KORAI - in details Flashcards

(41 cards)

1
Q

Which Kore we have (we’ve discussed) colored restavrations?

A
  • Phrasikleia
  • Peplos Kore
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2
Q

Which Kore have polos?

A
  • Berlin
  • Phrasikleia
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3
Q

Which Kore wear peplos with sleeves?

A
  • Berlin
  • Peplos Kore
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4
Q

Which Korai have the most outstanding drapery rendering? Why?

A
  • Antenor’s Kore : the mental is coming down in fussy parallel folds and its wavy edge is grooved with different depth >> play of light, sense of weight.
  • Kore 675 :
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5
Q

Which Korai have their skirts :

a) realisitcally reacting to the pull?
b) plastic-looking?

A

a. Phrasikleia
b. Antinor’s; Kore 675

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6
Q

Describe :

BERLIN KORE

A

Berlin Kore, ca. 580 - 570 BC, found at Keratea in Attica, 1. 93 m :

  • was wrapped in led;
  • as a mythological figure connected to rebirth, could be funerary;
  • approach :

same as early Kouroi : not much follow through

  • stance :
  • frontal & straight;
  • arms - bent, but dont interfere with the rectangular-block technique;
  • clothes - as stelai;
  • body:
  • feet - huge (invisible from behind);
  • hands :
  • right - pommwgranate;
  • left - on the chest : thumb - tucked in; similar position as with Daedalic statue;

>> moving limbs from the very beginning of the series << probably, because of the offering she is holding, present for the deity:

instead of going to the sanctuary with one offering once at a certain day, statues – permanent offering (both the object she is holding and she herself).

  • clothing :
  • peplos + sleeves:

skirt - broad folds;

  • epiblema on top:
  • very decorative: front - symmetrical ; back - huge sawgs bigger to the bottom (to accomodate hair)

>> heavy material.

  • like Kouroi’s hair : n_o realistic response_ to the body;
  • no body underneath;
  • sandals >> shoes are meaningful;
  • hat : box-like, Polos - straight sides << place for decoration, e.g. meander (aka “Greek key”) is carved on the bottom:

Polos - Eastern hat : usually, the wearer - a figure of some status, sometimes – goddess;

BUT Greeks could have borrowed this detail without borrowing the meaningno images of goddess in Greek world with this type of hat.

  • head :
  • face : very oval, typically Archaic.
  • eyes : bulging; stylized like Kouroi’s but with a very deep groove.
  • nose : very long, pronounced
  • hair :
  • front : curls + vertical grooves = as smooshed snail curls;
  • behind the ear :
  • smooth;
  • band wihout a knot;
  • back :
  • weird big braid;
  • tail-like thing on the bottom;
  • back skull - flat;
  • similar grooving everywhere.

>> - figure of some status (why??)

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7
Q

Describe

A

Berlin Kore, ca. 580 - 570 BC, found at Keratea in Attica, 1. 93 m :

  • was wrapped in led;
  • as a mythological figure connected to rebirth, could be funerary;
  • approach :

same as early Kouroi : not much follow through

  • stance :
  • frontal & straight;
  • arms - bent, but dont interfere with the rectangular-block technique;
  • clothes - as stelai;
  • body:
  • feet - huge (invisible from behind);
  • hands :
  • right - pommwgranate;
  • left - on the chest : thumb - tucked in; similar position as with Daedalic statue;

>> moving limbs from the very beginning of the series << probably, because of the offering she is holding, present for the deity:

instead of going to the sanctuary with one offering once at a certain day, statues – permanent offering (both the object she is holding and she herself).

  • clothing :
  • peplos + sleeves:

skirt - broad folds;

  • epiblema on top:
  • very decorative: front - symmetrical ; back - huge sawgs bigger to the bottom (to accomodate hair)

>> heavy material.

  • like Kouroi’s hair : n_o realistic response_ to the body;
  • no body underneath;
  • sandals >> shoes are meaningful;
  • hat : box-like, Polos - straight sides << place for decoration, e.g. meander (aka “Greek key”) is carved on the bottom:

Polos - Eastern hat : usually, the wearer - a figure of some status, sometimes – goddess;

BUT Greeks could have borrowed this detail without borrowing the meaningno images of goddess in Greek world with this type of hat.

