King Lear quotes Flashcards

(48 cards)

1
Q

“How sharper than a…

A

…serpent’s tooth it is to have a thankless child”
- Lear about Goneril
- metaphor

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2
Q

“Kite” and…

A

…“vulture”
- Lear often refers to his daughters with animalistic imagery. Vultures and kites are both birds of prey

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3
Q

“Truth’s a dog…

A

…must to kennel”
- The Fool
- metaphor satirises Lear’s lack of awareness and principles

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4
Q

“nothing will come…

A

…of nothing”
- Lear
- repetition of “nothing” throughout the play establishes the centrality of nihilism

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5
Q

“which of you doth…

A

…love us most”
- Lear, using the royal register at the beginning of the play
- self-glorifying question

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6
Q

moral obligations “dread to speak when…

A

…power to flattery bows”
- Kent
- personification, perhaps intended as a subtle moral teaching for King James I

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7
Q

“See better…

A

…Lear”
- Kent undermines the king’s authority with the blunt imperative phrase and informal address

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8
Q

“She herself is…

A

…a dowry”
- France about Cordelia
- metaphor implies that Cordelia’s altruistic nature is worth more than her financial status

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9
Q

“nothing my lord, I love…

A

…your majesty according to my bond”
- Cordelia does not offer a false display of excessive affection like her sisters.
- she conforms to 17th century expectations of women, who were meant to devote love to their father, husband and God

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10
Q

“dry up her organs…

A

…of increase”
- Lear about Goneril
- visceral verb and objectifying description of her womb

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11
Q

“suspend thy…

A

…purpose”
- Lear about Goneril
reduces every woman’s worth to a biological function

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12
Q

“Sir, I love you more than words…

A

…can wield the matter”
- Goneril to Lear
flattery and the alliteration implies her tone is smooth and charming

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13
Q

“she names my very deed of love…

A

only she falls too short”
- Regan
- belittling phrase “too short” highlights the competitiveness that Lear inaugurated

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14
Q

“Know that we have divided…

A

…our kingdom in three”
- Lear, use of the royal register
King James I was a unionist, 17th century audience would have immediately anticipated conflict

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15
Q

“why brand they us with base?…

A

…With baseness, bastardy? Base, base?”
plosive alliteration and repetition - he is spiteful

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16
Q

Edmund repeatedly calls his brother…

A

“legitimate”
- encapsulates everything that makes Edgar perfect and him inferior, but when it’s reduced to a single word the concept is absurd

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17
Q

Edmund questions why he should “stand in…

A

…the plague of custom”
metaphor aligns primogeniture and customs around wedlock with disease

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18
Q

“The hedge sparrow fed the cuckoo so long…

A

that it had it head bit off by it young”
- The Fool, metaphor
filial ingratitude

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19
Q

“the younger rises when…

A

…the old doth fall”
Shakespeare notes on common anxiety around the youth overthrowing their elders in the 17th century

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20
Q

“we shall express our…

A

…darker purpose”
- Lear
adjective enforces the recurring theme of blindness
foreshadows the upcoming events

21
Q

“my cue is…

A

…villainous melancholy’”
- Edmund
paradox of hurt mistreatment and vengeful desire

22
Q

“thou, Nature…

A

…art my goddess”
- he devotes his loyalties to nature instead of man

23
Q

Edmund describes he conception as a “lusty…

A

stealth of nature”
- aligning his existence with nature implies he is pure and authentic
- seductive

24
Q

“Who is it that can…

A

…tell me who I am?”
- loss of the royal register
- questioning his identity

25
"thou wouldst make a good...
...Fool" - The Fool to Lear paradoxical task of distracting Lear from his suffering and encouraging him to take responsibilty
26
"it is his hand my lord...
but I hope his heart is not in the contents" - false display of concern, highlights his machiavellian nature
27
Edmund sings when he hears Edgar coming...
- "fa, sol, la, mi" often referred to as the diabolus in musica, due to the foreboding atmosphere it evokes
28
"'tis the infirmity of his age, yet he hath ever...
...but slenderly known himself" - Regan comments on his old age and lack of self-awareness
29
Goneril describes Lear's imperfections as amplified by "choleric..
...years" - the theory of the four humours - an excess of choler resulted in irrational behaviour and increased anger
30
"old fools are...
...babes again" - Goneril about Lear The Seven Ages of Man
31
"O sir, you...
...are old" - Regan to Lear - patronising
32
Goneril asks "What need you five and twenty? Ten? or Five?" and Regan adds...
..."what need one?" they collectively undermine his authority
33
"[Regan plucks...
...his beard.]" - stage direction highlights Regan's lack of respect for someone superior in in age, sex and social satus.
34
"dear father, it is thy...
...business I go about" - Cordelia to Lear Despite the way Lear mistreated her, she is still loyal to him - she appears Christ-like, as these lines allude to a biblical passage
35
"like flies to wanton boys we are to the...
...gods: they use us for their sport" Gloucester simile, implies men are pawns used for entertainment and discarded - nihilistic
36
"I stumbled when...
...I saw" - Gloucester highlights how when he had sight he could not see the truth
37
"thou shouldst not have been old...
...till thou hadst been wise" - the Fool notes that usually age and experience brings wisdom, but Lear remained ignorant under the protection of his wealth and status
38
"O let me not...
...be mad" - the audience pity him
39
Lear argues that without luxuries "man's life is...
...cheap as beast's" contradicts Lear's later line "unaccommodated man is no more but such a poor, bare, forked animal"
40
"I am a man more...
...sinned against than sinning" - Lear is a tragic hero, he admits he is flawed but asserts his treatment is unjust - however it could also be argued he is victimising himself
41
"I have ta'en too...
...little care of this" - The regretful realisation shows Lear discovered a newfound awareness for the poor within his country
42
"have his daughters brought...
...him to this pass?" - Lear's question aligns Edgar's pretence of madness with his own true state - he assumes every beggar's condition is due to filial ingratitude, specifically women, as feminists would note
43
"I am a very foolish...
...fond old man" - Lear's anagnorisis is a gradual process but here is takes full effect.
44
"sir, do you...
...know me?" - Cordelia asks Lear, a modern audience realises he shows signs of dementia
45
Edmund considers which sister to marry...
"Both? One? Or neither?" - series of short questions imply he is amused by the predicament, thus he holds absolute disregard for their feelings - yet later he says "all three now marry in an instant", thus he takes neither in life, but both in death.
46
"some good I mean to do...
...despite of mine own nature" - some may pity him, he believes evil is in him yet a modern audience cannot blame him for his desire to rebel. We realise he is not evil by nature, but a product of his classist environment.
47
"Look there...
...look there!" He dies believing Cordelia might be alive, which evokes catharsis
48
"the weight of this sad time we must obey"
- Edgar, the final lines of the play he speaks in rhyme, offers a sense of finality The audience are encouraged to the consequences of the character's actions