the flower

– Dylan Thomas

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10
Q

There came a day that caught the summer
Wrung its neck
Plucked it
And ate it.

A

There Came a Day

– Ted Hughes

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11
Q

Now what shall I do with the trees?

The day said, the day said.

A

There Came a Day

– Ted Hughes

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12
Q

Strip them bare, strip them bare.

Let´s see what is really there.

A

There Came a Day

– Ted Hughes

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13
Q

And what shall I do with the sun?

The day said, the day said.

A

There Came a Day

– Ted Hughes

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14
Q

Roll him away till he´s cold and small.

He´ll come back rested if he comes back at all.

A

There Came a Day

– Ted Hughes

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15
Q

And what shall I do with the birds?

The day said, the day said.

A

There Came a Day

– Ted Hughes

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16
Q

The birds I´ve frightened, let them flit,

I´ll hang out pork for the brave tomtit

A

There Came a Day

– Ted Hughes

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17
Q

And what shall I do with the seed?

The day said, the day said.

A

There Came a Day

– Ted Hughes

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18
Q

Bury it deep, see what it´s worth.

See if it can stand the earth.

A

There Came a Day

– Ted Hughes

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19
Q

What shall I do with the people?

The day said, the day said

A

There Came a Day

– Ted Hughes

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20
Q

Stuff them with apple and blackberry pie –

They´ll love me then till the day they die.

A

There Came a Day

– Ted Hughes

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21
Q

Then came this day and he was autumn.

His mouth was wide

A

There Came a Day

– Ted Hughes

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22
Q

And red as a sunset.

His tail was an icicle.

A

There Came a Day

– Ted Hughes

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23
Q

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

A

“The Waste Land”

– TS ELIOT

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24
Q

Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers

A

“The Waste Land”

