key quotes Flashcards

(44 cards)

1
Q

“her appearance is incongruous to this setting”

A

she cant fit into new orleans, reflecting modern, moving, post war society. blanche is not willing to move on but that doesnt stop the world from moving on

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2
Q

“elysian fields”

A

elysian means paradise (reflects williams love for new orleans) but also how new orleans is a place where seeking desires is safe to an extent, this doesnt include blanche

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3
Q

“the kuwalskis and the dubois have different notions”

A

hypocritical because he follows the traditional patriarchal family system of sovereignty yet, yet judges blanche for her traditional views

is only a modern man when it benefits him

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4
Q

“the blind are - leading the blind!”

A

quote from the bible, but broken up by the hyphen, reflecting the impossibility to follow the bible accurately due to the cruelty/randomness of life

reflects how no one is above another, there is no superiority that holds any true meaning

reflects the doomed fate of the baby, born to a prejudiced and ignorant world

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5
Q

“the kowalsis and the dubois have different notions”

A

blanche is the only dubois left, whereas stella is now a kowalski and pregnant, reflecting the opposing views and how new america is gaining power

alternative views can no longer co exist due to violence and judgement of nuance

people only stick to the “notions” that benefit themselves

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6
Q

“the men laugh. stella goes into the bedroom”

A

patriachy- men have all the power in the situation
therefore when violence is dismissed, it is stella who has to leave

reflects that men will protect each other over a woman due to female othering and the male identity
and individualism

irony in the lack of action occuring at violence, jarring to watch
allegory for the more subtle violence occuring in everday life, that the audience is ignoring

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7
Q

“you hens cut out that conversation in there!”

A

implies he a cock

hens main function is to provide eggs, reflecting the objectification of the female body to provide the patriarchal nuclear family

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8
Q

“the poker night”

A

it serves as a microcosm of the play’s themes of masculinity, power dynamics, and the clash between old and new worlds

poker as a metaphor for the clash of values, with the game representing Stanley’s raw, aggressive masculinity, and Blanche’s disdain for it symbolizing her struggle to maintain a veneer of refinement and civility amidst the chaos

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9
Q

“oh! [reading with feigned difficulty]”

A

blanche is just as ignorant as the others, she is just vulnreble - making her the victim

perception is threatening and intimidating, williams using irony and humour to point out the futility of that

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10
Q

“a dancing bear”

A

animalistic, even tho he is playing along with blanches pretences, he is just as much a threat to her as everyone else

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11
Q

“there he throws his head back like a baying hound and bellows his wifes name:
stella! stella, sweetheart! stellla!”

A

A fitting animal simile compares him to a “baying hound.” In contrast to his previous aggressive and dominant behavior, Stanley is presented here as a vulnerable and pathetic male

reflects stanley is a result of circmustances and human just as blanche and stella are, he is violent due to society?

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12
Q

“with low, animal groans”

A

desires becoming a primitive animalistic thing, does not fit in with refined society yet being human

passion versus violence, ideas of desire not always alligning with morality, then what is right in that case?

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13
Q

“people have got to tolerate each others habits, i guess”

A

williams reiterating that everyone has their own fatal flaw

some that the audience finds unforgivable, yet others are excusable - why? they are all harmful (reflected by tragic genre)

also questions how we can judge the characters when we all have vices of our own

pushes back on the idea of superiority within humanity, no one is better than anyone else

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14
Q

“curtains”

A

illusion of division and difference
but ultimately futile

also reflects the lack of any real privacy, secrets or personal identity

everything is infringed on by others, yet we pretend it isnt

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15
Q

“something downright - bestial - about him!”