  • head :
  • face : very oval, typically Archaic.
  • eyes : bulging; stylized like Kouroi’s but with a very deep groove.
  • nose : very long, pronounced
  • hair :
  • front : curls + vertical grooves = as smooshed snail curls;
  • behind the ear :
  • smooth;
  • band wihout a knot;
  • back :
  • weird big braid;
  • tail-like thing on the bottom;
  • back skull - flat;
  • similar grooving everywhere.

>> - figure of some status (why??)

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8
Q

Which Kore is the earliest?

A

Berlin Kore

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9
Q

Which Kore wears Polos hat with meander pattern?

A

Berlin Kore

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10
Q

Which Kore dates to ca. 580-570 BC?

A

Berlin Kore

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11
Q

Berlin Kore and Kouroi : similarities.

A
  • Kouroi’s hair and Kore’s epiblema : no realistic reaction;
  • very bulgy eyes;
  • with early Kouroi :
    • block-technique.
    • no anatomical follow-through
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12
Q

What is so special about Berlin Kore?

A
  • indicates that Korai had moving limbs from the beginning of the series
  • was found with led :
    • either wrapped in
    • or with pieces;
    • some say - for protection;
    • others - part of hte statue;
  • similar to early Kouroi;
  • wears peplos with sleeves;
  • wears polos hat;
  • unique costume.
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13
Q

Describe :

Kore of Cheramyes

A

Kore of Cheramyes, ca. 570 - 560 BC, Samos, same sanctuary of Hera as the Samos Kouros :

  • inscription :
  • on epiblema : “Cheramyes dedicated me, a statue for Hera”.
  • Other Kourai from Samos - inscriptions too >> seems that they all were set up on the same base;
  • identity :
  • Hera? not likely : too many statues there.
  • stance :
  • like a column :
  • left arm - to the thigh;
  • right arm - not column like : on the chest, could be wrapped in drapery;
  • clothing :
  • light chiton;
  • heavy mantle;
  • light epiblema (covering entire back)

>> intent : represent different garments

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14
Q

Describe

A

Kore of Cheramyes, ca. 570 - 560 BC, Samos, same sanctuary of Hera as the Samos Kouros :

  • inscription :
  • on epiblema : “Cheramyes dedicated me, a statue for Hera”.
  • Other Kourai from Samos - inscriptions too >> seems that they all were set up on the same base;
  • identity :
  • Hera? not likely : too many statues there.
  • stance :
  • like a column :
  • left arm - to the thigh;
  • right arm - not column like : on the chest, could be wrapped in drapery;
  • clothing :
  • light chiton;
  • heavy mantle;
  • light epiblema (covering entire back)

>> intent : represent different garments

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15
Q

Which Kore is very much rendered as statue?

A

Kore of Cheramyes

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16
Q

What was, supposedly, artistic intent of the Kore of Cheramyes?

A
  • to represent _different _ drapery - she is dressed in :
  • light chiton;
  • light epiblema;
  • heavy mantle.
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17
Q

What Kore dates to ca. 570-560?

A

Kore of Cheramyes

18
Q

What Kore was found at the same spot as the Samos Kouros? What was the spot?

A

Both Kore of Cheramyes and Samos Kouros were found in the Sanctuary of Hera at Samos.

19
Q

Does the Kore of Cheramyes have an inscription?

If so, where is it carved and what does it say?

A

It is carved on her epiblema and it says that Cheramyes dedicated her, a statue of Hera.

20
Q

Describe :

Phrasikleia

A

Pharasikleia, ca. 560 - 550 BC, Myrrhinus (modern Merenda) in Attica:

  • inscription (on the base) :
  • function :
  • indisputably funerary ;
  • found with Kouros BUT inscription says that she shall ever be an unmarried maiden, so who is he?
  • it refers to her as kore + they all are similar = could be all called korai.
  • name of the artist - from Cyclades >> artists travel.
  • clothing :
  • very decorated chiton :
  • decorated with meander sleeves, collar, central line;
  • broad belt;
  • rosettes on breasts area;
  • no mantle, no epiblema = unmarried;
  • polos hat :

no reference to her status (neither is hse a goddess) >> very fancy decorative hat

  • sandals.
  • jewelry : lots.

