Keats quotes Flashcards

(50 cards)

1
Q

Isabella: quotes about impact of distance in love

A

‘long month of may in this sad plight’
‘made their cheeks pale’
‘sick longing’
‘honeyless days’

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2
Q

Isabella: Description of Isabella

A

‘Poor, simple Isabel’

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3
Q

Isabella: Isabella and Lorenzo’s love

A

‘Her lute string gave an echo of his name’
‘Their love grew tenderer’
‘Love and misery’

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4
Q

Isabella: Description of the brothers

A

‘Hungry pride and gainful cowardice’
‘men of cruel clay’
‘each richer by his being a murderer’
‘Why were they proud?’ repeated
‘money bags’

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5
Q

Isabella: The brothers’ intentions for Isabella

A

‘Coax her by degrees’ ‘to some noble and his olive trees’

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6
Q

Isabella: Weather once Lorenzo is to be dead

A

‘Cold is in the skies’

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7
Q

Isabella: Isabella’s heartache

A

‘She weeps alone’
‘Passion not to be subdued’
‘Gradual decay from beauty fell’

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8
Q

Isabella: Isabella’s reaction to Lorenzo’s corpse

A

‘Upon the murderous spot she seemed to grow’
‘To dig more fervently’

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9
Q

Isabella: How Isabella cars for Lorenzo’s corpse

A

‘She calmed its wild hair’
‘She kissed, and wept’
‘Her tears kept ever wet’
‘She forgot the stars, the moon and the sun’

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10
Q

Isabella: Lorenzo’s flourishing at Isabella’s expense

A

‘She ever fed it with tears’ it became ‘thick’, ‘green’, ‘beautiful’.
‘she sat drooping’ as the plant ‘flourished’

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11
Q

Isabella: the brothers’ perception of the plant and their fate

A

‘Thing was vile’
‘Banishment’

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12
Q

Isabella: Isabella’s death and legacy

A

‘She died forlorn’
Her story passed ‘from mouth to mouth’

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13
Q

LBD: State of the knight at the beginning of the poem

A

‘Alone and palely loitering’
‘No birds sing’
‘What can ail thee, Knight?’

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14
Q

LBD: The Knight’s power

A

‘I met’
‘I made’
‘I set her on my pacing steed’
‘I shut her wild wild eyes’

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15
Q

LBD: LBD’s power

A

‘she took me to her elfin grot’
‘she found’
‘she lulled’

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16
Q

LBD: Implication of the knight censoring LBD

A

‘I shut her wild, wild eyes’
Makes her a ‘garland’ and ‘bracelets’

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17
Q

LBD: Knight’s misinterpretation

A

‘Sure in language strange’
‘She looked as me as she did love’
‘she wept’

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18
Q

LBD: Natural, sensual, warm imagery and the bower

A

‘Elfin grot’
‘honey wild’ ‘manna dew’ ‘rose’ ‘lily’

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19
Q

LBD: What did the Knight see in his dream?

A

‘Pale kings’
‘Pale warriors’
‘Death pale’

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20
Q

LBD: Where does the Knight end up?

A

‘Alone and palely loitering’ on a ‘cold hill side’
‘No birds sing’

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21
Q

EOSA: Cold imagery at the opening of the poem

A

‘Bitter chill’
‘Trembling’ ‘frozen’ ‘numb’
‘Frosted breath’

22
Q

EOSA: What does this cold imagery link to?

A

Slow death of the Beadsman: ‘his weak spirit falls’

23
Q

EOSA: Warmth to contrast opening

A

‘music’s golden tongue’
‘Ashes’

24
Q

EOSA: Porphyro’s love and yearning

A

‘Heart on fire’
Wants to ‘gaze and worship’
‘Speak, kneel, touch, kiss’

25
EOSA: Porphyro association with danger
'Ventures in' 'Swords' 'Barbarian' 'hot blooded' 'howl'
26
EOSA: Porphyro and sexuality
'Flushing' 'Purple riot' 'passion' 'burning Porphyro' 'Porphyro, for gazing on that bed'
27
EOSA: Madeline in a liminal state
'Fatigued' 'Blissfully havened' 'Paradise' 'Slumberous tenderness'
28
EOSA: Sibilance and food imagery for sensuality
'Hushed carpet, silent, stepped'. 'Creamy curd' ''Syrup' and 'Cinnamon'
29
EOSA: Implication of sex
'Soft moan' 'Panted' 'Upon his knees he sank'
30
EOSA: Madeline under spell/ in love
'My Porphyro', 'my love'
31
EOSA: The lovers' ending
'Lovers fled into the storm' 'Like phantoms'
32
EOSA: The beadsman's ending
'Ashes cold'
33
Lamia: Mythology in nature- other-worldly
'Celestial heat' 'Lily' 'roses' 'flowers' 'nymph' 'satyr' 'dryads'
34
Lamia: Lamia in her original form
'snake' 'Dazzling hue', 'shone' vs 'demon' 'serpent' 'smooth lipped serpent' with 'melancholy eyes'
35
Lamia: Lamia freeing the nymph
'her loveliness invisible, yet free'
36
Lamia: Foreshadowing of fate before the transformation
'Grew pale, as mortal lovers do'
37
Lamia: Imagery during transformation
'Mouth foamed' 'madness' 'blood'
38
Lamia: Lamia after transformation
'Nothing but pain and ugliness were left' 'Her new voice luting and soft' 'lady bright', 'full-born beauty'
39
Lamia: Lamia as an embodiment of impossible standards for women
'Virgin purest' yet 'in the lore of love deep learned'
40
Lamia: Disappointment of the mortal world
'Where no joy is' 'empty of immortality and bliss' 'Temples lewd'
41
Lamia: Lycius as victim
'Murmuring of love' and 'pale with pain'
42
Lamia: Lamia as a femme fatale
'Cruel lady' 'tangled [Lycius' life'] in her mesh' 'enticed him'
43
Lamia: Lamia changing in order to win over Lycius
'threw the goddess off, and won his heart' by 'playing a woman's part'
44
Lamia: description of Appolonius
'Quick eyes' 'Sharp eyes' 'Philosophical gown' 'Ghost of folly haunting my sweet dreams'
45
Lamia: Description of the bower preceding the downfall
'Portal door' 'Place unknown' Narrator input: 'Short was their bliss' ;had Lycius lived'
46
Lamia: Love a uplifting
'airy' 'floated' 'golden' 'summer heaven'
47
Lamia: Knowledge impeding on love and freedom
'a moment's thought is passion's passing bell' 'Charms fly at the mere touch of philosophy' 'Unweave a rainbow'
48
Lamia: Lamia adopting a submissive role
'pale and meek' 'trembled' 'wept a rain of sorrows'
49
Lamia: Lycius' reaction to Lamia taking on this new role
'He took delight, luxurious in her sorrows'. His passion is described as 'cruel grown'
50
Lamia: Lycius' myopia
'Blind' 'painful blindness' 'Thee made into serpent's prey'