LAST MIN STUFF Flashcards

(45 cards)

1
Q

Rabkin quote marriage

A

The Duchess’ marriage to Antonio is ‘wilful and irresponsible’

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2
Q

Tolliver quote marriage

A

‘January shops for his bride’

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3
Q

Wedlock is

A

So esy and so clene

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4
Q

These words should be mine

A

And all the parts you have spoke

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5
Q

Hart quote deception

A

‘Bosola is a twisted misanthrope and cut throat’

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6
Q

Tolliver quote deception

A

‘January is blinded by the deception of his wife’

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7
Q

In warm wex hath

A

Emprented the clicket

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8
Q

Now for this act

A

I am certain to be rais’d

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9
Q

Bradbrook quote religion

A

‘The cardinal knows already that he is in hell’

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10
Q

Thorne quote religion

A

‘January’s bending of religious authority leaves religion untouched but adds to our sense of his delusion and error’

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11
Q

Holy

A

Boond

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12
Q

Pull and pull strongly

A

For your able strength must pull down heaven upon me

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13
Q

Whigham quote lust

A

‘Ferdinand’s incestuous inclination’

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14
Q

Pearsall quote lust

A

‘The tale reduces all human behaviour to lust and greed’

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15
Q

In he

A

Throng

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16
Q

Whether we fall by ambition, blood, or lust

A

Like diamonds we are cut with our own dust

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17
Q

Marxism for antonio

A

It is due to Antonio’s lower status that he has less influence

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18
Q

Haskell quote class

A

Life for women of the gentry was synonymous with marriage

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19
Q

Gentil

20
Q

Ambition, madam

A

Is a great man’s madness

21
Q

Jonathan bate

A

Viola redeems the play because she proves to be selfless not selfish

22
Q

Stephen greenblatt

A

Viola’s disguise has not only created sexual confusion, but Elizabethan conservatism is being challenged as well

23
Q

I’ll do my best to woo your lady

A

Oh what a barfil strife for whoever I woo myself would be his wife

24
Q

Joseph summers

A

Orsino is bound by his own mask of love, the mask is a distorted sense of love and is fed by boredom, lack of physical love, and excessive imagination

25
Northrop frye
Both Orsino and Olivia are out of touch with emotion, moving around in sorrows, longing for something that they can never have
26
Humphrey Tonkin
Duke Orsino is a true Petrarchan lover
27
Film version twelfth night
1996 director Trevor nunn
28
DOM Globe production dir dromgoole
Ferdinand is mad and there’s a more playful tone
29
Film we watched DOM stage on screen dir Freestone
Antonio is pathetic and jumps away after kissing the Duchess
30
David Lewis
For both Orsino and Olivia, self deception serves as an avoidance of the real world and of real emotion
31
Howard
Olivia, with her social and financial independence is a much bigger threat to the heirarchal gender system than Viola is
32
2018 RSC DOM production
The cardinal assaults Julia
33
2017 RSC twelfth night production
Contrast in Olivia’s household with orsino’s court
34
Hunworth
The filling of malvolio is the comic highlight if not the centre of the play
35
Warham
Malvolio’s complete belief in Maria’s letter provides a wonderful spectacle for the audience
36
Lamb
Malvolio is misunderstood
37
Robert Weizmann
Although the carnivalesque ceremonies were gradually discontinued, their spirit survived in the Elizabethan clown
38
Harold bloom
Everyone except the reluctant jester, Feste, is essentially mad without knowing it
39
Penny gay
Sir Toby is the Lord of Misrule
40
Epstein
The clowning scenes give spectators a chance to catch their breath and mentally prepare themselves for what follows
41
Bruce r Smith
Gender is more like a suit of clothes that can be taken on and off at will
42
Valerie traub
It is as an object of another woman’s desire that Cesario finds own erotic voice
43
Michael Bristol
Central to the experience of carnival is a particular use of symbols, costumes, and masks
44
2002 globe production twelfth night
All the actors were male
45
2001 dir Lindsay posner
Antonio and Sebastian are seen getting dressed next to an unmade bed