>> funerary monument >> how she would be remembered + all dressed up = like a little princess >> apogee of hte upper society

  • arms :
  • right : along the body (secured by sleeves) BUT it pulls the skirt (skirt - no reciprocal movement like Kouroi’s hair)

becomes a typical action

  • left : holds a fruit :

shaped as her necklace, hat decorations, hair tasselspattern

  • eyes : a bit more individualized - tilted and flat
  • hair - similar to Kouroi but differently organized:
  • doesnt part in the center of the forehead : from ear to ear
  • wavy;
  • separate locks indicated in front : melon hair
21
Q

Describe

A

Pharasikleia, ca. 560 - 550 BC, Myrrhinus (modern Merenda) in Attica:

  • inscription (on the base) :
  • function :
  • indisputably funerary ;
  • found with Kouros BUT inscription says that she shall ever be an unmarried maiden, so who is he?
  • it refers to her as kore + they all are similar = could be all called korai.
  • name of the artist - from Cyclades >> artists travel.
  • clothing :
  • very decorated chiton :
  • decorated with meander sleeves, collar, central line;
  • broad belt;
  • rosettes on breasts area;
  • no mantle, no epiblema = unmarried;
  • polos hat :

no reference to her status (neither is hse a goddess) >> very fancy decorative hat

  • sandals.
  • jewelry : lots.

>> funerary monument >> how she would be remembered + all dressed up = like a little princess >> apogee of hte upper society

  • arms :
  • right : along the body (secured by sleeves) BUT it pulls the skirt (skirt - no reciprocal movement like Kouroi’s hair)

becomes a typical action

  • left : holds a fruit :

shaped as her necklace, hat decorations, hair tasselspattern

  • eyes : a bit more individualized - tilted and flat
  • hair - similar to Kouroi but differently organized:
  • doesnt part in the center of the forehead : from ear to ear
  • wavy;
  • separate locks indicated in front : melon hair
22
Q

The function of which Kore is known for a fact?

Why?

A

Phrasikleia’s : her inscription says that it is a gravemarker of Phrasikleia and that she will for ever be known as mainden as she has never been married.

23
Q

Due to which Kore scholars believe all such statues could be called Korai? Why?

A

It’s because of Phrasikleia, because of her inscription that refers to her as a maiden (Kore).

24
Q

What is slightly weird about Phrasikleia? Location-representation-wise?

A

She is refered to as an umarried maiden but she was found together with a Kouros.

