Language in the media Flashcards

1
Q

Affordance

A

is a choice or option offered by technology

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2
Q

Constraint

A

is a limitation or restriction of the technology

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3
Q

Rebus abbreviation (Crystal)

A

letters represent syllables (G2CY = good to see you)

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4
Q

Logograms (Crystal)

A

use of numerals and symbols to represent words and phrases: &, @, 2

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5
Q

Punctuation (Crystal)

A

Punctuation marks and letters adapted to express feelings: :), :(, :/

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6
Q

initialisms and acronyms (Crystal)

A

Multi-word sentences and response sequences minimised to initialisms and acronyms: lmk (let me know), YOLO (you only live once)

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7
Q

Consonant ommision (Crystal)

A

Consonants having a higher information value than vowels: vowel omission is common: pls, wt

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8
Q

Homophonic representation (Crystal)

A

h8, m8, 2, u

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9
Q

Variant orthography (Crystal)

A

spellings which are non-standard and phonetic: cuz

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10
Q

Sacks, Schlegoff and Jefferson:
Paralinguistics and turn-taking

A

-Without paralinguistic features turn-taking is triggered through intonation, questions, hesitations, interruptions, overlapping and discourse markers

-Grices’ maxims are important for successful discourse as they facilitate sufficient, truthful information which is relevant and articulated

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11
Q

Marshall McLuhan:
Typographic man

A

Print technology has created the era of ‘typographic man’ :

-Our identities and beliefs are shaped by the media we consume - and we can probably add digital media as well

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12
Q

Moral Panic and Language

A

Press make something an issue even when it isn’t

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13
Q

Deborah Cameron:
Verbal Hygiene

A

-People with conservative views use ‘grammar’ as a correlate for political and moral ideas (order, tradition, authority, hierarchy and rules)

-Panic about changing language is a panic about the changing order of society

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14
Q

Synchronous

A

Synchronous is an immediate response

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15
Q

Asynchronous

A

Asynchronous is a delay between the utterance and response

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16
Q

Synthetic personalisation

A

Creates illusion of a relationship between the text and producer used in text and text user

17
Q

Halliday:
Ideational Metafunction

A

How we represent reality through language:
-Experiential: analysing grammar
-Logical: analysis by comparing clauses

18
Q

Clark’s Theory of Common ground

A

Language and communication as a collaborative experience

19
Q

Linear

A

The text is ‘in order’ - you start at the start of the text and go through in the discourse in its intended sequence

20
Q

Non-linear

A

You are intended to jump around the text (hyperlinks are indications for a non-linear text

21
Q

Mary Hamilton and David Barton

A

Informal register facilitates the mimicking of colloquial language

22
Q

Exophoric referencing

A

A reference within a text to something outside of the text

23
Q

Endophroic referencing

A

A reference within a text to something inside the text

24
Q

Symbolic codes (Barthes on Semiotics)

A

Symbolic codes: the use of an image to represent meaning (e.g heart meaning love)

25
Q

Semantic codes (Barthes on semiotics)

A

Semantic codes: audience understand there is an extra layer of meaning/hidden meanings

26
Q

Cultural codes (Barthes on semiotics)

A

Cultural/referential codes: Codes which use elements of a media text that have cultural reference and therefore appeal to people of a certain culture (e.g age, gender, race) - built on stereotypes but built on audiences age, gender, race

27
Q

David Crystal

A

David Crystal states that the internet is the largest corpus of English vocabulary that has ever existed