Lamest Place In The World Flashcards
(6 cards)
1
Q
Melody?
A
- verse 1 has a range of a 6th which expands to an octave later in the verse then a 9th in the chorus
- syncopated conversional vocal melody
- melody based on first three notes of scale rising to a 6th
- second half of verse has distinct arch shaped melodies (21-22)
- chorus has leap of major 6th then minor 7th
- reaches a peak on C#/second degree of scale in bar 36
- verse 2 has funky bassline and piano countermelody
- middle 8 has longer note lengths and octave leaps (b-b)
- peak of song with 3 bars of D# from b107
- ends with held tonic degree from b124
2
Q
Harmony?
A
- intro features bVIIsus2 which provides a mixolydian feel
- verse 1 features pop harmony coloured by jazzy chords I, IV, V and VI with bVIIsus2 in intro and 11th chord in bar 14
- harmonic rhythm increases in second half of verse to changing every half bar
- tritone substitution chord in bar 18
- bar 18 chromatic descending bassline (F#-E#-E)
- jazzy chords such as C#add2/E# in chorus in bar 36
- in verse 2 the tritone sub is replaced with Amaj7/B
- D9#11 in bar 75 as piece modulates
- ends with alternating IV (Esus2) and Ib (B/D#)
3
Q
Rhythm?
A
- syncopated conversational melody
- electric guitar plays syncopated tonic riff in chorus and instrumental 2
- verse 2 becomes more syncopated
- triplets in bar 56
- phrases in the middle 8 land on the first beat of the bar e.g. “-pletely” in bar 76 and “never” in bar 84 however thus is cut short in b97 as “show” falls on the 4th beat
- quasi-sequential repeated rhythms in the bridge
4
Q
Tonality
A
- tonic key of B major
- modulates to the relative minor at the start of the middle 8
5
Q
Sonority?
A
- piano plays gently syncopated jazzy chords
- range of 6th to 8th to 9th in voice
- e guitar plays syncopated tonic riff
- drums, riff and e piano join at second intro
- bluesy piano riff at end of intro 2
- increased instrumentation in verse 2
- more expansive piano range and piano countermelody in verse 2
6
Q
Structure?
A
- typical pop structure with middle 8
-16 bar verse split into two sections of 8 - 15 bar chorus feels abrupt
- middle 8 cut short as first nite falls on beat 4 of b97 hot beat 1 on b98
- bridge runs into chorus
- coda at the end alternates IV and Ib