25
What do we know about the creator of Phrasikleia?
Inscription gives his name - Aristion of Paros, which means that he is from Cyclades, and, since Phrasikleia was found in Attica, it means that artists traveled.
26
What could we say about Phrasikleia decoration- and pattern-wise?
- very decorated clothing - she had to be remembered in this festiv way; - the upper body is circle in a pattern : hair tassels, fruit, necklace, polos
27
What is so special about Phrasikleia's clothing and hair?
She _pulls the skirt out_ : no reciprocal movement - like Kouroi's hair. becomes typical feature. Hair : similar to Kouroi's but _different treatment_ --- no parting int he center; front - indication of individual locks
28
Describe : Peplos Kore
The Peplos Kore, ca. 540-530 BC, Acropolis, Athens, 1.2 m : - _small_ \<\< space at Acropolis (too many statues); - _stance_ : - stiff; - _right arm_ - along the body as _Kouroi's_ but with hole in it -- to hold smth; - _left arm_ - broken off, used to stick out. - _clothing_ - **sleeved peplos** : - sleeves = **solid piece of stone** \>\> place to adjoin the arm; - simple garment; - **indications of the body underneath** : breasts + groove for legs; - _hair_ : typical + **more organic follow through** : - wavy - not beaded effect; - no tassles - **not pattern-like**; - front : three strands from ear to ear. - "_band_" : - 32 holes + remainders of bronze = metal band, mb helmet. - barely helmet - hair on the back are carved.
29
Describe
The Peplos Kore, ca. 540-530 BC, Acropolis, Athens, 1.2 m : - _small_ \<\< space at Acropolis (too many statues); - _stance_ : - stiff; - _right arm_ - along the body as _Kouroi's_ but with hole in it -- to hold smth; - _left arm_ - broken off, used to stick out. - _clothing_ - **sleeved peplos** : - sleeves = **solid piece of stone** \>\> place to adjoin the arm; - simple garment; - **indications of the body underneath** : breasts + groove for legs; - _hair_ : typical + **more organic follow through** : - wavy - not beaded effect; - no tassles - **not pattern-like**; - front : three strands from ear to ear. - "_band_" : - 32 holes + remainders of bronze = metal band, mb helmet. - barely helmet - hair on the back are carved.
30
Peplos Kore, why so small?
probably, location - Acropolis \>\> everybody wanted to put dedications there \>\> not much space.
31
Peplos Kore, what's up with the arms?
Left - along hte body BUT has a hole in it; Right - extened, broken off.
32
Why would they create peplos with sleeves if it typically is not? Examples.
Sleeves = solid piece of stone on the top + place to adjoin the arm with an offering. e.g. Peplos Kore
33
Peplos Kore, body- and hair-wise.
body : visible under the peplos. hair : no tassel, not pattern.
34
Describe
Antenor's Kore aka Kore 681, ca. 520 BC, Acropolis, Athens, 2.15 m : - _inscription_ : - *dedication to Athena*; - **male donor** : - _weird_ : it's assumed that man - to male deities; - _curious_ : indicates that he is a potterer \>\> mb, to advertize himself; - artist too. - _body_ : - upper part - hefty & head - too small \>\> mb, **artist was used to _making Kouroi_** - _hair_ - basically carved : - front - curls; - sides - **four locks**; - back - as if no one could have seen. - _face_ : - lost; - _eyes_ - **sophisticated** : - **drilled holes** : eyeballs could have been made with different material to stand out; - _clothing_ : - _hat_ : - like a diadem - not polos; - visor; - front : could be floral pattern; - _spikes come out_ - could have been a _helmet attached_ - _chiton_ : - **framed** by the edge of the mantle; - skirt - **_responsive to the gesture_**; - _mantle_ - quite **progressive** : - comes down in parallel folds; - _deeply carved_ : enourmous swag of drapery = opportunity to carve it up \>\> **_play of light and dark_** & **_weight and dimension_**;
35
Describe
Antenor's Kore aka Kore 681, ca. 520 BC, Acropolis, Athens, 2.15 m : - _inscription_ : - *dedication to Athena*; - **male donor** : - _weird_ : it's assumed that man - to male deities; - _curious_ : indicates that he is a potterer \>\> mb, to advertize himself; - artist too. - _body_ : - upper part - hefty & head - too small \>\> mb, **artist was used to _making Kouroi_** - _hair_ - basically carved : - front - curls; - sides - **four locks**; - back - as if no one could have seen. - _face_ : - lost; - _eyes_ - **sophisticated** : - **drilled holes** : eyeballs could have been made with different material to stand out; - _clothing_ : - _hat_ : - like a diadem - not polos; - visor; - front : could be floral pattern; - _spikes come out_ - could have been a _helmet attached_ - _chiton_ : - **framed** by the edge of the mantle; - skirt - **_responsive to the gesture_**; - _mantle_ - quite **progressive** : - comes down in parallel folds; - _deeply carved_ : enourmous swag of drapery = opportunity to carve it up \>\> **_play of light and dark_** & **_weight and dimension_**;