– TS ELIOT

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25
Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten
"The Waste Land" | -- TS ELIOT
26
And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch
"The Waste Land" | -- TS ELIOT
27
And when we were children, staying at the arch-duke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went
"The Waste Land" | -- TS ELIOT
28
And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free.
"The Waste Land" | -- TS ELIOT
29
I read, much of the night, and go south in the winter.
"The Waste Land" | -- TS ELIOT
30
What are the roots that clutch, what branches grow | Out of this stony rubbish? Son of man,
"The Waste Land" | -- TS ELIOT
31
You cannot say, or guess, for you know only | A heap of broken images, where the sun beats,
"The Waste Land" | -- TS ELIOT
32
And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock),
"The Waste Land" | -- TS ELIOT
33
And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
"The Waste Land" | -- TS ELIOT
34
“You gave me hyacinths first a year ago; | “They called me the hyacinth girl.
"The Waste Land" | -- TS ELIOT
35
Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence.
"The Waste Land" | -- TS ELIOT
36
Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe,
"The Waste Land" | -- TS ELIOT
37
With a wicked pack of cards. Here, said she, Is your card, the drowned Phoenician Sailor, (Those are pearls that were his eyes. Look!)
"The Waste Land" | -- TS ELIOT
38
Here is Belladonna, the Lady of the Rocks, | The lady of situations.
"The Waste Land" | -- TS ELIOT
39
Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water.
"The Waste Land" | -- TS ELIOT
40
I see crowds of people, walking round in a ring.
"The Waste Land" | -- TS ELIOT
41
Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days.
"The Waste Land" | -- TS ELIOT
42
Unreal City, | Under the brown fog of a winter dawn,
"The Waste Land" | -- TS ELIOT
43
A crowd flowed over London Bridge, so many, | I had not thought death had undone so many.
"The Waste Land" | -- TS ELIOT
44
Sighs, short and infrequent, were exhaled, | And each man fixed his eyes before his feet.
"The Waste Land" | -- TS ELIOT
45
Flowed up the hill and down King William Street, To where Saint Mary Woolnoth kept the hours With a dead sound on the final stroke of nine.
"The Waste Land" | -- TS ELIOT
46
There I saw one I knew, and stopped him, crying: “Stetson! “You who were with me in the ships at Mylae! “That corpse you planted last year in your garden, “Has it begun to sprout? Will it bloom this year? “Or has the sudden frost disturbed its bed?
"The Waste Land" | -- TS ELIOT
47
“Oh keep the Dog far hence, that’s friend to men, “Or with his nails he’ll dig it up again! “You! hypocrite lecteur!—mon semblable,—mon frère!”
"The Waste Land" | -- TS ELIOT
48
Pike, three inches long, perfect Pike in all parts, green tigering the gold. Killers from the egg: the malevolent aged grin. They dance on the surface among the flies.
Pike | -- Ted Hughes
49
Or move, stunned by their own grandeur, Over a bed of emerald, silhouette Of submarine delicacy and horror. A hundred feet long in their world.
Pike | -- Ted Hughes
50
In ponds, under the heat-struck lily pads – Gloom of their stillness: Logged on last year’s black leaves, watching upwards. Or hung in an amber cavern of weeds
Pike | -- Ted Hughes
51
The jaws’ hooked clamp and fangs Not to be changed at this date; A life subdued to its instrument; The gills kneading quietly, and the pectorals.
Pike | -- Ted Hughes
52
Three we kept behind glass, Jungled in weed: three inches, four, And four and a half: fed fry to them – Suddenly there were two. Finally one
Pike | -- Ted Hughes
53
With a sag belly and the grin it was born with. And indeed they spare nobody. Two, six pounds each, over two foot long. High and dry in the willow-herb –
Pike | -- Ted Hughes
54
One jammed past its gills down the other’s gullet: The outside eye stared: as a vice locks – The same iron in his eye Though its film shrank in death.
Pike | -- Ted Hughes
55
A pond I fished, fifty yards across, Whose lilies and muscular tench Had outlasted every visible stone Of the monastery that planted them –
Pike | -- Ted Hughes
56
Stilled legendary depth: It was as deep as England. It held Pike too immense to stir, so immense and old That past nightfall I dared not cast
Pike | -- Ted Hughes
57
But silently cast and fished With the hair frozen on my head For what might move, for what eye might move. The still splashes on the dark pond,
Pike | -- Ted Hughes
58
Owls hushing the floating woods Frail on my ear against the dream Darkness beneath night’s darkness had freed, That rose slowly towards me, watching.
Pike | -- Ted Hughes
59
I can feel the tug of the halter at the nape of her neck, the wind on her naked front.
Punishment | -- Seamus Heaney
60
It blows her nipples to amber beads, it shakes the frail rigging of her ribs.
Punishment | -- Seamus Heaney
61
I can see her drowned body in the bog, the weighing stone, the floating rods and boughs.
Punishment | -- Seamus Heaney
62
Under which at first she was a barked sapling that is dug up oak-bone, brain-firkin:
Punishment | -- Seamus Heaney
63
her shaved head like a stubble of black corn, her blindfold a soiled bandage, her noose a ring
Punishment | -- Seamus Heaney
64
to store the memories of love. Little adulteress, before they punished you
Punishment | -- Seamus Heaney
65
you were flaxen-haired, undernourished, and your tar-black face was beautiful. My poor scapegoat,
Punishment | -- Seamus Heaney
66
I almost love you but would have cast, I know, the stones of silence. I am the artful voyeur
Punishment | -- Seamus Heaney
67
of your brains exposed and darkened combs, your muscles’ webbing and all your numbered bones:
Punishment | -- Seamus Heaney
68
I who have stood dumb when your betraying sisters, cauled in tar, wept by the railings,
Punishment | -- Seamus Heaney
69
who would connive in civilized outrage yet understand the exact and tribal, intimate revenge.
Punishment | -- Seamus Heaney
70
Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
Do Not Go Gentle into that good night | -- Dylan Thomas
71
Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night.
Do Not Go Gentle into that good night | -- Dylan Thomas
72
Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.
Do Not Go Gentle into that good night | -- Dylan Thomas
73
Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night.
Do Not Go Gentle into that good night | -- Dylan Thomas
74
Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.
Do Not Go Gentle into that good night | -- Dylan Thomas
75
And you, my father, there on the sad height, | Curse, bless, me now with your fierce tears, I pray.
Do Not Go Gentle into that good night | -- Dylan Thomas
76
Do not go gentle into that good night. | Rage, rage against the dying of the light.
Do Not Go Gentle into that good night | -- Dylan Thomas
77
On the day of the explosion Shadows pointed towards the pithead: In thesun the slagheap slept.
The Explosion | -- Philip Larkin
78
Down the lane came men in pitboots Coughing oath-edged talk and pipe-smoke Shouldering off the freshened silence.
The Explosion | -- Philip Larkin
79
One chased after rabbits; lost them; Came back with a nest of lark's eggs; Showed them; lodged them in the grasses.
The Explosion | -- Philip Larkin
80
So they passed in beards and moleskins Fathers brothers nicknames laughter Through the tall gates standing open.
The Explosion | -- Philip Larkin
81
At noon there came a tremor; cows Stopped chewing for a second; sun Scarfed as in a heat-haze dimmed.
The Explosion | -- Philip Larkin
82
The dead go on before us they Are sitting in God's house in comfort We shall see them face to face—
The Explosion | -- Philip Larkin
83
plian as lettering in the chapels It was said and for a second Wives saw men of the explosion
The Explosion | -- Philip Larkin
84
Larger than in life they managed— Gold as on a coin or walking Somehow from the sun towards them
The Explosion | -- Philip Larkin
85
One showing the eggs unbroken.
The Explosion | -- Philip Larkin
86
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge.
Dulce et Decorum Est | -- Wilfred Owen
87
Men marched asleep. Many had lost their boots, | But limped on, blood-shod. All went lame; all blind;
Dulce et Decorum Est | -- Wilfred Owen
88
Drunk with fatigue; deaf even to the hoots | Of gas-shells dropping softly behind.
Dulce et Decorum Est | -- Wilfred Owen
89
Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.—
Dulce et Decorum Est | -- Wilfred Owen
90
Dim through the misty panes and thick green light, | As under a green sea, I saw him drowning.
Dulce et Decorum Est | -- Wilfred Owen
91
In all my dreams before my helpless sight, | He plunges at me, guttering, choking, drowning.
Dulce et Decorum Est | -- Wilfred Owen
92
If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;
Dulce et Decorum Est | -- Wilfred Owen
93
If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,—
Dulce et Decorum Est | -- Wilfred Owen
94
My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Dulce et Decorum Est | -- Wilfred Owen