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Key Terms Flashcards

(86 cards)

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1
Q

Abstract Art

A

To withdraw from realism and naturalism.

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2
Q

Accent

A

The part of an artistic composition which attracts your attention. As in a painting which uses strong, bright colours.

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3
Q

Acrylic

A

A clear plastic used as a vehicle in paints

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4
Q

Aesthetics

A

The beauty of an art form, how we feel about a piece of art work

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5
Q

Asymmetry

A

Not having the same measurement. Objects are unproportional or of different sizes with a picture. Tend to give the impression of activity whereas symmetrical designs tend to give the impression of inactivity.

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6
Q

Background

A

The part of the composition that appears to be behind the subject matter.

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7
Q

Canvas

A

Fabric, usually cotton or linen, used as a medium to paint on.

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8
Q

Ceramics

A

Objects made from baked clay, such as pottery vase, sculptures etc

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9
Q

Chiaroscuro

A

The art of modelling figures or objects in light and shade in order to get a three-dimensional effect on a two-dimensional surface

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10
Q

Chroma

A

The purity of the hue

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11
Q

Collage

A

The pasting on to a surface cutouts of unrelated materials such as cloth paper, photos etc to form a composition.

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12
Q

Composition

A

The combination of elements in a work of art eg. shape, size, texture, tone

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13
Q

Contour

A

The internal or external edge of an object in an art form

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14
Q

Cool Colours

A

A hue, generally in blue, green or violet which suggests a calming effect.

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15
Q

Design

A

A scheme, plan or concept, used to create an art work

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16
Q

Drawing

A

A visual representation of an artist’s idea or concept, using media such as pencil, charcoal, pastel etc

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17
Q

Elements (definition)

A

The basic visual qualities that, when combined, produce visual images.

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18
Q

Etching

A

A form of printmaking. Images are etched into the surface using acid to form line and tone

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19
Q

Expressionism

A

An art movement where artists emphasised feelings rather than reasoned thought.
Van Gogh, Georges Rounault

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20
Q

Fauvism

A

Use of pure, violent, brilliant, bold and startling colours.

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21
Q

Figurative Art

A

Art which clearly represents objects that are recognisable - nature, humans etc.

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22
Q

Focal Points

A

The areas in a work of art to which the eyes are drawn

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23
Q

Foreground

A

The part of a composition which appears to be closest to the viewer

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24
Q

Glaze

A

In painting, a transparent film of glassy coating painted over the final surface

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25
Gouache
Watercolour made opaque with the addition of chalk
26
Ground
A coating, such as priming or sizing (gesso), applied to a support (canvas, wood) to prepare the surface for painting.
27
Horizon Line
A real or implied line across the picture plane parallel with the top and bottom edges. This tends to draw the viewer's eye towards the linear perspective, all receding lines seem to converge to this line.
28
Hue
The property of colour that distinguishes one colour from another as red, green etc.
29
Icon
Used to describe panel paintings of religious figures. Works of importance.
30
Iconography
The meaning of the images or subject matter in paintings.
31
Image
A respresentation of an object, an individual or event.
32
Impasto
Paint laid in richly textured quantities
33
Intensity
The relative brilliance of a hue
34
Intrinsic
Belonging to a thing by its very nature
35
Landscape
The representation of scenery in nature
36
Mass
The actual or implied physical bulk, weight and destiny of three-dimensional forms
37
Medium
The process employed by the artist. Or The binding substance used to hold the pigments together, such as linseed oil for oil paint.
38
Middleground
The part of the composition which appears in the middle of the picture.
39
Modelling
The shaping of three-dimensional forms in soft materials such as clay, also the representation on a flat surface of three-dimensional forms by means of variations in the use of colour properties.
40
Monochrome
Variations of a single hue.
41
Montage
A composition formed of pictures or portion of pictures previously photographed, painted or drawn.
42
Mosaic
A decorative surface made from small glass or ceramic tiles.
43
Motif
A dominant or recurring feature in an art work.
44
Mural
A painting on a wall, usually large in size
45
Non-objective
A synonym for non-representational art, or art without recognisable subject matter.
46
Non-representational
Works so abstract they make no reference whatsoever to the world of the person, place or thing associated with them: a subject matter has been eliminated.
47
Oil Painting
The process of painting with a medium formed of ground colouts held together with a binding oil, usually linseed.
48
Opaque
Refers to something that cannot be seen through. Not transparent.
49
Painterly
Painting in which the buttery substance of the medium and the gestural aspect of paint application constitute a principle aspect of the art's quality.
50
Painting
The art form where coloured pigments are applied to a flat surface. Different painting media include oil, tempera, watercolour, fresco, encaustic and acrylic.
51
Palette
A tray or planes surface on which a painter mixes colour OR The characteristic range and combination of colours typical to a painter or style
52
Perspective
A pictorial technique for representing three dimensional objects on a two dimensional surface
53
Pigment
Finely powdered colouring matter used to form paint.
54
Polychrome
Several colours
55
Primary Colours
Colours that in various combinations are capable of creating any other colour hue. Red Yellow Blue.
56
Prime
To prepare a canvas for painting by applying a ground.
57
Proportion
The relationship of one object to another in regard to size, height etc within a composition.
58
Realism
A mid - 19th century style that believes that art should be true to life without stylization
59
Saturation
The purity, vividness, or intensity of colour
60
Sculpture
A type of three-dimensional art. Wood, clay, bronze, stone, marble etc
61
Sfumato
Italian. "smoked", a misty blending of light and dark to create soft edges and veiled effects. A type of chiaroscuro.
62
Shading
The property of colour that makes it seem light or dark.
63
Stereotyoe
Something that conforms to a fixed or general pattern
64
Still Life
An arrangement of inanimate objects - fruit, flowers, pottery etc - taken as a subject or motif for an art work
65
Stretcher
A wooden or metal framework upon which a painter's canvas can be stretched
66
Style
Both form and style are concerned with those measurable aspects of art that caused the elements, principles and materials to come together as a composition; but they are equally concerned with the expressive content of the work
67
Stylize
To simplify forms for the purpose of increasing their aesthetic and expressive content
68
Subject
The identifiable object, incident, or situation represented in an artwork
69
Support
The physical material serving as a base for a painting, drawing etc
70
Symbol
A form, sign, image or subject standing for something.
71
Symmetry
An arrangement or balanced design
72
Technique
A person's manipulative skills and abilities related to a particular activity (brushwork, shading, texturing)
73
Tempera
A painting technique using a medium pigment mixed with egg yolk or glue
74
Texture
The tactile quality of a surface or the representation of that surface
75
Triptych
A painting consisting of three panels
76
Value
The property of colour that makes it seem light or dark, shading.
77
Vanishing Point
In linear perspective, that point on the horizon toward which parallel lines appear to meet.
78
Warm Colours
Hues in red, yellow, orange and sometimes violet sections of the colour spectrum. Tend to excite and stimulate.
79
Baroque
1600 - 1750. Splendour and Flourish for God.
80
Neoclassical
1750-1850. Art that recaptures the style of the ancient greeks and romans.
81
Realism (d)
1850 - 1900. Celebrating real life.
82
Impressionism (d)
1850 - 1900. Capturing Light,
83
Cubism
1900 - 1920. New forms to express Modern Life
84
Surrealism
1915 - 1950. Painting the unconscious.
85
Abstract Expressionism / Pop Art
1940 - 1960. Abstractation and Expression without form - Art absorbs consummerism
86
Postmodernism
1970 - Reworking and mixing past styles.

Studio Arts (2 decks)

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