36
Describe
Kore 675, ca. 510 BC, Akropolis, body - south of Parthenon & head - east of Parthenon, 0. 55 m : - _extra info_ : - found in two pieces; - _colors_: _dark_ : chiton and decorations; _light_ - mantle; pattern and color - to distinguish the draperies. - _carving_ : different for thick and thin parts; - _face_ - **typical** : - archaic smile; - deep groove for the eyes (_a bit tilted_); - heavy chin and cheeks; - eyebrows - into nose; - _hair_ : - _front_ : - wavy, fairly low, **from ear to ear**; - btw hair and visor - **smth wavy** : hair? band? - change of **texture** : visor, hair, smth wavy in-btw. - _back_ : back of the skull **not carved** \>\> mb, helmet. - other hair - typical. - _hair-dress_ : looks like a _visor_ : either a tiara or head-band - _torso_ - typical: - legs - gone; - one arm - extended - gone; - other arm - along the body, pulling the skirt - gone; - _clothing_ - very decorative and ornate : - _chiton_ : thin + delicate; _skirt_ : - wavy closely set lines \>\> thin material; - nudge \>\> reacting to the pull - **realistic**; - _mantle_ : heavier, goes till knees; heavy hem;
37
Describe : Kore 675
Kore 675, ca. 510 BC, Akropolis, body - south of Parthenon & head - east of Parthenon, 0. 55 m : - _extra info_ : - found in two pieces; - _colors_: _dark_ : chiton and decorations; _light_ - mantle; pattern and color - to distinguish the draperies. - _carving_ : different for thick and thin parts; - _face_ - **typical** : - archaic smile; - deep groove for the eyes (_a bit tilted_); - heavy chin and cheeks; - eyebrows - into nose; - _hair_ : - _front_ : - wavy, fairly low, **from ear to ear**; - btw hair and visor - **smth wavy** : hair? band? - change of **texture** : visor, hair, smth wavy in-btw. - _back_ : back of the skull **not carved** \>\> mb, helmet. - other hair - typical. - _hair-dress_ : looks like a _visor_ : either a tiara or head-band - _torso_ - typical: - legs - gone; - one arm - extended - gone; - other arm - along the body, pulling the skirt - gone; - _clothing_ - very decorative and ornate : - _chiton_ : thin + delicate; _skirt_ : - wavy closely set lines \>\> thin material; - nudge \>\> reacting to the pull - **realistic**; - _mantle_ : heavier, goes till knees; heavy hem;
38
Describe : Euthydikos Kore
Euthydikos Kore aka Kore 686, ca. 500 - 480 BC, Acropolis (torso - east of Parthenon; lower part - near Erechtheion), upper - 0. 58 m & lower - 0. 415 m: - **very late in the series** \>\> very different - _standard_ : - face; - three hair locks on each sholder; - pose of the upper body; - arm position; - thin chiton and heavy mantle; \>\> overall concept - _innovative_ : - _mouth_ : lost archaic smile - **Severe Look** - _clothing_ : less fuzzy and festive/decorative - more calm and relaxed [doesnt mean she is of lesser status] - _hair_ : - beaded effect is gone; - parted in the center in the front; - drawn back from the center; \>\> section underneath - like an undercut. - _legs_ : - **step forward**; - clothign very much **shows** her legs
39
What the main differences btw Euthydikos Kore and others?
- step forward. - completely new hair style : - beaded effect is gone; - parted in the center in the front; - drawn back from the center; \>\> section underneath - like an undercut.
40
Describe
Euthydikos Kore aka Kore 686, ca. 500 - 480 BC, Acropolis (torso - east of Parthenon; lower part - near Erechtheion), upper - 0. 58 m & lower - 0. 415 m: - **very late in the series** \>\> very different - _standard_ : - face; - three hair locks on each sholder; - pose of the upper body; - arm position; - thin chiton and heavy mantle; \>\> overall concept - _innovative_ : - _mouth_ : lost archaic smile - **Severe Look** - _clothing_ : less fuzzy and festive/decorative - more calm and relaxed [doesnt mean she is of lesser status] - _hair_ : - beaded effect is gone; - parted in the center in the front; - drawn back from the center; \>\> section underneath - like an undercut. - _legs_ : - **step forward**; - clothign very much **shows** her legs
41
Which Kore takes the step forward?
Euthydikos Kore.