A

lack of refinement and frivolous blanche views as inhumane

questions humanism // what it means to be human

the animal versus the culture

both sides are harmful and harmed themselves

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16
Q

“when people are soft - soft people have got to court the favour of hard ones, stella. have got to be seductive”

A

divided speech reflecting the divides within society she is criticising

“soft people” reflecting the victims of individualism, and the lack of empathy emerging

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17
Q

“and glow - make a little - temporary magic just in order to pay for - one nights shelter”

A

admission to prostitution through allusion, reflecting the disconnect blanche has from reality being protective

desire versus necessity, why is one judged more than the other

“temporary” magic reflecting the tragedy of time and age

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18
Q

“[mitch is bearing, upside down, a plaster statuette of mae west, the sort of prize…]”

A

mae west = hollywood starlet, sex symbol of the decade

“upside down” reflects mitchs dismissal / disregard / disrepect for women like mae west, and ultimately blanche as well

foreshadowing mitchs rejection of female sexuality

19
Q

blanche never leaving the stage

A

similar effect of desdemonas dead body staying on

forces the audience to empathise with blanche, forces them to remember that women like her exist and live whole lives completely ignored, makes audience face the reality

20
Q

“i’d suddenly said - ‘i know! i know! you disgust me…’”

A

her judgement of allan reflecting the judgement against herself

reflecting the lack of strict morality or superiority within society, we are all hypocrites and judgemental - disgusted and disgusting

21
Q

“lately you have been doing all you can think of to rub her the wrong way, stanley, and blanche is sensitive”

A

the verb of “rub” reflecting the slow, burning, build up of pain

reflecting how people like stanley, who believe themselves superior, break down people they believe below them

the point of the play isnt the outright violence, but the slow, burning, “rubbing”, violence all the characters and soviety itself faces

22
Q

“He hangs up and returns to the table. Blanche fiercely controls herself, drinking quickly from her tumbler of water”

A

imagery of water reflecting themes of transformation / movement (tides) and being controlled by something beyond yourself - society/fate/stanley, reflecting blanches indulgence in her helplessness (drinking)

23
Q

Sister Blanche

A

“sister blanche” motif of morality throughout the whole play, and ironic use of judgement to criticise hypocrisy in society.
none of the characters are moral, yet all criticize each other’s actions with the justification of morality, reflecting real life and the right we have to judge others versus the lack of judgement we give ourselves

“sister blanche” also reflects blanches ties to the old south, which was far more religious than the modern new orleans- williams viewed religion as being dominated by fear and control, used to give meaning to life- could be reflecting blanches blind and slightly naive commitment to the ideology of the old south

by stanley calling her a nun (a complete refusal of desires) reflecting Williams’s criticism of the old south’s purity culture, but lack of actual purity- the secrecy of fulfilled desires with the pretences of purity- calling her a nun is exposing blanches act

24
Q

“Ticket! Back to Laurel!”

A

laurel symbolic of the old south and the southern gothic, the decay of everything the south stood for (traditionality, religious morality, superiority, etc.) - the ghosts of laurel are not just of blanche’s family, but of blanches whole understanding of the world- and she is unable to move forward due to other peoples intervention, foreshadowing her fate.

laurel economically recovered from the war with timber, destruction of natural resources and the defining feature of their lands to catch up with the modern north of america

