KEY

Question 1

she goes out

Answer 1

without permission

Question 2

what if he does something

Answer 2

to me in that time

Question 3

you must make yourself

Answer 3

attractive so that he returns to your marriage

Question 4

Bill Nichols

Answer 4

participatory
poetical
reflexive
observational
performative
expository

Question 5

it was the first time

Answer 5

people were listening to them

Longinotto

Question 6

its as if their life’s had come to that moment

Answer 6

“that at last, their voices were being heard and they could tell their stories”

Longinotto

Dreamcatcher

Question 7

dreamcatcher

Answer 7

2015 Longinotto

Question 8

5 broken cameras

Answer 8

burnat, davidi, 2012

Question 9

milisuthando

Answer 9

bongela 2023

Question 10

allowed us to

Answer 10

film in his court

Question 11

divorce iranian style

Answer 11

1998

Question 12

that’s me

Answer 12

Waad

sometimes we cry blood

Question 13

no rules

Answer 13

i hate rules
Longinotto

Question 14

the audience gets

Answer 14

close to another individual… and we feel a shock of understanding

Question 15

sisters in law

Answer 15

2005

Question 16

i can smell

Answer 16

aleppo on her skin

Question 17

there are no words

Answer 17

to describe what i’m feeling right now

Question 18

it is the sound

Answer 18

of human fragility in the face of war
mincheva

Question 19

Assad army equipped with

Answer 19

Russian weapons and support crushed the Arab spring in 2011

Question 20

“when Assad is

Answer 20

brought to justice, there will be proof of all his crime”

Question 21

emergency

Answer 21

cinema
300,000 videos shared on YT, Vimeo, and LiveLeaks

Question 22

overt emphasis

Answer 22

on the female gaze
mincheva

Question 23

unwomanly face of war

Answer 23

Svetlana Alexievich 1978- 2004
historiographers interested in key commanders and celebrated heroes, Alexievich’s project is concerned with uncovering the everyday experiences of ordinary and mundane voices while cpaturing the emotional landscape of war

Question 24

soloway

Answer 24

“a way of feeling seeing”
“subjective camera”

Question 25

Al-Kaetab's camera work

Answer 25

provides an account of the war, which is not centered around grand events or political analyses Mincheva

Question 26

Being a woman I felt,

Answer 26

I want to speak about this. I don't want to ignore my feelings.

Question 27

Al-Kaetab's testimonial camera

Answer 27

is also a way of 'listening' and 'remembrance,' a way of mediating the ethical truth about the human condition in war "mediator of justice" Mincheva

Question 28

I am suffocated, Sama

Answer 28

I keep seeing you as that boy; and me like his mother

Question 29

you cant really

Answer 29

control anything

Question 30

holding and keeping

Answer 30

the truth for the whole world

Question 31

a home video

Answer 31

from a bomb site this conflict blitzed everyday life Mccahill

Question 32

scrapbook

Answer 32

a confessional journal of sorts Laffly

Question 33

composer

Answer 33

nainita desai

Question 34

he's hungry

Answer 34

to live

Question 35

all the horror

Answer 35

and all the darkness but also all the light and joy, the full specter of humanity

Question 36

the creative

Answer 36

treatment of actuality grierson

Question 37

wiseman on editing

Answer 37

everything about a movie is conscious manipulation

Question 38

first youtubed

Answer 38

war in history (Koehl)

Question 39

mobiles became the only way

Answer 39

to show the world we were fighting for our freedom

Question 40

enemies used the same technology to

Answer 40

"do harm to journalists, to people, and to truth itself"