Kiss Of the Vampire Flashcards

(12 cards)

1
Q

Female character on the left

A

carried and supported by male character- Pale dresses made of light material, dress codes reinforce femininity through highlighting curves on their body- revealing flesh on upper chest and arms

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2
Q

gesture code of character on left

A

stereotypical passive victim of the ‘monster’ his power highlighted by the fact that his gesture connote his strength by carrying her with one arm

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3
Q

women on the right

A
  • more aggressive gesture codes, arm rasied almost fist-like with her teeth bared
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4
Q

submissive pose of male victim

A

on his knees, head back, neck exposed- represents her as non stereotypically dominant

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5
Q

Vampire himself

A

uncharacteristically fearful-in his gesture codes with his arm thrown across his body in a defensive gesture, perhaps protecting himself from the female vampire

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6
Q

Stuart Hall- shared conceptual roadmap

A

theory of representation image of castle, bats and vampires cape and dripping blood are all part of a shared conceptual roadmap that give meaning to the ‘world of the poster’ the audience is actively encouraged to decode this generic iconography

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7
Q

david gauntlett- theme of identity

A

female vampire acts as a form of identity for women struggling against male oppression or desiring to be seen as equal to their male counterparts regardless of environment

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8
Q

Liesbet Van Zoonen- feminist reading

A

by assuming this ‘co-antagonist role’ the female vampire is perhaps contributing to the social change by representing women in non traditional roles, however, the passive female victim does reinforce this.

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9
Q

Political and Social contexts

A

1960s- start of women’s sexual liberation, aided by events of the introduction of the contraceptive pill in 1960, more women than ever were entering the paid workforce and sixties feminists were campaigning for equal pay, an end to sexual harassment and more equality between men and women in wider society. In America in 1963 the Equal Pay Act was passed

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10
Q

Political and social contexts- stereotypes

A

‘older’ stereotypes of women as passive victims to men and modern ‘male fears’ of women challenging male dominance are demonstrated

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11
Q

produced by

A

Hammer Film Productions, distributed by J arthur rank it was the sequel to the 1958 Dracula

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12
Q
A
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