25
" On the Greyhound! Tuesday!"
the bus versus the streetcar, outdated vs modernity- illusion of choice of where you end up, deemed by whoever designs the route; williams highlighting that the ‘changing america’ is useless without the changing of such a repressive society
26
"[He is holding a little envelope toward her.]"
envelope symbol/metaphor for blank slates and new beginnings, complete potential. but tainted by human/societal corruption as the inside of an envelope is decided by man- the potential is decided by man and you have no control over it, symbolic of blanche (and those like hers) powerlessness the idea of potential within the envelope also symbolises Williams message that we all have the potential for change with the right resources, he rejects the idea of blanches fate being a result of inevitability, but rather a result of her societal treatment- the envelope represents that her fate was always sealed by other people, but if she had experienced the “kindness of strangers”, she could have reached her potential
27
"She clutches her throat"
clutching her throat- the start of her figurative death, complete loss of power beginning with the loss of her voice replaced by the choking + also shows the impact of emotional violence by stanley
28
"bathroom"
bathroom- motif of cleanliness and water (cleansing) being diverted with the sickness- blanche is incongruous to her previous safe haven and a symbol of her restarting/changing. reflects her overwhelming powerless in that moment due to her powerlessness in society- she is unable to restart/change due to being forced away/stanley's cruelty emphasis on blanches victimhood and powerlessness in this scene to force empathy on the audience and reconsideration about how we treat the mentally ill- criticisms on how the mentally ill are treated influenced by his sisters debilitating lobotomy, trying to portray that these women are victims of their circumstances that are incongruous to the cruel setting emphasised by the
29
"its a barnum and bailey world, just as phony as it can be"
barnum and bailey = circus owners the world is a circus - bread and circus's A term referring to the potential of spectator sports and mass spectacle to divert populations or factions of a population away from the weightier business of politics and society, and to entertain them with amusements and physical contests.
30
"her future is mapped out for her"
ideas of fate rather than autonomy - our fates are designed for us the day we are born not due to fate but due to the repression and restrictions on society based on class, nationality, gender, etc. we have no chance of changing who we are, but we can try and change the worlds judgement of identity? "mapped" fragility of maps, defining ownership and divisions, but ultimately just paper - different for different people and places
31
"what a fantastic statement! fantastic of him to say it, fantastic of you to repeat it!"
repetition of fantastic reflecting blanches fantasy versus reality as a theme mitchs confrontation breaking her fantasy of what she could have, into the reality of societal judgements of her actions / life also "repeat" reflect the collective male identity, mitchs fatal flaw being his identity as a man before an individual
32
"blanche: i like it dark. the dark is comforting to me mitch: i dont think i ever seen you in the light"
reflection of the pretences within their relationships, using each other to fill their own seperate desires juxtaposition between romance and selfish self- fulfillments of desires we all use each other, humanity or society? its more comforting to imagine being loved, to live within the fantasy rather than facing the brutal selfishness of humans
33
"the opposite is desire." (about death)
williams emphasising the correlation between fulfilling your desires and living we are all going to die, make the most of your life but also by comparing it to life, highlights the dangers of it, it is alive- the same way a fire, lion, tiger, human is- all dangerous
34
"fire! fire! fire!"
destruction of property is more important / people more responsive than destuction of life fire is impossible to slow down once started and equally as destructive
35
"it hangs open with flowery dresses thrown across"
"flowers represent innocence, youth and potential for growth that blanche has fabric tho, reflecting the idea of potential, but the actual flowers have been replaced by cities - new america and individualism / capitalism over community" now destroyed by the violence in blanches life, have been tossed aside and disregarded
36
"[she catches her breath and slams the mirror face down with such violence that the glass cracks]"
refusing to face reality in the situation, reflecting blanches complete commitment to distortion but also that it is a result to the compelete violence and disregard she is treated with
37
"stella is packing blanches things"
stella submissive / helpful in her own sisters =demise blanche no longer having control over her things, her complete loss of autonommy and identity
38
"in the shape of a seahorse"
blanche wanting to wear a seahorse pin - who have completely reversed gender dynamics reflecting her desire for a non patriachal world, the only one where she could survive or thrive
39
"i couldnt believe her story and go on living with stanley"
stellas purposeful refusal to believe blanche in order to fulfill her own desires no one achknowleding the suffering of the old south at the hands of 'new america' because people like new america could also probably link to ww1
40
"those cathedral bells - theyre the only clean thing in the quarter."
bells reflecting the end approaching for blanche as well as cathedral + clean symbolising the purity blanche craved when arriving, yet can no longer find within herself
41
"[her voice is bold and toneless as a firebell]"
repeated use of bells in scene 11 - reflecting the imminence of the end for blanche
42
"[she allows him to lead her as if she were blind]"
blind leading the blind reflects the doctors and poker players are just as blind as blanche, but they hold power where she does not
43
"i have always depended on the kindness of strangers"
Blanche’s dependence “on the kindness of strangers” rather than on herself is the reason why she has not fared well in life. In truth, strangers have been kind only in exchange for sex. Otherwise, strangers like Stanley, Mitch, and the people of Laurel have denied Blanche the sympathy she deserves. Blanche’s final remark indicates her total detachment from reality and her decision to see life only as she wishes to perceive it.
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